Mittwoch, 24. Juli 2013

Record Reviews July 2013: "Reviewpackage" feat. COLD REALITY, CRUSHING CASPARS, CRUTCHES, DAMAGEPLAN, DROPKICK MURPHYS, LOOSE ENDS, MACHINE HEAD, MORIBUND SCUM, NEW WORLD, OVERPAIN, PINCHER, SCORPIONS, TAKEN BY FORCE, U.D.O., WISDOM IN CHAINS

Hey folks, what's up? Everybody's fine? Eveythings good as well? I hope so. First thing: No, this blog is still not dead!!! With this set straight, what's else left to say: Here everything goes pretty fine. Beside the fact that I work since the end of May untill now week for week nearly 60 hours on five days a week and so beside working anything else is very rare, especially free time, and especially on week days I can't really talk about a private social life anymore, currently. But things will change again some day, hopefully soon, and then also this blog will be brought to new life. But currently I just don't get it done, too less time, too less energy left, and so also the first theme days will come later, again, and when new record reviews will come we will see and what else will come and when we will also see, can't tell anything about it for sure right now right here. When I started this post we had still May, eight days before we would have reached the month known as June. A lot of work used to take a lot of time and so beside the 2 DIAS DE SANGRE interview more or less nothing else used to pop up here for quite a time now. This means not at least, that also the announced package of reviews on records post, that you read here and on which I start(ed) working on in May with only very few new stuff got done over June, didn't popped up here like primarly planned in June, but in July. But okay, anyhow, then now it comes up in July and June was a complete dead month up here, won't hurt anyone, I would bet, but you can bet that it totally sucked and sucks from my point of view, not at least also in general June was a pretty much complete dead month. Don't ask me now, if a second reviewpackage will come in July but pretty sure, at least currently I think so, the first theme days up here will come and pop up here in August, at least that's how I have aimed it now in my bull's eye. What will more come beside this, hm, currently I have not one single small idea, workful times, there's other stuff going nuts in my mind than what about I will blog next. Okay, back to this post here, that will feature reviews on records in various forms- digital to physical- and of various release dates and years, new, older, old, you will find in between this three stages everything, and also musicwise you will find a lot of different styles and genres respectively reviews on records of several different styles and genres, but with Hardcore owning clearly the leading role this time (at least I would say so). By the way, I don't know how you feel with and about it but I really start to like this package format of the record reviews posts more and more. Just hope that you feel about it at least a little bit the same. Anyway and anyhow, I think now it's by far enough with the confusing introducing words here and now, now it's about time for the record reviews to start, so let's go!!! (And when you are through with this, stay tuned for more new stuff to come up here as soon as it's anyhow possible for me.)
 

COLD REALITY - "DEMO 2013"
("D.I.Y."; MP3-Download-Release)
Cool shit, Hardcore from Hungary, so far, I think, unknown to me before. And it's good that I changed this these days, so that I made them known to and for me, thumbs up, this here is Roughneck Hardcore from Hungary and a through and through, for what I know, D.I.Y. release that was, for what I know, released as a official and free MP3-Download but don't ask me if there are any physical releases and if so in which form(s), anyhow, but I stumbled upon this band and release due and thanks to the great guys of the "HARDBOILED WEBZINE" (http://www.hardboiledzine.com/). Okay, COLD REALITY give us six songs in about eleven minutes including one heavy stomping pretty cool intro track. After the intro the Hardcore assault from Hungary kicks off loose without taking any prisoners. Eleven minutes filled with slamming heavy and dirty, harsh guitars, a bulky and beefy roaring and rumbling rhythm section, and all leaded by nasty and angry shouted barked out vocals. It's all done tight and with a good dose of skills, technical ones as well as songwriting abilities, and also some nice ideas. Slamming two steppy parts with a lot of moshing potential, fast paced raging and mid paced grooving parts, all done pretty well without a doubt. I would just wish to hear more of an own identity and a singer that really adds some guts and some healthy doses of brutality to his voice and singing style. But it's anything but bad, nah, no way, this here is a good album and a good starting point that is just lacking some more own ideas and creative moments and a higher skilled singer so that it failes to stick out more right from the start. But it's surely a good album anyhow, so check it out. Especially if you are a fan of acts like BULLDOG COURAGE or also (the early) WISDOM IN CHAINS, and if you add in your imagination a good bunch of slammin' slightly metallic two steppin' moshin' and down beatin' moments to it and you like your imagination of COLD REALITY that you get from this than even more than before, yes, then perfect, check them out really soon. A nice artwork, a dirty buzzing rough'n'raw production sound, and a bunch of nice lyrics we get on top of it all, lyrics and artwork are part of the download. Check it out if you are into Hardcore and want some fresh'n'new up to date New Old School Hardcore. I would ask for more creativity and a more strong own identity with more grapping fresh ideas and a at least still a little bit higher grade of the overall quality as well as for a strong improvement of the singer, but for now it's all anything but dramatic and all in all we get here a nice little good round of cool moshing Hardcore tunes. Surely a good album, and with it so, if you like so, a good start, so if you are into Hardcore musick make sure to test it out, period. HARDCORE!!! FIST!!!
(7 of 10 points)
(https://www.facebook.com/coldrealityhc)
(http://coldrealityhc.bandcamp.com/)

CRUSHING CASPARS - "FULL FLAVOR"
("D.I.Y."; CD & LP)
(Originally already from 2001, the debut work of the band.):
The CRUSHING CASPARS are a nowadays already pretty long running Hardcore band from Germany. But beside this I have to admit that I am anything but familiar with this very band. I just saw them live on stage over the last three years or so for two times or so, the last time just some short months ago, and both times they totally rocked my ass off and heavily convinced me. And so the last time I decided to go and shop and buy a album of them. And I wanted to grap their newest one... and after the sticker "new album" was popped up on this one I bought this one. It was there to buy as a CD as well as a LP but after the LP was some Euro bucks more expensive and the CD also features a bonus track I decided to take the CD version with me. Okay, at home I wondered why the guys on the photos mostly looked not by far like the guys today up on stage and since when the CRUSHING CASPARS are a D.I.Y. band again, and also why the artwork is a so incredible cheap joke for such a long running and well established band... and after I asked the mighty Google gods I got aware of it that this is or was originally the debut work and release of the CRUSHING CASPARS. So now don't ask me if this is a rerelease edition done in the D.I.Y. way or if this are just the last copies of it being desperately sold these days, I have not a single clou, and also don't you ask me why they sticked up the sticker "new album" on it at the concert, maybe to fool clueless folks like me (if so then it worked out good, at least in my case) or something so like this, I have also in this case not a single clou. Okay, anyhow, so now comes my review on their debut from 2001... but after I think this is a little bit without any real substance I will now keep it short from this point here now on, so don't you wonder: This is especially metallic as well as slightly Punkrock influenced and also pretty Party compatible and looking at the attitude of the band strictly antifascist bulldozer style Hardcore in the tradition of a band like PRO-PAIN and their NYHC fellows in S.O.D. and M.O.D. (just music wise) and add also some Westcoast Skateboard Hardcore a la SUICIDAL TENDENCIES to it, full of heavy grooving and heavier moshing guitars, brutal shouted but also suprisingly often clean sung lead vocals, fat back up chants, a heavy and great done pretty often very funky bass work, and stunning bulky drumming. Nice songwriting, a big load of power and energy, a good dose of fresh ideas (and I mean ideas that are also today still pretty fresh), but also with too much songs so that too much average song material spoils a little bit the all in all good impression and taste of "FULL FLAVOR". A album that still calls a mostly fresh taste its own, still, after twelve years now after its original release date year. Nice lyrics on top of it, cheap terribel and horrible artwork, and a pretty good powerful production sound on top of it. Nice stuff that you can calmly buy if you are into above named bands and kind of Hardcore, but to be honest don't pay the full price on it (like I did), don't let them fool you (like me), and better check the CRUSHING CASPARS out live on stage and with one of their newer and far more improved releases, because this holds more meaning and sense and potential in store than this pretty old semi-legendary release. Nice shot anyway. HARDCORE!!! FIST!!!
(7 of 10 points)
(https://www.facebook.com/?ref=logo#!/crushingcaspars?fref=ts)
 
CRUTCHES - "D-BEAT TSUNAMI EP"
("D.I.Y."; 7'' & MP3-Download-Release)
(Download it for a name your price pick over @ http://crutches666.bandcamp.com/):
Fuck it, don't ask me why I totally forgot about reviewing this little gem untill now. Released quite some months ago already in the autumn of 2012 as a 7'' as well as a MP3-Download-Release as a name your price pick. The MP3-Download-Release is a through and through D.I.Y. affair, but please don't ask me about the 7'' release, I don't know it, not at least because I only call the MP3-Download-Release of this piece my own. Anyhow, on we go, ah, and if you read this very blog of mine and my writings about musick up here now already for a little bit longer than CRUTCHES should be no strangers to you anyway, and if you're into Crustcore and D-Beat of today and especially the one of the swedish kind than CRUTCHES should be anyhow anything but strangers to you. This is their still newest release to date and on it we get three "new" songs by them in around eight minutes, titled "LET'S START A FIRE", "SJÄLVUTSKITNA", and "KAOS RÄNNSTENSSJÄLARNA". And about two song titles I don't even have a single little idea what they mean, haha;-). They developed quite a bit like you can easily hear it here on this very one without any doubts, taking the steps from good and very good to great. Their self-titled demo was fucking damn good, but this here, this here is a forceful step forward in the right direction and pushing the quality standards onward forwards. Great changing of the pace and the rhythm structures of the songs, giving us a good done mixture out of fast forward up tempo raging musical hate bolts and totally devastating everything down tearing and destructively crushing mid paced heavy weight groovy rockin' and rotten rollin' bulldozer runs. Shredding and sawing, crushing and noisy guitar riffs, outstanding great and incredible heavy and distorted roaring bass playing that is really standing heavily in the first line and manages it also easily to give the guitars a kick to the back, heavy pounding and sheer exploding D-Beat drums, and a hysterical highly aggressive forceful screaming lead singing voice, this are the ingredients that make the sound of CRUTCHES. And they did all even far more tight and intense, grapping and dynamic then before. Just put some more suprising guitar parts and a healthy dose of a bigger diversity into the lead singing, and the next time around CRUTCHES will surely manage to grow even bigger and better than "just" great like this time. Lyricwise I can't say that much about it all, but they label themselves as a political anarchist A/E D-Beat band. And while I'm pretty sure about the fact that the "A" stands for the Anarchist part I have no clue for what the "E" shall stand, but who cares, anyhow a pretty left winged political affair, just that you know about it in case you may should have a problem with it, but then that's your problem, ha, and not mine. As far as I can say something about the artwork I think it's a okay one, not bad, but I think it would be more possible to do out of what I think is/was the main idea behind it all, anyway, not that important after all and who am I to judge, so forget about it. The dirty and loud roaring, heavy production sound is pure gold and fits perfect to and with the musick. This here is all in all a damn great release and a step forward for CRUTCHES, one of the best Crustcore and D-Beat bands today around, and I can only highly recommend this nice little dirty shining gem to all of you outta there that are at least slightly interested in Crustcore and D-Beat musick of today. So get it and go fucking nuts about it, period!!! Burn down and plunder a police station near you. Now!!!
(9 of 10 points)
(http://crutches666.blogspot.de/)

