HERZLOS - "SCHWARZ - WEISS - NEON" (2018)

HERZLOS - "SCHWARZ - WEISS - NEON"
(Running time: 53:51 minutes; 14 songs)
("Laute Helden"; 2018; CD):

Hey guys, yes, trust your eyes because it's true here's now already the next load in-coming for you all this month and so it's the second day of the month and here's the second post for it, not bad, but first let us wait if this will keep on going before I praise this too loud for you. And with this said now straight forward into the action, yes, and so here now comes my review on the (brand)new HERZLOS album "SCHWARZ - WEISS - NEON" released more or less pretty recently in 2018 via "LAUTE HELDEN" (a to me new subdivision of "SPV") in form of a beautifully designed and fat digi-pak CD. The band's from good old Germoney and is now already around for a decade or so but before "SCHWARZ - WEISS - NEON" HERZLOS were completly unknown to me. Okay, with that all said, hm, what do we get here, what is it that HERZLOS offer and serve us here on, with, via, and through "SCHWARZ - WEISS - NEON"? German Rock. Yes, German Rock is the answer. If you are into new TOXPACK, if the newcomers FORMLOS please your gusto, if FREI.WILD are some of your faves, if you like what KÄRBHOLZ has developed into, and if the later to latest BÖHSE ONKELZ albums are something that you (still) like, yes, if this all or some parts of this are true then you should definitely check out HERZLOS and give them a good and fair chance, because then "SCHWARZ - WEISS - NEON" will probably have a good time spinning in your stereo at home. This is energetic German Rock showcasing a strong melodic and also a modern touch and it all comes with a huge dynamic melted into the tracks marked by some more or less fresh but anyhow nice ideas (like for example some SKA marks in "STATUEN AUS GOLD" or some in general surprisingly fresh and rousing old school traditional Rock & Roll rhythmic arrangements like for example in "PLATIN" or a pretty dark and heavy and slightly grungy riff work worked together with short 1970's Rock inspired guitar lead lines into "ICH BLEIBE HIER") and a powerful punch that marks each and every song and all shines with a big melodic and a good amount of 'poppy catchyness' and a good healthy hymnal approach to it all. The guitars really drive and push the songs massively forward with a strong focus on a rousing and grapping rhythm- and riff-work but also shining with in parts already damn fantastic leads and some damn strong solos and definitely mark the songs heavily and are backed up by a forceful smacking and punching rhythm section, while the clear and clean and yet still pretty heavy and slightly throaty sung lead vocals that are backed up here and there by some loud backings really give the songs the finishing touches. And all in all here we get some mostly fresh and strong and anyway pretty ambitious songwriting delivered by some well-versed musicians and thanks to the pretty characteristic lead vocals and the guitars that sound in a nice own tone that best shines through in the leads HERZLOS also showcase anyhow mostly some good'n'strong own identity here on and with "SCHWARZ - WEISS - NEON". Next time maybe even bring a bit more distance between you and your inspirations and work out your own identity even (far) more (for example the already above mentioned "STATUEN AUS GOLD" as damn strong as it is sounds like strongly ripped away from FREI.WILD) and add a truckload of heavyness to it all and things will get even better and fresher; and on a personal mark, yes, please add some much more dirt to it all because sadly "SCHWARZ - WEISS - NEON" personally for/to me is by far too much polished. (But maybe that's just me and I'm just not that much into the target group after all...) Some good lyrics, sometimes very good (and also outspoken) and sometimes… ahrg… let us forget about it, a too damn clean production-sound, and a great artwork then finally round it all up. I think German Rock fans will definitely like HERZLOS' "SCHWARZ - WEISS - NEON" and will like it massively and this pretty much also for all the right reasons and everyone else who's into heartfelt and authentic Rock music with a only very slightly 'punky' touch to it and shining with big melodies and that's driven forward by strong guitars and (german) vocals should at least give it a fair try and risk one or two ears with checking it out, yes, so give it a try, definitely.