DAMAGEPLAN - "NEW FOUND POWER"
("ELEKTRA"; CD)
(Originally released in 2004.)
Here's a pretty old release, I mean it's been nearly for ten years now around, so yes, you can easily say that this is a pretty old release. After the split up of the almighty and larger than life PANTERA the former band members went half for half seperate new ways. The one half, Phil Anselmo and the former PANTERA bass player Rex, went on to play here and there also together in such bands like DOWN, ARSON ANTHEM, SUPERJOINT RITUAL, and some more, while the two brothers Dimebag Darrel and Vinnie Paul went on and formed DAMAGEPLAN and to play in or on REBEL MEETS REBEL. It all should drastically end, when Dimebag Darrel was shot dead by a mentally deranged nutjob up on stage during a DAMAGEPLAN show by the end of 2004, and so there was no opportunity or chance for more to come from DAMAGEPLAN than this very album here. I always loved PANTERA (always means since their "COWBOYS FROM HELL" milestone) and I always thought it sucked that they went seperate ways and when I heard of Dimebag Darrel being shot dead back then I was really damn fucking shocked of it. Back then I was right from the start very interested in DAMAGEPLAN but however I never bought this disc untill two or three months ago when I stumbled upon this record in the local record shop for a low price of something around five Euro bucks or so. Don't ask me why I never bought it back then or sometime else before. I think why I didn't buy it back then was simply due to the fact that back then Metal music had no real relevance anymore for me, something that only slowly changed again finally especially over the last years. Why I never bought it sometime else since then is maybe due to the fact that I totally forget about it untill I finally saw it again. I don't know, but maybe this are the reasons or some of them, who knows. But anyhow, maybe also not that important at all. Ah, and only because I just bought it now pretty recently I decided to do a review on it by my own here and now, wouldn't hurt anyone, wouldn't do harm to anybody. So, okay, expect some Groove Metal (how I hate this term) in the tradition of PANTERA, and this won't make you wonder, right, right, with a good dose of some new ideas and ingredients to it all, so that DAMAGEPLAN had been anything but a PANTERA ripp off clone band. Expect a phenomenal strong guitar work, outstanding and outshining like nothing else, thundering demolishing diverse and skilled drumming, a evil cracking and angry roaring bass at work, and hard and brutal, yet melodic and clear, pretty charismatic lead vocals, all done in a grapping way of songwriting, diverse and fresh and interesting and full of suprising twists and turns and far enriched and developed in some sort of a proggy direction, and about the phenomenal high skills of the musicians with and at their instruments we don't have to talk about here and now anyhow. Musicwise the only problem is that I can't shake off the feeling that they somehow didn't go full throttle, that for some reasons and which one this had ever been they always kept one foot on the break. I can't describe it anyhow better, but it's also anything but a major problem. And what makes this album really shine is the fact that despise the nearly ten years it's now already old it still stands its very ground and sticks out and is far more fresh and interesting than by far most of all the other Metal albums released since them or today. Really greatness at work. Fans of PANTERA as well as FEAR FACTORY, MACHINE HEAD, ANTHRAX, KILLINGCULTURE, but also SOIL, GODSMACK, and other comparable bands will love DAMAGEPLAN and if you are in the described target group and for which reasons ever still don't know DAMAGEPLAN then make sure you change this as soon as possible. My personal favorites are without a doubt "NEW FOUND POWER", "PRIDE", "REBORN", "SAVE ME", "CRAWL", "BLINK OF AN EYE" (larger than life hymn, period), and "BLUNT FORCE TRAUMA", but also the other songs damn know how to fucking stand their ground, point and fact. Good lyrics, a great production sound, and an okay artwork we get on top of it all as well. So, nothing left to say, but that I highly recommend this one to you. If you still don't have it, then get it now!!!
(9 of 10 points)
(http://www.damageplan.com/)

DROPKICK MURPHYS - "SIGNED AND SEALED IN BLOOD"
("BORN & BRED RECORDS"; CD):
(Released in 2013.):
Here it is, the new masterpiece album by the almighty DROPKICK MURPHYS, definitely one of my absolutely favorite bands for far over an decade or so surely now, and after having the pleasure to enjoy them one more time live on stage in January 2012 I was damn hungry and demanding for more and new stuff by them. And with this album they delivered. And one more time they refused to dissapoint me, hell yeahrrr!!! "SIGNED AND SEALED IN BLOOD" was first announced to see the light of day in December 2012 but then it suddenly somehow took a little bit longer and the rays of the sun came to its face just in January 2013, so this time delay is pretty sure the reason for the strange happening that a in January released album features a Christmas Song on it, what is otherwise a little bit weird and would be maybe also at least a little bit mis-/displaced, hm, but it's also not maybe but definitely anything but important, so forget about it. But what you definitely shouldn't forget about is this amazing album that will definitely conquer a well reputated place in my this year's top ten album list. From a Irish Folk Punk/Celtic Punk band ("a" band is not that right, let us maybe better say "the" band or "one of the" bands) they moved on to a totally unique band combining Irish Folk music, classical (American Working Class) Rock (& Roll) music, and Punkrock and Streetpunk and they made this their very own thing, and this they proof here one more time again. And this time they do keep it fresh and alive-lively, exciting and nicely suprising and diverse. And you know what, I wouldn't have expected anything else, to be honest. Blending THE CLASH like Punkrock with a some PRESSURE POINT like Streetpunk flair with Irish Folk, much Irish Folk, and BRUCE SPRINGSTEEN like American Working Class Rock & Roll, and also add here and there some "FORTUNATE SON" like CREEDENCE CLEARWATER REVIVAL flair or feeling to it all, some U.S. American Working Class Roots Rock, ya know, and out of all this they create their totally very own thing. And this one more time. Hell yeahrrr!!! Heartfelt yet energetic, heavy yet melodic, sharp edged'n'aimed and hard hitting guitar playing, emotional yet harsh double voiced lead vocals and great full throaty crew shout back up chants, brilliant and goosepimples for free giving Irish Folk instrumentation, and a forceful and diverse and versatile rhythm section, out of this ingredients the DROPKICK MURPHYS create one anthem after another here on "SIGNED AND SEALED IN BLOOD". Great versatile and diverse, grapping and interesting, fresh and suprising kept songwriting, all delivered by great musicians and all in a very alive and lively way, and in some ways definitely more spontaneous and apertured, more punky than the last (but also more than great) album, to leave the strict frame of a concept album behind them this time again was the totally right decision, just take a listen to this masterpiece here. Larger than life lyrics full of attitude and pride, a incredible beautiful artwork, and a first class production sound then finally make this one here to the complete package. A mighty, nah, a almighty album and a statement of its very own. My personal favorites are the amazing opener "THE BOYS ARE BACK IN TOWN", the incredible emotional "ROSE TATTOO", the dynamic and energetic anthems "BURN", "THE BATTLE RAGES ON", and "DON'T TEAR US APART", as well as "OUT ON THE TOWN", and the drinking song hymn "END OF THE NIGHT". But also the other not mentioned songs are totally must-hear-and-go-nuts-to-songs, trust me. I can only recommend this very one to you, highly recommend it, point and fact. Cheers & Oi! Oi! Oi!
(10 of 10 points)
(https://www.facebook.com/#!/DropkickMurphys?fref=ts)

LOOSE ENDS - "FREE SPIRIT"
("D.I.Y."; MP3-Online-EP)
(Get it @ http://www.hardboiledzine.com/2013/04/demo-daze-loose-ends-first-degree-denny.html or try your luck over @ http://rottenyoungearth.blogspot.de/2013/04/loose-ends-free-spirit.html):
Okay folks, up next are LOOSE ENDS with their 2013 release "FREE SPIRIT", a little album that as far as I know it is released all the D.I.Y. way and as a MP3-Download-Online-EP by the band itself. But that's just what I know, so if I should be wrong, okay, then I wasn't that good informed after all. Then just drop a line and I correct the wrongs as soon as I find the time to do so, ah, and then I would also delete the download links a little bit above, if the guys in the band don't want them up here. Just drop a line and I will take care of it asap, no problem. LOOSE ENDS had been new to me, but it seems that at least they already have put out a demo release before this very one here, and they are coming from Kenosha, WI/U.S.A., as far as I know. Here we get four songs by them in around nine minutes, and this are four songs in nine minutes of bad ass heavy hitting heavy weight mid paced metallic Hardcore in the tradition of a band like MERAUDER (maybe far more "BLUETALITY" than "MASTER KILLER"...) and stuff like this. Heavy weight mid paced forward rumbling crushing metallic Hardcore tunes that mostly stick in the mid tempo department without any really fast paced up tempo outbursts, all carried forward by the throaty and rhythmic accentuated shouted lead vocals and the heavy and stoic crushing pretty to very metallic guitar riffing, while the fat rhythm section is backing it all up pretty to very well in a beefy and bulky way. It's all done good and maybe even (and maybe even far) better that "just" good, no doubt about it that this guys know what they do and how to do it, they are definitely skilled musicians and all this, and that there are surely a lot of mega happy go lucky heavy ass fans outta there of and for this I know as well, but honestly not that much me, myself and I. Like I said, it's good without a doubt, but I really miss something and of this something I miss even a little bit more to a lot and this something I will here and now easily name with just: Diversity!!! With: Suprises!!! With: Changes!!! With: Pace variety!!! With: Grapping moments!!! With: Interesting arrangements!!! Because, honestly, for me to really please my gusto and keep me entertained and to keep my attention it all simply just sounds too equal and too much the same, and also too much like heard already a thousand times before. All good and fine and with a truck load of hate for the world delivered, but simply not grapping enough, at least personally for me. But I know that probably legions of you guys outta there will see this in a total different light and if mid paced roaring metallic Hardcore in the way of MERAUDER (and or but without being too creative and too diverse...) is exactly your thing, then don't think twice and test LOOSE ENDS with their "FREE SPIRIT" because they will pretty surely leave you satisfied, it's just not that much my sort of protein shake, that's it. Desperate lyrics, a sinister artwork, and a heavy production sound we get on top of it all as well. If you are in the by me described target group then you will love LOOSE ENDS and if here would be a different other reviewer than me then they would probably get a by far more higher rating here but so... It's just me who's here and so that's what they get from me due to above described reasons, that's it. Anyhow, just that you not forget: HARDCORE!!! FIST!!!
(5 of 10 points)
(https://www.facebook.com/looseendskeno?fref=ts)

MACHINE HEAD - "UNTO THE LOCUST"
("ROADRUNNER RECORDS"; CD)
(Originally released already back then in 2011.):
Now comes a review on a record that's already a little bit older now, released already two years ago from now back then in 2011, but after it's for all what I know still today the most current album release by MACHINE HEAD the review on it by me will come up here and now anyhow anyway, hm, and I think it won't hurt nobody, it won't do harm to anyone outta there. And don't ask me why I missed out on reviewing this very album up here so far. I don't know it, couldn't tell you any answer to this question. Okay, MACHINE HEAD, eyh, I think I really don't have to introduce this band to anyone outta there, hm, and that with their debut album "BURN MY EYES" back then they created and gave birth and life to a groundbreaking and lifechanging album is also a fact that I am pretty sure is clear to anyone outta there, at least if you had been already active around back then in the glorious 1990's. Also their second album, "THE MORE THINGS CHANGE... THE MORE THEY STAY THE SAME", holds many points in my book. After this their Nu Metal phase wasn't really anything for me, beside two or three songs of "THE BURNING RED". And "SUPERCHARGER" was (and is) a total no-go for me. But then with "THROUGH THE ASHES OF EMPIRES" and "THE BLACKENING" they really made up good for this, even far more with the first named one than with the second name one. And then "UNTO THE LOCUST" came out and was released by MACHINE HEAD, and it caused some rumours and such stuff and sort of divided the fans in a love and in a hate group, or at least that was what I could get aware of in my social environment. But, honestly, I couldn't and still can't really understand this stuff, to hate it there's no reason, as well as there's no reason to overwhelmingly fell in love it, at least from my standpoint. I mean, it's a good album and the development of the sound and style of MACHINE HEAD is very consequent and that this guys are outstanding good musicians is also clear without a doubt, and how to write songs they know damn sure for good and this also right and direct from the start of the band. And the development is straight, consequent, and logical. They became even more proggy and playful and somewhat classical in a sense of traditional or classical (Heavy) Metal music, and they often remind me of the old glorious METALLICA but without being that good, without coming even close to this grandmasters. But who could ask for this... no one!!! So, if you love proggy arranged and very long and pretty often with a classic Metal influence and poppy and catchy arranged hymnal and melodic refrains enriched Thrash Metal with a clear traditional (Bay Area) Thrash Metal touch, filled with  dominating guitars, charismatic lead vocals, and a massive stunning rhythm section and done in a mostly fresh kept (or tried to be so) way of songwriting all delivered by outstanding musicians, then get this one. And if you are like me which means a enthusiastic fan especially of the two lifechanging monumental METALLICA albums "MASTER OF PUPPETS" and "...AND JUSTICE FOR ALL" then risk an ear as well, but don't expect them which means MACHINE HEAD to come even close to be that good like the originals which means METALLICA had been back then. Interesting lyrics, a bombastic production sound and a nice and good fitting artwork we get on top of it all as well. A good album, a really good album, a damn good one, no doubt about it, but I miss that specific and typical MACHINE HEAD something, that harsh and cliché free heavyness and authentic musical brutality, that more new school than old school flair, so they sound to me a little bit too much like some band else these days, not like MACHINE HEAD how I fell in love with them. But that's just a through and through subjective perception and also it takes away nothing of the quality that these album in a musical sense holds without any doubt in store. So, if you maybe really still don't have or even know it, still not today, then give it a try if you are into Metal music, period.
(8 of 10 points)
(https://www.facebook.com/#!/MachineHead?fref=ts)


MORIBUND SCUM - "REDNECK EXECUTION"
("D.I.Y."; Demo Tape & MP3-Download-Release)
(Pick it up over @ http://www.mediafire.com/download/b3c1smko0jswlrd/Moribund+Scum+-+Redneck+Execution_Demotape+2013.rar):
Whoaa baby, next round we move only something like 35km away from my hometwon to the city of Braunschweig, and this time another Crustcore platoon awaits for us in form of the local (anti-) heroes of MORIBUND SCUM. I never knew that a band like this existed in Braunschweig anyway, but okay, you (which means also: I) can't know anything. Especially if you are just in it for the music these days and couldn't care less about all this "scene-hype-interna-bullshit" crap farce. But that's a different and another story to tell and would totally demolish the frame that a record review offers, hm, and this story would beside this also be totally misplaced in a record review. Anyhow, back to the topic, this very review here on the "REDNECK EXECUTION" by MORIBUND SCUM. It was released all the D.I.Y. way by the band itself, and this on Tape as well as in the form of a MP3-Download-Release, I call the last or second one my own. It's up on their Bandcamp site as well as the great "CRUST DEMOS" blog offers a free download link, I think provided or authorized by the band itself, and this link you can find above at the beginning of this very review here. All in all we get seven songs in around twenty-eight minutes total running time. And what we get, yeahr, easy: Crustcore!!! Sinister, brutal, aggressive, and apocalyptic metallic Crustcore. It's a very, and I mean really a very heavy and brutal, sinister and desperate, aggressive and pissed off affair that knocks and storms, roars and pukes, spitts and crushes out of the speakers leaving nothing but totally dead burned earth behind. A destructive hellstorm of Metal fueld D-Beat inspired apocalyptic sinister Crustcore. Shredding and roaring, crushing and sawing brutal heavy harsh guitars, a evil and grunty beefy rumbling bass, forceful destructive tight played ultra heavy bulky drumming, and harsh throaty grunted and shouted brutal lead singing vokillz. This is really evil and heavy Crustcore!!! A tight and intense sinister and apocalyptic Crustcore beast like machinery build up on a D-Beat foundament and enriched with heavy doses of aggressive and evil mad thrashing Metal. Imagine a mixture out of DISGUST, NONE OF THE LIVING REMAIN and the almighty SLAYER, and then you have a pretty good imagination of what MORIBUND SCUM are hammering out here with this release. They have already also created a sort of an own identity but could work this out even more and also more precise, as well as they could try to work some more musical diversity in the mix, but they make up good for this with, hm, yes, with an sheer incredible high level of intensity and tightness. Okay, the (cover-) artwork is okay but pretty cliché and so nothing ''special'' more worth mentioning, the same is more or less too say to or about the lyrics, more or less, but not bad anyhow. The dirty production sound, dirty yet heavy, is a damn good thing and fits perfect to the musick. Anyone into Crustcore and D-Beat should definitely check this guys out, because MORIBUND SCUM hold a lot of great potential in store and they showcase also already a lot of it, just put some more diversity in the mix and then it will be even (by far) better the next time around. Fucking good shit, I hope for more to come some day soon.
(8 of 10 points)
(http://moribundscum.bandcamp.com/)
(https://www.facebook.com/?ref=tn_tnmn#!/pages/Moribund-Scum/127870723990378?fref=ts)

NEW WORLD - "DEMO 2013"
("D.I.Y."; MP3-Download-Release)
(Download it for example over @ http://www.hardboiledzine.com/2013/04/download-new-world-demo-2013.html):
First of all: I have no idea about if there had been any physical releases of this one been released or if it was solely released as a MP3-Download-/Online-Release how it is provided and spread for example by the great guys that run the amazing "HARDBOILED WEBZINE" from where I took and gave you the download link. That said now straight and direct into the review on this release, the "DEMO 2013" titled all D.I.Y. release by NEW WORLD, a young (and at least for me totally new) strong going and promising Hardcore band from Southern California upon which I stumbled due to the already mentioned great "HARDBOILED WEBZINE" site. What they give us is tight and heavy, fucking hard and only slightly metallic Hardcore somewhere between a band like TERROR and some sort of STRIFE like metallic New School Hardcore with some healthy NYHC doses added to it. Rough and bitter, angry and aggressive throaty shouted harsh lead vocals, stunning and demolishing guitar work, and a ultra heavy rhythm section at work, that are the ingredients out or on which NEW WORLD create and build their songs, and they work nice ideas in their pretty good between raging fast up tempo tracks and heavy tons weighing grooving mid paced songs varying song material. Really bad ass Hardcore with a nasty attitude to it and all very authentic and not at least because of this very sympathic. I really hope to hear more from them as good as this (if not better) and this hopefully pretty soon. Maybe nothing anyhow groundbreaking new, but who cares as long as this is done that damn fucking good like in the case of NEW WORLD done it with their "DEMO 2013" here?!? Right, no one cares and this for some good and justified reasons!!! On top of it we get good lyrics, a nice artwork, and a great rough and tough, dirty and heavy production/recording sound. I can only recommend this one, a pretty, nah, a damn good starting point. HARDCORE!!! FIST!!!
(8 of 10 points)
(https://www.facebook.com/newworldhc)

OVERPAIN - "UNDERRATED OVERHATED"
("D.I.Y." & "ONE TWO SIX CLOTHING" & "FATALITY RECORDS"; CD & MP3-Download-Online-Release)
(Buy the CD if you can, and for so long or if you can't then pick it up over @  http://www.hardboiledzine.com/2013/03/download-overpain-underrated-overhated.html)
(Extra big THANKS and much RESPECT for the band for letting everyone who's interested in it/them download the album officially for free even it's a full proper release and not a "just" a demo release, THANX guys, that's damn great of you!!!):
This is a damn cool band with a really damn cool release, I am talking/writing about OVERPAIN from Salonika City in Greece, a band that spits and fires out one hell of a great Hardcore album with this very one here, "UNDERRATED OVERHATED", a 2013 release done by the band in corporation with the above mentioned label and the above mentioned clothing line. This is heavy and devastating, brutal and harsh, aggressive and bulky no prisoners taking mercyless Hardcore at its best, somewhere between the almighty legends of FURY OF FIVE and the outstanding KNUCKLEDUST. So you may already start to get a good idea what OVERPAIN are all about. No compromises making and no shit taking real deal Hardcore, authentic and without any cliché image gimmick crap that can't stand a reality clash to be noticed anywhere. Thumbs up for that, period. Skullsmashing guitars, bonecracking drumming, nosebreaking bass playing, fat and broad crew shouts, and charismatic damn heavy lead vocals, what could ya ask more for, especially when it's all crowned with energy and dynamics non stopp, and all is also done damn fresh and grapping with a pretty own character to it all and a very sympathic real and authentic attitude, musicwise cultivated with shining songwriting and made round by first class lyrics, a damn great artwork, and very heavy and dry, fat and broad production sound. I won't make any more words now here, because I think I've said/written it all and all in all enough. And for everyone who still didn't got it by now: This is a great release by a first class band and it's highly recommended to anyone who claims he/she/it would be into Hardcore musick. If so, then get it!!! The real deal!!! HARDCORE!!! FIST!!!
(9 of 10 points)
(https://www.facebook.com/#!/overpainhxc?fref=ts)