(8 of 10 points)

https://www.facebook.com/herzlos.deutschpunkrock (-the link to the facebook site of the band)

HERZLOS - "DU BIST DAS GIFT" (2018, "SCHWARZ - WEISS - NEON")

GHOST - "PREQUELLE" (2018)

GHOST - "PREQUELLE"
(Running time: 41:47 minutes; 10 songs)
("Loma Vista Recordings"; 2018; CD):

Hey guys, yes, here's my next dose'n'load aimed at and coming for you and this time it will be my record-review on the new GHOST full-length-album "PREQUELLE" released very recently this very year of 2018 via "LOMA VISTA RECORDINGS" on CD in a normal and in a digi-pak-version of which the latter one I call mine (but don't ask me 'bout any differences beside the packaging) and I would bet that there's also officially released vinyl of it floating around outta there and this pretty much also in various forms which here and now means various colours. This is my very first GHOST record and also more or less my first reallly proper 'meeting' with them after before "PREQUELLE" I always thought it would just be another overly hyped act but after a good friend of mine (also very trustworthy in all things musick) told me that they would beside all the hype in fact be very good band and also their newest record despise all the controversy surrounding it would be very strong I decided to finally give GHOST a try as well and also decided to start directly with their newest offering "PREQUELLE" and so now here we are. After this introduction please don't wait for any comparisions with their earlier work and just expect me to do my review solely on this very one here, GHOST's "PREQUELLE". What GHOST deliver us here on and with and via "PREQUELLE" is a damn fascinating and very independently done metallic mixture out of Rock and Gothic and this in a very 'freshly delviered' way with some very cool and very catchy Pop appeal to it all, yes, and this very open (how I liked and still like to call it) Pop appeal I mean in every sense and way positive even it is (for all what I understand) one of the if not the biggest point of criticism the majority of critics is or gets vocal about, hm, how I see it even without knowing GHOST so much before "PREQUELLE" they were anyhow never that much the band of and for all the 'metallic trueness warriors' outta there or at least I never perceived them that way and so I don't really understand the discussions I got and am aware of surrounding GHOST's "PREQUELLE" but who am I too judge, so to say… For all what I can say is that if you are looking out for a damn strong and very Fresh nicely metallic Gothic Rock cocktail full of a very own identity and strong and grapping ideas that combines easily and very charming flowingly Gothic ingredients and Gothic Rock marks with loads of melodic Hard/Heavy Rock impressions and a good amount of stunning Classic/Vinatge Rock ideas and wraps it all together with head-banging studded Heavy Metal leather as well as some good healthy doses of anthemic 1980's Stadium Rock impressions while all is marked by a gigantic 'catchy poppyness' (again, in all sense positive meant) and all interwoven by a tight and nicely intense atmosphere then you will find in and with GHOST's "PREQUELLE" pretty much exactly what you are looking and searching for. GHOST's "PREQUELLE" is heavily marked by a very atmospheric and intense aligned songwriting that's filled with grapping hooks and a very dynamic and rousing, exciting and very energetic approach to it all with a big bunch of strong arrangements and a great flowing nicely diverse rhythm structure work of the songs in general and stunning compositorial ideas so that it pretty much all shines with a strong 'freshness' and it's pretty much all showcasing a pretty own character as well as damn convincing quality. The very urgently and imprloringly delivered, very intense and top notch clear and clean vokillz really shine above all with their massive power, their many facets, and their very own tone and character. Then the very strong and highly diverse and the songs definitely massively enriching and marking fantastic and highly melodic while yet being all the time also pretty powerful guitars then dominate massively, while being backed up in an ultra-precise and also damn diverse way by the powerful rhythm section and 'some other instruments' (so to say, and to make it short and easy for me here) also perform their duties in a damn strong to great way. And in our day and age delivering two instrumentals on one album as a 'chart breaking band' like GHOST do/did here on "PREQUELLE" with "MIASMA" and "HELVETESFÖNSTER" is also a damn strong statement. Not all is gold, okay, for example I miss a bit of dirt and danger and GHOST's "PREQUELLE" is for my taste a bit too secure and there are a bit of too many too pathos-pregnant-balladesk songs on it but after all I guess that's which means the latter is just part of the deal known as Gothic and Gothic Rock and so at the end of the day I guess it's all good and fine especially after I am not that 100% into that target group, so to say. My personal favorites are "RATS", "FAITH", "SET THE LIGHT", the absolutely fantastic "MIASMA", the stunning "DANCE MACABRE", and "LIFE ETERNAL", yes, so maybe check this ones out first. Pretty interesting and cool lyrics, an absolutely drop-dead-gorgeous artwork, and a heavy smashing production sound then finally round GHOST's "PREQUELLE" very befittingly up. Well done, very well done.