PINCHER - "KILLING MACHINES"
("D.I.Y."; MP3-Download-Release)
(Download it for free over @ http://pincher666.bandcamp.com/):
Here's a russian all girl band that I stumbled upon due to the great "CRUST DEMOS" blog (http://crust-demos.blogspot.de/), and hey, like you can see just by judging by the colorfull artwork this is surely no Crustcore/D-Beat stuff and so a really rare obscurity on the mentioned great blog and so my attention was caught up in the mosh for sure and I checked the Bandcamp site of PINCHER and got the official for free download of their newest 2013 full length album "KILLING MACHINES" (don't ask me if there are any physical copies of which format ever) which is, so it seems to me, a through and through D.I.Y. release affair done by the band itself. The members of PINCHER had been active before in a, if I understood it correct and right, sort of Grunge band named DIET PILL, they come from Moscow, Russia and "KILLING MACHINES" is their full length debut that follows up their precursor split release with the Moscow Hardcore outfit ME NOT ME and live on stage their covers of "RAINING BLOOD" by SLAYER and "STEP DOWN" by SICK OF IT ALL are real crowd pleasers, or so the story goes. What PINCHER play is a pretty aggressive and dominated by very melodic yet heavy and, like already said, aggressive guitars Crossover sound'n'style of Punkrock and Thrash Metal. They kick it off with a great "MORTAL KOMBAT" movie title theme tribute cover and then follow seven songs and the album lasts for around twenty one minutes. This is guitar dominated melodic yet heavy and aggressive fast forward going Thrash Metal plus Punk Crossover, fired up by melodic and catchy, yet aggressive and heavy guitars, clean yet pretty harsh vocals and a forceful raging rhythm section with some good healthy doses of crew back up chants added to it all. The songwriting is kept pretty grapping with clever changes between heavy and fast slightly chaotic fast forward raging tunes and more grooving heavy mid paced nicely hymnal arranged headbangers. The band seems to have a very humoristic and maybe also ironic standpoint and view of and on it all like the "MORTAL KOMBAT" intro and a through and through party track like "UNTITLED BOOGIE" do proof, so do songs or better songtitles like "A WOMAN'S PLACE IS IN THE KITCHEN", "KILL 'EM ALL", and the "TAXI DRIVER" sample in "THE WHO" as well. And a strong feel good party moshing feeling is somehow giving the whole album sort of life. A very sympathic release anyway, coming with a great old school movie poster styled cover artwork, with sarcastic and ironic, humoristic lyrics in both, english and russian, and with a nice cover of the MOTÖRHEAD" classic "BOMBER on top of it. All in all this is not that exactly my sort of protein shake drink but I really enjoy it and I can calmly recommend it to you, at least risk an ear, and after it's for free just download it and if all goes out good enjoy it, period. Fans of punky Thrash Metal and or heavy metallic thrashing Punkrock will love PINCHER anyhow anyway for sure. Nice shot, hopefully more of this sympathic band will follow this up and back this up in the future. Good stuff!!!
(7 of 10 points)
(https://www.facebook.com/pages/Pincher/188623614514401)
(http://vk.com/pincher666)

SCORPIONS - "STING IN THE TAIL"
("SONY MUSIC" & "COLUMBIA MUSIC"; CD)
(Released in 2010 as the final studio album of this german legends.):
What, the SCORPIONS?!? Haha, I could swear this pops up in some of your heads, haha, but I can calm your mood down... ups, or maybe not... because, yeahr baby, the SCORPIONS. A band that was very important to me when I was a kid and a young teenager. Always loved and still love their style and way of Hard Rock music, the same as I always loved and still love AC/DC and ZZ TOP, for example, and their specific kind of style and way of playing Hard Rock and making it their very own. But, to be honest, the last really strong and necessary album, at least in my book, of the SCORPIONS had been "FACE THE HEAT" from back then in 1993, and so I was curious when I heard in 2010 that the SCORPIONS will release their last final real proper studio full length album and then say goodbye with it, curious about it, but I was also thinking of how they will do it, as good as since 1993 not anymore? I was in doubt. And so I took a listen to it... and I was heavily convinced. I bought it, celebrated it heavily, and... then the CD suddenly dissapeared. Don't ask me where it went, it was gone. And so I also did no review on it so far. Two months ago or so then I saw it in the local record store for just five Euros and took it with me. And, yes, since then it's again and again on heavy rotation, and so now here finally also comes my review on it, like it or not, just take it, haha. And I will keep it short from now on, at least I'll try so, and so, yes, let's go: They are as good as they hadn't been it since 1993 anymore so far, strong and hard rocking and boneshaking energetic and dynamic rolling, full of power and attitude and positive energy, and all done damn authentic and with this also really sympathic. Hymnal arranged and interesting composed songs with mighty refrains, great melodies, and done and written and played by damn high skilled musicians and especially the guitar playing marks heavily the songs as well as the whole album and is really a characteristic trademark of the SCORPIONS, yesterday and today (if you want to say it so...), and that's really cool. This is just real great Hardrock flirting with all the clichés of this very genre, but after the SCORPIONS invented most of them with other Rock and Hard Rock bands of that age and time it's all more than just good and fine. Skilled and diverse songwriting, and from fast Rockers to melodramatic Ballads we find a lot of songs of different mood and style here on "STING IN THE TAIL". Best songs in the bunch are without a doubt "TURN YOU ON", "ROCK ZONE", "RAISED ON ROCK", "STING IN THE TAIL", "SPIRIT OF ROCK", and "THE GOOD DIE YOUNG", but check also the other tracks out. Nice lyrics and a nice artwork, as well as a bombast first class production sound we do get on top of it all as well. This is a great way to say goodbye by a legendary and great band, love this stuff.
(9 of 10 points)
(http://www.the-scorpions.com/german/)
(PS: Please don't ask me why my scanner failed in scanning the colored artwork of the coverpicture in a colored way... just take it like it is now... as you can see it above.)

SCORPIONS - "COMEBLACK"
(SONY MUSIC" & "COLUMBIA MUSIC"; CD):
(Released in 2011, a album filled with re-recordings of old classics and covertunes.):
Okay, after their announced final full length studio album "STING IN THE TAIL", reviewed right before this very one here, it should have been pretty clear to/for everyone that this wouldn't be the last thing to come from the SCORPIONS especially after "STING IN THE TAIL" was a pretty big success, and so one year after "STING IN THE TAIL" they released this very one here, "COMEBLACK", a album full of rerecorded versions of a bunch of their old classics and with coverversions of their favorite songs respectively a bunch of them. Okay, and just for the record, also a double live CD had been released since their final last album and now a "MTV UNPLUGGED" affair is in the making. Okay, so much to the last final album thing... but I think we all now the story from some other ''occasions'', not only from the SCORPIONS. They rerecorded their old classicks "RHYTHM OF LOVE", "NO ONE LIKE YOU", "THE ZOO", "ROCK YOU LIKE A HURRICANE", "BLACKOUT", "WIND OF CHANGE", and "STILL LOVING YOU". Okay, beside "STILL LOVING YOU" and the totally unnecessary "WIND OF CHANGE" definitely also all mighty classicks in my book. Coverversions they had recorded and done of "TAINTED LOVE", "CHILDREN OF THE REVOLUTION", "ACROSS THE UNIVERSE", "TIN SOLDIER", "ALL DAY AND ALL OF THE NIGHT", and "RUBY TUESDAY". Okay, the coverversions, hm, let us say about or think of them as a heartfelt affair of them, hm, but beside the T-REX cover "CHILDREN OF THE REVOLUTION" (great original one, really strong covertune) they are all anything but necessary or something like this. Not done bad or so, but simply nothing you need on a record at home. But their rerecordings are really great and especially the guitar department add a lot of sense and character and quality to the old famous classics and make them really shine one more time again, especially "RHYTHM OF LOVE", "NO ONE LIKE YOU", "THE ZOO", "ROCK YOU LIKE A HURRICANE", and "BLACKOUT". Just damn fucking great amazing Hardrock of the finest kind, period. Okay, let's get it straight, all in all this album is anything but necessary and surely more sort of a fan milking affair than anything else, but I got it for a small price in a store near by and if you are into Hardrock and/or a SCORPIONS fan than you can get it calmly anyway because you will surely enjoy it like me.
(8 of 10 points)
(http://www.the-scorpions.com/german/)

TAKEN BY FORCE - "WE WILL REMAIN"
("D.I.Y."; MP3-Online-Download-Release)
(Get it here @ http://www.hardboiledzine.com/2013/05/demo-daze-reapers-path-conqueror-taken.html):
Here's a band that I discovered one more time due to the mighty "HARDBOILED WEBZINE" site (http://www.hardboiledzine.com/) and which I pretty sure wouldn't have come to known without this great site. This is a Hardcore band from Australia and this is their so far 2013 output entitled "WE WILL REMAIN" and for all what I do see or know this is a pure D.I.Y. thing and don't ask me if there are any physical copies around. I just know of the MP3 Download that the "HARDBOILED WEBZINE" guys offer (it's the link you can find here above as the download opportunity) and I just hope that this is a sort of a official link for which the band gave their okay and if not so... who knows... just drop a line or two with leaving a comment and I will take care of what-ever. Okay, TAKEN BY FORCE give us five songs in about twelve minutes and the order of the day is no bullshit taking, no prisoners making, no regrets knowing, no mercy showing real deal heavy and moshing metallic bad ass Hardcore that will make you totally go nuts if bands like TERROR, KNUCKLEDUST, FOLSOM, and BACKFIRE!, as well as AGNOSTIC FRONT, BARCODE, HATEBREED, and HOODS are way up high on your personal favorite playlist. Demolishing heavy and agressive, forceful raging and powerful moshing guitars, dry and throaty shouted brutal lead vocals, and a bulky and beefy rhythm section to back it all up heavily, back up chants on top of it. Short kept and to the point played anyway despise the shortness nicely diverse songs, all clever arranged and grappingly written, delivered by skilled musicians (and songwriters, too), and all in all a band that really deserves to get a good fair proper record deal, point and fact. They do it all already nicely their very own way and without copying anyone or anything, and I don't know what to say/write here and now more, I can only highly recommend this release and band to you. Good lyrics, cool artwork, and a really strong production/recording sound we get on top of it all for free. So by any means, if you are into Hardcore musick then just make sure you know about these great guys from Down Under, period. Great!!! HARDCORE!!! FIST!!!
(9 of 10 points)
(https://www.facebook.com/takenbyforce?ref=ts&fref=ts)

U.D.O. - "SOLID"
("GUN RECORDS" & "AFM RECORDS"; CD)
(2013 Rerelease edition of this album originally from 1997.):
Stumbled upon this CD some months ago and remembered the boneshaker "INDEPENDENCE DAY" that was respectively is on it, in fact as the opener of this very album here. I decided to just grab and buy it, and so I did. And thankfully I did so. Originally released in 1997 this album was lost somewhere totally under my radar, beside the above mentioned song, like also all the other U.D.O. stuff. I mean ACCEPT had been of some importance for me, clearly and surely and without a doubt, but U.D.O., the "solo" band of Udo Dirkschneider, legendary singer of the legendary ACCEPT, I had never placed in my book. Never really listened to. Why ever. But now, when I saw this disc and remembered the hard rocking bulldozer Heavy Metal stomper "INDEPENDENCE DAY", yes, then I was somehow just totally blown away and simply got it. And, like already said, thankfully I did so and got it. This Rerelease of "SOLID" is part of a Anniversary Re-Release series that includes, I think so, all U.D.O. albums so far, but please just better don't ask me of what kind of anniversary we are talking here, I don't know about it. The rerelease features four bonus songs, three audio songs and one video track, "INDEPENDENCE DAY" in a live version and as a video track and demo versions of "WARCHILD" and "MAD DOGS AND LOADED GUNS", while the original album features eleven regular tracks. And this are eleven bonedry skullcracking tracks of hard rocking stomping teutonic Heavy Metal filled to the max with dry throated aggressive and brutal sung totally charismatic crowbar lead vocals, larger than life refrains, outstanding harsh, heavy and full power high skilled guitar work, thundering drumming and pulsating bass lines, no fancy trendy crap, no kindergarten bullshit, no shit taking and no compromises making teutonic Heavy Metal music somewhere between ACCEPT, AC/DC, and RUNNING WILD with a strong own unique character and still fresh and standing strong and proud also today. How great this music named Heavy Metal can be you see and hear here. Strong lyrics, cool artwork, great production sound, high skilled musicians and grapping and diverse songwriting. This one here is highly recommended to anyone into Hard Rock and Heavy Metal, point and fact.
(9 of 10 points)
(http://www.udo-online.com/)

WISDOM IN CHAINS - "THE MISSING LINKS"
("I SCREAM RECORDS"; CD)
(Originally released in 2012.):
I totally missed out on the 2011 EP or 7'' "POCONO GHOST" and I also haven't in mind yet that "EVERYTHING YOU KNOW" (my review on it from back then in the days of 2010 you can find here: http://manslaughterthuglife.blogspot.de/2010/07/for-rest-of-my-time-on-earth-ill-chase.html) is now already four years old with being released back then already in 2009. Damn it, how fast time marches on... It's weird, but when I look at my ever ongroing record collection then I realize more and more that I already came a long way from back then up to now and this current day... Okay, but here's now not the place and also not the time to become nostalgic and melancholic. Haha, don't worry, calm down, haha;-). Nah, this is and will be a review on the last year's album by WISDOM IN CHAINS. I missed out on it untill May 2013 when I finally bought and got it. Way too late for it to become a part of my top ten album list of 2012, and you know what, otherwise it would have been definitely part of it, and a very prominent part after I have to admit that it would have gotten the place ranked no. # two. And who knows, maybe they would have managed to even conquer the place ranked no. # one. Who knows... Okay, with that said, what do we get here? Thirteen songs in about forty-four minutes, filled with not only one of the best but the best Hardcore of today. Despise the evergroing flood of different and maybe also not so different styles of Hardcore today it's easy to see, hear, and say that, yes, that: WISDOM IN CHAINS are the damn best fucking Hardcore band of today, period. They grew on and grew on over all the years and they cultivated themselves and what they do, their music, their lyrics, their message, their style, more and more over all the years to finally become this Hardcore masterpiece that they are today. And what they already showcased on their last full length from 2009, "EVERYTHING YOU KNOW", they showcase even by far more here and now on and with "THE MISSING LINKS" from 2012, and it seems and feels to me only consequent and logical. (And like I've said I don't know the "POCONO GHOST" 7'' from 2011, so don't nail me on that, that's just my perception, and I get it from the two mentioned full length WISDOM IN CHAINS albums.) And what I mean is how incredible strong and by all means justified self-confident they became over the years, which they demonstrate how they manage it to open their music so far like they did and (hopefully also in the future still) do so and how damn strong they are in creating their very, very own thing, making Hardcore and their definition of it totally their very own. Musicwise they take Hardcore as their foundament, raised on NYHC like SICK OF IT ALL and AGNOSTIC FRONT and MADBALL and on Boston Hardcore in the tradition of BLOOD FOR BLOOD and also DEATH BEFORE DISHONOR, and they keep it and hold it dear to their hearts, adding also few Holy Terror Hardcore a la INTEGRITY like influences into the mix, and they hold it all dear and close to their hearts, without a doubt, but they enrich and cultivate it with melting it together with strong doses of Metal influences they draw from various genres and bands out of Metal musick from old METALLICA to somehow very clearly by classical Heavy Metal influenced rhythm arrangements especially in the verses parts of some of their songs, as well as with strong epic and somewhat somehow proggy classical 1970's Rock impressions, and here and their surely some good healthy doses of Punkrock and Oi!/Streetpunk influences also still come into play as well as they showcase their love for and knowledge of and skills in Rap/Hip Hop., and they manage to form out of it a through and through consentaneous composed form of music, of Hardcore music that you won't hear anywhere else. Not that way. Not that good. Not that great. Not more than great. Not like here. They build it all around the incredible larger than life damn charismatic lead voacls that differ from brutal shoutings to hymnal sung aggressive shants, as well as around the incredible tight and heavy, hard and brutal yet damn symphonic and melodic, diverse and rich on variations being high skilled guitar work, and all is backed up by a skullcracking and bonesmashing dustdry and tons of steel weighing heavy rhythm section, a beefy und bulky machinery working precise and diverse and tight and right in time to the point. And on this foundament they work with symphonic guitar leads, classical and somewhat proggy Rock and Metal arrangements, larger than life goosepimples for free non stop offering melody lines, great arranged and composed amazingly strong flowing Rap vocal lines, breath taking intense and tight atmosphere that otherwise only a band like INTEGRITY knows how to create, and even by far and much, much more. You simply just have to discover it all by yourself, it's too much and gets too hard for me to describe in english, a language that's not my native one. But trust me, this is a very special and a totally unique one that needs and wants and deserves to be discovered in its whole overwhelming beauty and quality/class by yourself and not through my words, with which I can only draw a anyhow anyway too uncomplete picture of it here and now for you. Just one last thing: This is overwhelming awesome and amazing!!! Also the lyrics, very diverse and detailed and covering a wide distance of topics, totally rule and conquer, absolutely know to convince, first class stuff, and the same is to say to/about the phenomenal strong artwork of the album, and the high quality first class production sound is just purest platinum, point and fact. What I also love is the clear antifascist standpoint of WISDOM IN CHAINS but that comes without any fingerpointing and without any AFA propaganda bullshit, thumbs up, that's always good and righteous and still necessary. Ah, and also this typical HC cliché tingel-tangel crap bullshit thing you won't find here in and with WISDOM IN THE CHAINS, because they know it better and keep it 150% authentic and with this also sympathic instead of creating a false oh so tough gimickly image build up on and around bullshit false HC stereotypes and clichés of today. My personal favorites on this very one here are definitely "GHOST OF BUDDY" , "THE MISSING LINKS (ANNUNAKI GENETICS)" (that is also featured as a bonus song in its instrumental version, "VICTORIUM", which is also one of my favorite tracks up here), "TOP OF THE WORLD" (feat. SLAINE), "SLEEP", "DEFEND PROTECT", "PEACE TO MY FAMILY", "DON'T BRING ME DOWN", and "BLACK OUT THE SKY", but also hell sure the other songs on this very own here absolutely totally conquer all and everything. So, okay, nothing left what I could say now more here, this is an album that I consider to be an album that you must have, so if you maybe still don't have it then don't think twice but just get it, it's the best of the best, period. WISDOM IN CHAINS are without a doubt the best Hardcore band of today. And also beside Hardcore they are one of the very best bands of today, no matter which genre you may pick. Breathtaking and amazing, just totally awesome, period. HARDCORE!!! FIST!!!
(10 of 10 points)
(https://www.facebook.com/WisdomInChainsPAHC?ref=ts&fref=ts)

 

Sonntag, 9. Juni 2013

"Manslaughter Andy" = Nazi of the week. "Manslaughter Thug Life" = Dangerous Nazi Site.

!!!WARNING!!! You are reading now with this very blog here one of the most evil and most mean Nazi sites on the web you could ever find, and the solely writer and runner of this blog is one of the most degenerated and most retarded Nazis you could ever find outta there, too. So that's why he became with heavy doses of justification announced to be the "Nazi of the week!" up on a site called "Poisenfree.com", a site before and if you want so also currently now still totally unknown to him. Unknown and unimportant. It must be this site here http://www.poisonfree.com/. But you have to be warned that you are reading now some of the very most dangerous Nazi propaganda ever appeared on the web, just in case you don't get it by yourself. Now you have been warned. !!!WARNING!!!
 
 

Montag, 20. Mai 2013

2 DIAS DE SANGRE *** Combat Hardcore from Germoney *** Interview, stand of play April/May 2013

2DDS: Chris, Angelo, Hajo, and Jan (f.l.t.r.)


Yes, it finally really worked out!!! Great!!!
(...)
Thanx a lot Angelo!!!
(...)
And it took me freaky fuckin' ages to finally get it all done and it up here, damn translation, haha;-)!!!
(...)
Oh, you can't follow?!? Uhm, let us see what we can do to change this.
(...)
Maybe start it all again...
(...)
Yes, maybe, why not...
(...)
Right?
(...)
Right!
(...)
So, again, right from the start, step by step...
(...)