(8,5 of 10 points)

http://ghost-official.com/ (-the link to the homepage of the band)

GHOST live @ the "DOWNLOAD FESTIVAL" in 2018, playing "GHOST CIRCLE" and the masterly "MIASMA".

STRYPER - "GOD DAMN EVIL" (2018)

STRYPER - "GOD DAMN EVIL"
(Runninmg time: 44:40 minutes; 11 songs)
("Frontiers Records"; 2018; CD):

Yes, all you dirty and filthy sinners repent because judgement day is finally one more time again here and judgement aims its blood dripping spear at you while silver shining swords cutting off your heads and in golden shields the last you see is the reflection of your painfilled face screaming out loud in silent anger and misery… okay, maybe this all lead me a bit too far… ahm... okay, in other words: The mighty STRYPER are back in 2018 with their newest full-length-album "GOD DAMN EVIL" released still more or less pretty recently in 2018 via "FRONTIERS RECORDS" (on CD, but probably also on LP). STRYPER, the grandfathers of Christian (Hard) Rock (or so to say), have sort of always been a guilty pleasure of me, myself, and I (even without being a Christian myself) and so I was pretty excited when I finally saw STRYPER's "GOD DAMN EVIL" in my local media store and this even more after it sort of came out of nowhere for me. Ah, and btw, anyone who really (still) ticks out'n'off because of their religious agenda just stop reading, no problem, anyone else go ahead: For all what I would say STRYPER are (much) harder and definitely a bit more modern up here on and with "GOD DAMN EVIL" working with more stunning Heavy Metal marks to enrich their Hard Rock/Heavy Rock quite a bit and also they manage to work a bunch of more groovy and modern rhythm arrangements and structures into their songs with a stronger focus on tension-building rhythmic accentuations to bulk up their anthemic and melodic yet heavy hitting and stomping Hard Rock quite a bit and this in a pretty stunning and massive way. Best example surely is the opener "TAKE IT TO THE CROSS", a fantastic song, harsh and groovy thrashing Metal that will please any fan of bands from PANTERA over DAMAGEPLAN to SHADOWS FALL and that showcases even some few Death Metal grunts (as backings, so to say), surely one of the if not the heaviest songs STRYPER ever did to date. But also massively heavy and stunning songs like "GOD DAMN EVIL" (even being totally fist pumping hymnal STRYPER-esque Hard Rock par excellence), "THE VALLEY", "OWN UP", and "YOU DON'T EVEN KNOW ME" (brilliant composed refrain, just btw) are prime examples for STRYPER going more heavy and modern in 2018 then even before, yes, and are also absolutely first class songs. I go even so far and say that I would have wished that STYRPER would have taken this even a bit further, yes, but maybe that's just me, who knows. But calm down, because STYPER still know how to do and deliver absolutely top notch melodic (and again and again pretty much all the time also nicely metallic) Hard Rock here and there maybe slightly also flirting with some AOR and that's marked by very strong songwriting full of rousing dynamics and energy and grapping moments from start to finish and that's all the time very nicely multi-facetted and so offers a lot to discover, and that's filled to the exploding maximum with fantastic guitar playing that delivers majestic riffing and rhythm works as well as and especially top notch leads and goosepimple-giving solos, amazing and gorgeous and highly charismatic vocals, and a massive stunning rhythm section consisting (out) of a great and really walking'n'talking bass and thundering drumming and all full of sheer power and full force, and also some nice backings and some few atmospheric organ moments we get on top of it all, yes, and all done on a very high level of quality by truly high skilled musicians (and songwriters). My personal favorites would be or surely are "TAKE IT TO THE CROSS", "GOD DAMN EVIL", "YOU DON'T EVEN KNOW ME", "THE VALLEY", "SEA OF THIEVES", "OWN UP" and "THE DEVIL DOESN'T LIVE HERE", yes, so maybe check this heavyweight gems out first. Some good and surprisingly pretty subtle lyrics, a gorgeous artwork, and a very heavy production-sound (I would just wish that the sound would be a bit more cleaner and clearer, but maybe that's just my personal taste, again: who knows) finally round STRYPER's "GOD DAMN EVIL" up and this in a pretty good way. Yes, all in all a very nice and welcomed breath of fresh air and a damn strong album that I can calmly and clearly recommend to anyone into Hard Rock (and Heavy Metal as well).