 
 

Hey folks, how are you doing? I hope all is fine. Here everything looks pretty good. Now comes something really great, not only the first new interview up here in a year or so, but it's also nothing else than the interview that I wanted to do for quite a while now with my buddies in 2 DIAS DE SANGRE and that took freakin' fuckin' ages before it finally worked out, it took in fact so long that I simply didn't believed it would come to happen anymore, but as you can see now it did. Hell yeahrrr!!! THANKS ANGELO!!! I did the interview with my bro Angelo, guitar man and head and mastermind of and behind the monster known as 2 DIAS DE SANGRE. We did it via E-Mail respectively Facebook message, after Angelo house moved to the city of Hamburg some time ago. And, of course, for doing the interview, again: Angelo, THANKS man!!! The translation is done by me, so every mistakes you find are mine and can be hold by you as a secret treasure. And now, I will spare me every word more about it, and let Angelo do the talking and spread the words by and for himself. Here we go!!! Ah, just one last thing, every guy outta there who wants to know about one of the very strongest and best Hardcore bands of today simply has to read this interview here and now, period. And now here they come, 2 DIAS DE SANGRE in ya hood, mothaf***az!!!
 
*** COMBAT HARDCORE from Germoney -  atomizing a hood near you!!! ***
 
 
*** 2 DIAS DE SANGRE -The real deal!!! ***
 
01.) MA: Hey guys, first of all I want to THANK you for doing this very interview, for sacrificing your time and effort on doing it. What's going on in 2DDS camp these days?!?

2DDS/A: Hi Andy, thanks for the interview and sorry for the long time you have had to wait for it. But in the ranks of 2DDS and in our private lifes a lot happened and we needed to take care of it all first.

02.) MA: No problem man. Okay, to beginn this interview we will start in the here and now of today. So, please tell us what's going currently on in the 2DDS camp and all about the news that happened and are happening. And maybe you can also give us some informations about what to expect next in the future by 2DDS. Let's go.

2DDS/A: Oh, a lot happened and there are a lot of news to be announced. Denis is not longer a active member of 2DDS. Due to his work he house moved to Frankfurt on the Main and he also became father. Vocal duties had been taken over by Chris, who was anyhow already over all the years sort of our fifth bandmember and travelled together with us through the lands. New members had been anyhow never really a topic for us, because we're a very conspired troop and friendship is very important for us. That's also the reason why after back then years ago Toni left the band we never introduced a second guitar player to our ranks. Due to our jobs Hajo and I by myself as well house moved to Hamburg, while Chris and Jan live in Hanover. That's also the reason why we closed our rehearsal room in the Harz Mountains area and searched and found a new one in Hanover, while all of this and especially the long distance between the places where we live isn't making anything easier for us as a band and in our band's life.
Since the end of 2012/the early beginning of 2013 with Marcus Rost (former DOL and the singer of WARHEAD PROJECT) we have finally recruited a new second guitar player to our ranks today.
Currently we are working hard on our new stuff, and we want to release a new album at the end of 2013 via "ONE LIFE, ONE CREW RECORDS".

03.) MA: Looking at it currently then you have already released three albums at all so far, and right from the get go with your debut release, the "BOUND BY HONOR" MCD, you started it full impact at once with recording the album in the studio and with the well-known Andy Claasen. Fat way to start things off! And looking back at it then it payed off pretty quick for you. So I would say that you have done all right and correct. How did the decision of you back then came to happen, to kick it all off that big which means proffessional? I mean, it had been or could had been a big especially financial risk for you all and could hace backfired instead of paying off with bringing you ahead. Was there right from the start the aim or the masterplan to go on stronger with 2DDS than just being another local band around band that's mainly sot of a regional outlived hobby?

2DDS/A: Yeahr, of course, right, we wanted to be our music as good as anyhow possible right from the start. But the financial aspects had been more dramatic. We payed our ass' off for it back then and the most of us spend their ''last money'' on it and financially we all had to pay extra heavily. ;-)
It was a great experience to record right at the beginning in such a big and proffessional studio, even we all were very unexperienced back then. But it was anyhow definitely a experience we learned a lot from. And no, such thing like a masterplan had been existing, but a personal pretension.
Especially or at least for me music had always been more than just a hobby... far more. I couldn't imagine how it would be if I should have to abandon from making and creating music. I don't think that I would be a happy person in this case.

04.) MA: Like already mentioned you are around for quite a while now already, but after I have not a single clou about if and when so how many and how long my readers may now you already or not, hm, I can't spare you the question about your bandhistory so far, from the early beginnings to the present day. Okay, then now the word's up to you.

2DDS/A: I'm not that much of a fan of this whole questions about the whole ''primitive-times-mucus'', so I will just give ya short overview about our bandhistory and then that's it.
In 2005 we recorded and released our first MCD "BOUND BY HONOR" all the D.I.Y. way. Soon after this we have had some changes of bandmembers and from 2007 2DDS had been consisting of: Denis (Vox), Jan (bass), Hajo (drums), and Angelo (guitar). In this constellation we recorded and released two albums, "DIA DE LOS MUERTOS" and our "SPLIT" together with GIVE 'EM BLOOD, and played many, many gigs. Since 2012 now Chris took over vocal duties and Marcus joined us at the second guitar. Denis will still be around supporting us when we are in the studio.

05.) MA: Like you know and like it's pretty much nearly everywhere well known I was a huge fan of you right from the start and you took me already with your "BOUND BY HONOR" debut MCD album by storm. And also back then all you guys in the band had been damn good musicians and songwriters. But something that I always wanted to know and always wanted to ask you is how did it came to happen or what did happen that your back then and nowadays former drummer and second guitar man left the band? Ah, and did you ever thought about picking up and adding a new second guitar player to the roster of 2DDS?

2DDS/A: Oh, the question about a second guitar man I've already answered before, so just read it above. Hm, and the other part: We don't discuss band internal elements of the band in the public and we don't wash our "dirty clothes" in the public as well. But if you are really desperately interested in it then check out our song "SO CALLED FRIENDSHIP" from our "DIA DE LOS MUERTOS" album. We "dealed" with this topic in this song musically.

06.) MA: Since your second album "DIA DE LOS MUERTOS" you are on the Ruhr Valley based label "BEATDOWN HARDWEAR INC.", just by looking at the name of the label one could think that it would be sort of a clothing company and no record label. So was it once just a clothing company? How did the contact came to happen and did you need to do a lot for it with sending off thousands of promo discs to countless labels and all this stuff? I could imagine that you have a good friendly contact with the guys from the label anyhow as well, because if my memory isn't now leading me in the totally wrong direction then I think that you, Angelo, once used to work for the label, right? Are you still doing it, and if so how and why and what, or not anymore? And are you still satisfied with the work of the label or are you planning a change or expansion?

2DDS/A: Yes, back then the label was clothing affair, from Brandenburg. Toni of SCREAMIN' SILENCE then took it over and moved it to Münster, hm, so not really a Ruhr Valley affair. After we recorded "DIA DE LOS MUERTOS" we looked and searched for a label to release our stuff in a proper way, and Toni was one of the guys that checked our stuff out. This led him to the idea that he could release music as well and so we then discussed it and finally did it together. So our first full length album is also the first album ever that the label "BEATDOWN HARDWEAR INC." used to release.
Together we used to improvise a lot and we all achieved it in a more friendly way. Back then Toni had no experience with producing, pressing, and releasing albums, GEMA formulars, etc. pp. In cases like this I was able to help him because of the experiences I made when we released our first MCD all the D.I.Y. way.
So I helped him out when he started the label, I accompanied all releases in the first phase of the beginning of "BEATDOWN HARDWEAR INC.", rehashed the artworks and made them ready for press, invited offers for pressing the CD's, charged the chosen plants with pressing the CD's, and made the GEMA formulars ready. Toni then finally overtook all this duties after the phase of the beginning of the label. It was simply helping out a friend.
Our new album CD won't be released via "BEATDOWN HARDWEAR INC.", but instead of this we now work together with Marcus of "ONE LIFE, ONE CREW" (/"OLOC") who will release our new one. He supports us now for years with booking gigs with us, merchandising, reviews, promotion, etc. pp. He simply helped us far more than anyone else and we also used to have and still have far more good contact with him than with anyone else.

07.) MA: You had also been very busy with playing damn a lot of live shows over all the years of your existence as a band so far, in Germany as well as in Europe respectively in other european countries. Do you have any weird tourlifestories in store for us that you can tell here and now to us? And is there maybe anything you can tell us about the regional different and specific scenes about differences and stuff like this you can tell us, and where are the best concerts to kick off? And are there any bands that you have kept in your memories as just simply great, no matter if humanly or musically, and what are bands with which you just would love to play again a gig or two?

2DDS/A: Through Europe we didn't toured that much so far. We had been in Holland and in Austria, beside this only in Germany. But in germany from Usedom to Ulm, and from the Polish border to Münster. For sure there are a lot of great stories that I could tell, but honestly I can't say anything about them in the public, because in this case we would have a lot of trouble to deal with, hahahaha. ;-)
Highlights had been for example our weekend tour, the show at the "HEADBANGER WEEKEND", and many small club shows where you didn't expect much but then all hell broke loose.
In general we have noticed that we had been more often disappointed by club or festival shows when we went to play them with certain expectations on them in our minds. Then in contrast to this there had been several small club shows which we didn't want to play after we arised and saw the club and the state it was in but then the shows itself turned out to be incredible damn fucking great shit.

08.) MA: Already "just" by looking at your music one have to say that already right up directly from the start you totally did your very own thing and this without any compromises at all. Okay, for sure Hardcore, Metalcore, Death Metal and Thrash Metal hell of a lot bands outta there try to mix together and even far more then also try to cook it up and mix it through with Beatdowns, and a lot manage to succeed in doing so, while even more to fail with it. You are definitely one of those bands where it works out and even by far better than most of the rest does, and this all also damn stand alone and pretty unique, a really fantastic job of you guys, my compliment for this goes out to you. The most noteable thing is that you really managed to somehow create a way and style of guitar playing and guitar tone that's something totally of your very own and definitely damn fucking totally self-contained, amazing, you really associate that specific tone with 2DDS. Much respect for this! Is this something that you are aware of by yourself and would or could you agree on it? And if so, could you draw us the picture of this development from back then up to now? Ah, and by the way: Which were and are your founts of inspiration and what influences you the most on a musical level, and did the influences and origins of inspiration drastically change over the years?

2DDS/A: Wow, that many questions in only one passage! ;-)
So, first of all thanks a lot. We definitely try and want to do our very own thing and we don't want to sound like any other band else outta there.
That with that specific guitar tone is something I heard a lot at last, but I wasn't aware of it before and it surely wasn't planned. It's simply just my way of playing and that tone used to develop more and more over the years, after I worked on cultivating it more and more for some years, so that I am satisfied with it, I want a fat tone.
Oh, there are many bands that we cheer up to, no matter out of which specific musical genre.
And it is surely pretty different with everyone in the band.
But here some names as examples:
IRON MAIDEN, BIOHAZARD, SUICIDAL TENDENCIES, MADBALL, NAPALM DEATH, MACHINE HEAD, SLAYER, MERAUDER, CROWBAR, KATAKLYSM, GOREFEST, CANNIBAL CORPSE, DYING FETUS, STAMPIN' GROUND, BACKFIRE!, ALL OUT WAR, BORN FROM PAIN, HATEBREED, ... etc. pp. ...
But it's pretty different, for example Hajo also likes to listen to Hip Hop, Electronical Music, and Reggea.
I think everyone lives through a musical development over the years, and this development influences one maybe unconsciously.

09.) MA: All of you guys in the band are already around for quite a long while now and also before 2DDS you all made your experiences in making music all across the harder and heavier departments of subcultural underground music. Do you see any similarities between your older bands and projects with 2DDS today, and what did changed looking at the importance of 2DDS for you between older bands/projects of you and 2DDS? And what significance earns 2DDS in your whole private life? By the way, what had been your first impulses back then to start to create your own music? I mean, that you are today damn skilled and good musicians, much respect for that, I just say here for the record.

2DDS/A: 2DDS is the by far most serious thing anyone of us had ever done in the case of making and creating music. Our earlier bands and projects surely had their impacts on us, but we never did anything of it so persistent like 2DDS today. I think that for everyone of us 2DDS earns its very own significance, but it's anyhow very important for every single one of us. I put hell a lot into it so far and let other things beside 2DDS more or less unheeded, because it's by far more than just a hobby for me. And I think for the other guys in the band it's pretty much the same, pretty sure about it.
How all of us came to this music I honestly can't say, I mean every single one of us celebrated Hardcore and Metal heavily and we attended ''some'' concerts. And we are all also all a little bit older nowadays and the first shows had been taken place eighteen years ago or so. But I think it was especially the energy at the live shows that grabbed us and hold us tight.

2DDS today, from left to right: Hajo, Angelo, Chris, and Jan.

10.) MA: Some of you and I we know each other now for already more than a decade and you guys in the band know each other also for a time like this now already. So, how was it, how everyone of you used to fell in love with Hardcore, what bands/records/styles were into play? And what means Hardcore for you (if one can anyhow say this), and what do you think of the development of the Hardcore genre, the style, the scene, the music, the way of doing slam dancing, etc. pp., and do you like to name yourself proudly as a part of the Hardcore scene?

2DDS/A: Man, uh, what a long-range-question...
I think the answers to the question eight and nine already answered this one here quite a bit as well. Okay, I think everyone defines for his-/herself what "Hardcore" is or means and what not. But especially in the "Underground" I think the current development hard shocking. This situation is nothing new, but it gets more bitter day by day. Music is for a lot of bands not that important anymore. It's by far more important to catch attention. Catch attention with and through shitty music, shitty lyrics, and a ostensible image.
I don't follow the development of the scene anymore, for quite a while now already. We all focuss on the music at first, not all the other stuff around, and we all also cheer up to bands in a ''scene-overlapping'' way, as long we like their music, that matters most.
We are just annoyed and get pissed if someone wants to label us solely as being ''Beatdown'' Hardcore.

11.) MA: With 2DDS you have a pretty militant and Gang-like appearance, and with your accent on Latin-American influences you add up to this some sort of a harsh macho-like attitude. So, now honest and serious: Is it just fashion, style, and show or is it a real heartfelt show or proof of attitude, haha;-)? But, how-ever, a little bit of irony added up to it all won't hurt anyone anyhow, right? Did you had to deal with hostilities maybe because of this (or why ever else) so far or not? Ah, and by the way, what is the story behind respectively the meaning of your bandname and why did you choose this one? (Okay, I know, why not, haha;-)...)

2DDS/A: Hm, "militant" and "Gang-like appearance" I can't understand nor can I aggree on it anyway. We're simply just a bunch of good friends that make together music and that have always other good friends with and around them who help us out where ever they can with helping us doing shows, selling our merch, and such stuff, and who also support us heavily and enthusiastically how-, when-, and whereever they can. We do this all very purposeful and results oriented. Maybe this is the reason why the "militant" and "Gang-like appearance" impressions do come from. No, we definitely mean what we say and do, no irony behind it. I hate it when Hardcore bands see themselves as fun-bands and want to be very ironically with what they are doing. It's simply something that short and simple just don't fit with and into Hardcore, this ironic fun and joke stuff. For us the band and the 2DDS circle of friends savor a high reputation and a strong significance. The way how we write and create our music, the way how we haul our music and lyrics follows no sort of a masterplan or something like this, we don't write it for the big masses outta there. We just do what WE like to do, we just do what WE want to do..
By the way: We are in no crew and we never cared about it. We're simply just in it for the music. Scene-thrashtalk, Hardcore-Internet/Online-Discussions, sucking up to somebody, hailing music that is utter garbage just to brownnose with certain people, and all shit like this, nah, this all had been perfected by others and then let them all by themselves out-live their bullshit.
Hostilities had been and still are surely there, in masses, but I can calmly live with it.

12.) MA: Lyricwise you are covering a pretty wide distance of different topics you deal with, from political and critical on society lyrics to personal issues you deal with in your lyrics, as well as with Unity anthems, Hardcore hymns, and Tough Guy lyrics one can find in your rich and first class lyrical repertoire. Who of you guys in the band writes your lyrics and what moves him, from where do he or you get his/your inspirations?

2DDS/A: Hm, so far yet we haven't been asked that much about our lyrics, I think this is again another proof that today most guys just don't care about what bands have to say. Except one song ("POR VIDA CARNAL") so far Denis and I wrote all our lyrics.
We think it's important that each single song has a certain message and a meaning of its own. Hm, inspiration, that's something that's hard to describe. I mean, a idea poppes up and then this certain idea gets worked out by us. So far all the topics popped up spontaneous without any lyrical concept for an album behind it all.
A critical view on what's going on today is something we all should have, with all that bullshit going on and happening around us all. And for sure we deal with personal issues in our lyrics, this personal issues make your head go round and need to be worked up by you. But what you mean with Tough Guy lyrics I can't understand....

13.) MA: Today you all live widely dispersed about Lower Saxony and the city of Hamburg, so I think that the organisation of band rehearsal sessions are a little bit elaborated and need to be planned out more precisely these days then back then when you started with 2DDS, so I would say that you handle it all in a pretty professional way, right? So no heavy boozing and hard partying, but focussed working on old and new songs, right? And how does the songwriting in the camp 2DDS works out anyhow, especially today if we keep the pretty wide distance between the places where you live in mind, and who does what, when, why, and how when you are writing new songs?

2DDS/A: Yes, two of us live in Hamburg, and two of us in Hanover. So when all fits together and we all can find the time to do so then today we meet once a week in our new rehearsal room in Hanover. Heavy boozing and partying are nowadays already for a pretty long while history, because we must drive 300km for one rehearsal session. But we worked anyhow over all the time very focussed on our music, the boozing came then after it;-)...
Most of our ideas came up when we are jamming together in our room. There's a riff or a beat as the beginning and then it all starts off. Back then we worked on it week by week untill we were satisfied with the result. But today it's not that simple and uncomplicated anymore, because it can easily happen that we simply can't jam together for a month or so. So I set up my own little home studio here in Hamburg. So today it's pretty often so that Hajo comes around and we hang together infront of my PC, together he and I then start to write and work on our new songs. This new song material we then send via E-Mail to Jan and Chris and discuss the output. He then programs the "digital" drums and I tuck in the guitar into the PC. When we then have the chance and find the time again to jam and play together in our room we work it all more out untill we finally have our own new proper song.
It's definitely a different songwriting process then back then when we started and our rehearsal sessions are used more intensive by us, not at least because the long ride to get there should be disbursive. Over the week days Chris often practises alone in our room to the old songs of us and to our new demos. Jan takes part in this from time to time as well.

14.) MA: Your second album, "DIA DE LOS MUERTOS", already showed and proofed a impressive development and you really made a huge step forward and you raised the (also already before very high) mquality standard of your music enormously with it. Do you still like the album by yourselves today? And especially I really like the whole conception of it, starting with the perfect fitting intro and skits, over the great music and perfect running order of the songs, the diverse and great lyrics, to the brilliant and intense atmospheric artwork. First class, amazing! Who did the artwork? And in how far (if anyhow) was the, how I called it, ''whole conception'' of it in anyway aimed? Or was it more sort of a chance shell?

2DDS/A: Uhm, okay, the songs were finished and placed on the album without that we would have had any thoughts about any running order of them or whatsoever. The intros and skits give the lyrics (that aren't read by anyone anyhow) simply another more level of deepness. Then we discussed the running order and fixed it simply in a way that pleased us. The artwork was completly bought. We found it and liked it, especially the idea and it also fitted perfectly to the album.
So, okay, let us say it was a "planned chance hit", haha;-).

15.) MA: Beside this I also think this album gave you a good push ahead forward back then, right? How had been the general reactions on it back then?

2DDS/A: The reactions on 2DDS are always and had been always pretty strong diverse. Some love us, some hate us, and some just don't care about us, hahahaha...
Okay, it was our first full length album and so there was more to hear of us on it then on our debut Mini CD and surely it prooved a development of us.
Anyhow we received a lot of attention with it, and this from around the globe, because the album traveled the whole earth: U.S.A., Russia, England, Italy, Greece, and on and on and on and on...

16.) MA: Your so far newest album is the amazing split release with GIVE 'EM BLOOD. A total hitter! But one question prerecorded: Who the hell did the totally retarded cover artwork and who was responsible for it and why did you choose it, haha;-)?

2DDS/A: Toni of "BEATDOWN HARDWEAR INC." came up with it and submitted it to us. After it tends a little bit in the direction of the old SUICIDAL TENDENCIES shirts with the self-drawn artworks we celebrated it heavily.

17.) MA: Like already said, the split album is a total boomer, no doubt about it, period. How did the contact with GIVE 'EM BLOOD came to happen and who had the idea for this split album? Can one talk about a band friendship between you and GIVE 'EM BLOOD, or would this be maybe too much of the good?  How were the reactions because of the split and can we maybe hope to see it one day being released on vinyl, after split release should be anyhow vinyl releases anyhow;-)?

2DDS/A: Also here, like in the case of the artwork, Toni was responsible for the contact with GEB came to happen. We had planned to do a split album and were searching for a cool partner band for it to do it that we like ourselves. So we listened to some bands and like GEB, the guys from Austria the most. Band friendship would be too much to say, because we just met only a few times, but the music rules and the guys are cool dudes as well.
The label failed in doing promotion for the album. So I think that really a lot guys didn't know that we had a new album out. Pretty soon after it was released the album went online and was then "distributed" this way.
It caused some good reactions and reviews. But honestly I think that a proper new own full length makes more sense after all.