(8,5 of 10 points)

http://www.stryper.com/ (-the link to the homepage of the band)

STYRPER - "TAKE IT TO THE CROSS" (2018, "GOD DAMN EVIL")

JADED HEART - "DEVIL'S GIFT" (2018)

JADED HEART - "DEVIL'S GIFT"
(Running time: 51:01 minutes; 11 songs)
("Massacre Records"; 2018; CD):

Hey guys, yes, trust your eyes already the 2nd post for today… don't ask me when this happened up here for the last time... and here and now the next dose of record-reviews is aimed at and coming for you. Here now you'll get my record-review on the (brand)new JADED HEART full-length-album "DEVIL'S GIFT" released still very recently via the well-known german veteran-label (of) "MASSACRE RECORDS" on CD. JADED HEART, before "DEVIL'S GIFT" somehow total strangers to me, (but) are anyhow absolutely long-runners in the german (Hard) Rock and (Heavy) Metal scene and active for (far) over a decade or so with already plenty of releases under their belt and today with very close ties to Sweden. Anyway and anyhow and how-ever, yes, now we have and we are in 2018 and here we get the "DEVIL'S GIFT" served to us by JADED HEART and finally they serve it also to me and so I now deliver you my record-review on it. In a little about 50 minutes JADED HEART deliver us here a good dosed load of modern-up-to-date and metallic, hard hitting and tough grooving , and above all highly melodic and damn anthemic as well as pretty much for all the right reasons through-and-through truly very catchy Hard Rock/Heavy Rock with some flirtings with Heavy Metal and Power Metal. The energy-levels are really very high and the songs are strongly marked by really pushing and powerful and also really 'differing-from-each-other' and exciting and pretty huge dynamics, smashing the songs forward in a very fresh and surprising manner and the songwriting in general is pretty much as well as this and so also a truly nicely fresh and often surprising affair with a very nicely clichée-free modern and/or up-to-date approach to it all, freshin' it all even more up, the same is to say in general about the grapping and rousing compositorial work with forceful arranged verses and truly mighty refrains as well as about the in parts really fantastic rhythmic arrangements and the amazing and also, like above already mentioned, damn clichée-free grooves that really pound their way forwards and this in a the songs mercylessly ever-onwards pushing manner. Really, and I mean really strong, damn strong and personally to me due to the fact that JADED HEART were before "DEVIL'S GIFT" totally unknown to me a big and highly welcome surprise. Sometimes personally for me and my gusto the songs are carrying just a bit too much pathos in them but that's maybe just me, who knows, and that's also so far my only bigger or major 'point of critics' I have to address. The biggest trademark of JADED HEART's "DEVIL'S GIFT" are without a single doubt the metallic heavy and very diverse guitars that shine or maybe better sound in a very unique and own tone and that are delivering asskicking rhythms and really fresh, exciting, and sort of mostly 'ever-changing' riffs as well as singing and highly melodic leads and catchy solos and this all sort of without end and this all on a damn high level of quality. Backed up by a through-and-through fiery and powerful rhythm section that delivers the strong and 'ever-twisting'n'turning' rhythm arrangements in a truly 'all-breaks-off' manner, and then all is crowned by the (at the right moments also powerful backed up) forceful delivered clear and melodic sung and hymnal and catchy intoned pretty charismatic lead vocals. Here and there you'll also find some electronial/'keyboardical' elements thrown for good into the mix as well. Yes, this very one here, JADED HEART's "DEVIL'S GIFT", is really damn strong stuff that is completly made round by very good and also surely thoughtful and then also nicely varying lyrics, a really cool artwork, and a very heavy and yet all the time very organic and clear production-sound. If you are into above named/described music then I can really calmly and in/with all honesty only recommend this album to you, yes, the next time just maybe cut a bit of the above already mentioned pathos and add a true 'über-hit' to the 'roster' and all will even better if not greater. Anyhow, JADED HEART's "DEVIL'S GIFT" is a damn strong album that I, like already said, clearly can only recommend to you and so give it a try or best just get it promptly.