18.) MA: Personally I think that the Death Metal influence on or in your songs is very strong on this album while at the same time your songs are maybe the most Hardcore styled songs by 2DDS so far yet, sort of a perfect combination out of 25 TA LIFE, MADBALL, and FURY OF FIVE on the one side, and MORBID ANGEL, DEEDS OF FLESH, and HATE ETERNAL on the other side, with UNIT 732, SWORN ENEMY, and HATEBREED somewhere in between it all. And this all extremly self-contained and in that typical 2DDS way done. Can you aggree on this, or is it currently going to heavily and fast up and down and around in my head;-)?

2DDS/A: Everyone has his/her own sense for music and everyone experiences it his/her own way, but with the mentioned bands I can calmly live;-).
Nah, honestly: Such thoughts aren't in our minds when we write songs, it all just happens how and when it happens.
With the result of our part we're not that happy, because of the production sound of our songs. We allowed others to tamper in our decision which recording studio we choose and we really regret this heavily. But, okay, anyhow, you learn of this bad experiences and wrong choices. Primordial we wanted to go and record in the "RAPE OF HARMONIES" studios...


19.) MA: Once again back to your "BOUND BY HONOR" debut MCD: Will you one day use the songs of it again, in which form ever? Hm, and the album neither sounded nor looked in any way like a D.I.Y. release, did you have had some sort of a professional support on board back then? Looking back at it after all this years what do you think by yourselves of it today? Ah, and your old logo back then was extreme cool and stylish, who did it and will you maybe reuse it one day?

2DDS/A: Live we don't play any of the songs anymore, but maybe this will change again one future day. After we recorded the album in a professional studio and used to let it press the disc can easily be compared with any "label production". D.I.Y. was just the money, that we put in it;-).
The artwork was completly done by Giovanni (DOGMA IVS, DEATH WILL SCORE).

20.) MA: Okay, let us talk about your so far releases from next on untill the end of this very interview. And after this interview is now already incredible damn long let us now just talk about the from my personal subjective standpoint most stand out songs of you so far. (I know, very subjective and also pretty egoistic, I know, but okay, haha;-)...), and we go from more or less the present day starting with your split release and then back through your history to your debut disc. So we start with your split and I want to talk with you a little bit intensive about two songs of you from it, namely about "ON THE WINGS OF HERSEY" and "GOOD FRIENDS, GOOD TIMES". And with the angry and raging hate anthem "ON THE WINGS OF HERSEY" we will now begin: Hammering Death Metal, here and there also a little scandinavian flavored, perfectly combined with the devastating Hardcore, all cultivated with your very own unique character, wow, pure gold. From where you you draw your inspirations and did you used a pointedly chosen topic as the foundament for this song? Lyricwise it seems to me that it is a very harsh vendetta hymn, right? More personally or in social critical-political way? I am not so sure about it regarding this level of abstraction, so I request you at this point to enlight the readers and me;-). I also ask for this maybe pointedly chosen topic of the song because the music and the lyrics seem to me perfectly mutually agreed. So did the song come to happen in a unique way, a ''special'' way?

2DDS/A: Incredible short answer: Nah, it came to happen like every other song before;-).

21.) MA: The second song of your split about which I want to talk a little bit more intensive and precise with you is the incredible great "GOOD FRIENDS, GOOD TIMES" titled anthem. I love it, absolutely fantastic!!! Great Old School Hardcore the NYHC way in the tradition of a band like MADBALL, and also Eurocore a la BACKFIRE! seems to had been a inspiration for you, but also here you do your very own thing. How did it came to happen, what was the idea to do it, and can we hope to hear more like this from you in the future? And lyricwise, just by the way, all this trendy wankers, false friends, shittalkers, and Straight Edge pussies who feel the need to praise their gospel to everyone as the only right way to wisdom and happyness, they all aren't your best friends anyhow, right;-)?

2DDS/A: We had really a big lust to do a song like this. We really wanted to do a real punky Hardcore song without any Metal riffs, a song that we can direct fire out.
Maybe also lyricwise the so far most happy song of us to date yet so far.
I just can talk for myself, because after this interview now already has more content than my diploma work and wouldn't be anyhow possible to be answered via group discussions.
I really don't care about what people choose as their personal philosophy of life.
No matter if vegan, meat, SxE or booze, I don't care about it. But I must constantly listen to this bullshit of why and how, because all the people somehow feel the need to tell everyone, if asked for it or not, their life story and preach to everyone their beliefs. And this bullshit ticks me off drastically, especially after this all improvement of the world affairs mostly don't last longer than two or three years. And if it's for them the ultimate kick what they are doing, then for other people this don't need to be so as well.
Because of this the lyrics to this song, because we like to deal with bullshit like this in and through out our lyrics.

22.) MA: Ah, by the way, the Intro Skit to this song is totally great and damn fucking cool. From which movie you took it?

2DDS/A: The movie is originally named "STATE OF GRACE". I think the german title was "HINTERHOF ZUR HÖLLE" or some non sense like this.

23.) MA: Okay, now onwards to your "DIA DE LOS MUERTOS" masterpiece. Already the first song, "EVA MENDEZ", is surely through and through one hell of an anthem. Musicwise extremly grapping and interesting arranged, and lyricwise just pure gold. Who is this "EVA MENDEZ" for which you created this musical manifest and from where do you got the inspiration to do this track? Is there any special to tell about the creation of this song? I really hope that we will able to enjoy this hymn on and on for a long while as a part of your live set!

2DDS/A: This is also one of my our total favorites, and so I think that the song will probably be a part of our live sets forever.
The lyrics weren't read by many, and even less made up their minds about it. This song is not about the Hollywood actress of that name.
The Eva Mendez we sing about in this song is a woman for which life played out very bad cards. She was raped and was laid down on the railroads so that a train could and should override her. Her legs had been squeezed off during this, and since then she walks on her hands. But still she is strong and powerful and takes care of her children, she lives without a man in a ghetto near the railroads that lead into the city. We sense this as real power and strength. Not that kindergarden crap other bands sing about, that still live in the houses of their parents.

24.) MA: Okay, not the most spectacular song of the album (even still a strong one and especially live pure gold), but maybe the most controversial one is your collaboration with the Gangsta Rap group GOODFELLAS, the song "POR VIDA CARNAL". Lyricwise partly pretty heavy and extreme, with terms like subhuman and such stuff, and not only a few were pissed off by this, so maybe sort of a love/hate thing, but live always a true hymn. Anyhow a strong song, and would you today also do something like this and how do you see the song by yourself? Do the good contacts to the GOODFELLAS still exist and what do you think of the fact that the guys took part in some reality documentation bullshit crap in the german television and searching for an appartment on screen and buying kitchens and such stuff? Not really that much Gangsta, or...?

2DDS/A: Like already said, we don't discuss our band internas in the public. Today this topic is also pretty much through, but so much to this still here and now: There will be no other collaboration and the also don't play the song live anymore.
What the people think of it or not, what pissed them off and what not and which topic is hot this current week is not of our concern, we don't care about it.

25.) MA: Okay, and now with being on the finishing line one more time back to your debut MCD titled "BOUND BY HONOR". I know, it had been freaky fucking ages that passed us by since then. Already back then right from the start the opener, "RED TO THE PUBLIC", directly grapped me, a total bomb, still today. Lyricwise also pretty angry, aggressive, and pissed off, and also somehow pretty political, or? Anyhow incredible great! I would say that especially this song became somehow pretty marking for your style (can't say it better, sorry), would you agree on this?

2DDS/A: This song is very political, but in no way addressed to or placed in one political fraction. It's more about the fact that the people out there should better start to question what's going on, instead of just following the herd and do what they had been told. But marking for our future style, nah, I really can't agree on this.

26.) MA: Okay, last question then you've done it and this with managing to stay alive, haha;-). When will I be able to finally listen to my long demanded BIOHAZARD cover song and what covers are you maybe planning to do live on stage anyway?

2DDS/A: Let yourself be suprised, dude;-).

27.) MA: Angelo, that's it, haha, you did it, haha;-)!!! Once again THANKS for doing this (über-long) interview, for your interest in doing so, and for your time and effort you put in it. Great man!!! I think it's sort of the most longest interview up here so far, much respect for putting yourself through it all!!! Now the last words are up to you, and I really hope we finally see us soon face to face again one soon day!!! Cheers man!!!

2DDS/A:
Andy, you old damn bastard... this was really hard work!!!
Thanks that you are supporting us since years and that you spend your time and effort in doing so!!!
It's cool to see that there are still really people out there which work themselves through music and create their own attitude to it!!!
Cheers!!!
Angelo/2DDS

2DDS back in the days: Angelo, Jan, Hajo, Denis (f.l.t.r.)

Yeahr, so folks, okay, that's it. It took me a little bit longer to get it done with the translation work and so on, but anyhow, it's done, it's up, and I really think that it's a damn great interview due to Angelo's work. No I think I will close this post that's already long enough, and so, to you, the readers thanks for your interest and support the amazing 2 DIAS DE SANGRE!!! Have a open eye and ear on them, their new album will be released some time in 2013!!! Cheers guys!!!
(https://www.facebook.com/dosdiasdesangre?ref=ts&fref=ts)
(PS: I still must correct the mistakes, and will take care of it the next few days or so.)

Sonntag, 12. Mai 2013

(Work in progress.)

Hey folks!!! It's currently pretty silent up here, I know. Even I announced that pretty much silent periods will come to happen up here since I've changed the running formula up here quite a bit, I anyhow just wanted to let you know that currently I work on bringing the 2 DIAS DE SANGRE interview finally up here for you to read. But it's a really long interview and how long it really is I see now, with working on it. I have to translate it all from german into english, and basically so that's where all the work comes from. Currently I worked through nearly the half of it, so if I can keep it up going like this then somewhere between Wednesday and Friday next week it will or maybe better should be up for you. I'm a little bit behind my personal deadline, because the last five days, including today, Jane and I had been on a little short-holiday-trip, so that I just came home recently today and will start working on it again tomorrow evening after I stopped working on it for five days now. The next record review package will come up here by the end of May or the beginning of June and it will be a really huge one, and some time like this with June to start also the first theme days will come up here for you, I have them already in the making. But for now, first stay tuned for the first class interview with the amazing 2 DIAS DE SANGRE. And now just have a nice evening and then tomorrow I wish you all a good start into the new week.