(8,5 of 10 points)

https://www.facebook.com/jadedheartmusic (-the link to the facebook site of the band)

JADED HEART - "WASTELAND" (2018, "DEVIL'S GIFT")

JADED HEART - "ONE WORLD" (2018, "DEVIL'S GIFT")

JADED HEART - "THE ENEMY" (2018, "DEVIL'S GIFT")

CRYSTALL BALL - "CRYSTALLIZER" (2018)

CRYSTAL BALL - "CRYTSALLIZER"
(Running time: 42:37 minutes; 11 songs)
("Massacre Records"; 2018; CD):

Hey guys, yes, new month, new day, new post or what-ever and after I really managed to ride down the road marked on my road-map for the last month up here seccussfuly I thought I try to keep that momentum alive… at least a bit ;-) ...and serve you already right now the next dose. The next and newest "CLASSICK OF THE MONTH" article is also already in the works and will come up finally one day this week before I will start this coming Sunday into a week away from home, yes, but for now I have decided that I today rather give you a new quick, short post and so here now comes my newest record-review for you, yes, and this time it will be or better it is again all about (Hard) Rock and (Heavy/Power) Metal with this very one here and now will be all about the newest (still pretty recently released) full-length-album of/by CRYSTAL BALL from Switzerland, a-decade-+-long-running Hard Rock/Heavy-Power Metal band who had released with "CRYSTALLIZER" their newest offering via the well-established and long-running german "MASSACRE RECORDS" label on CD and also as a limited CD with bonustracks, yes, but I 'only' have the normal version and so my review here and now will be on the, yes, normal version. For what-ever reasons "CRYSTALLIZER" is my first 'meeting' with CRYSTALL BALL and we get here pretty strong and really damn good melodic and 'über-'mostly and very hymnal arranged and anthemic composed Heavy Metal with very strong Hard Rock marks in it and some Power Metal flirtings, too, and all done'delivered via good doses of pretty intense and nicely exciting and grapping songwriting that gives us powerful verses and (in parts really hugely) anthemic refrains as well, showcasing also a big bunch of really rousing rhythmic arrangements, and that's marked by strong and powerful guitars delivering the goods in the departments of rhythmic work with nice organic grooving approaches and forceful beating riffs as well as in the departments of bright shining leads and really strong solos, by melodic and clear and yet powerful and it-all really all-the-time very catchy delivering lead vocals, and also by a pure force and nicely varying as well as at the same time relentlessly stoic punching rhythm section, and even a real über-hit (so to say) is missing on CRYSTALL BALL's "CRYSTALLIZER" here with really strong and rousing songs like for example "CRYSTALLIZER", "SYMPHONY OF LIFE", "ALIVE FOR EVERMORE", the pure Hard Rock hymn "CRAZY IN THE NIGHT", "BEAUTY IN THE BEAST" and/or the mighty "DUSTY DEADLY" you can't do anything wrong if you are into that kind of music and this means especially often very Hard Rock-ish and at the same time still with Power Metal-flirting absolutely hymnal and catchy as fuck Heavy Metal in the tradition of mid-1990's HELLOWEEN with masterpiece albums like "MASTER OF THE RINGS" (minus the Speed Metal roots). Anyone into this glorious music to you I can only recommend CRYSTAL BALL's "CRYSTALLIZER" that comes also with truly good and nicely diverse lyrics, a cool "skulls always rule" (and that they definitely do) artwork, and a clear and yet still pretty powerful production-sound on top of it all. Well-done, CRYSTAL BALL; and now I think I should have to check your discography a bit more intense.

(8 of 10 points)

https://www.crystal-ball.ch/de/ (-the link to the homepage of the band)

CRYSTALL BALL - "ALIVE FOR EVERMORE" (2018, "CRYSTALLIZER")

MAGNUM - "LOST ON THE ROAD TO ETERNITY" (2018)

MAGNUM - "LOST ON THE ROAD TO ETERNITY"
(Running time: 66:51 minutes; 11 songs; Bonus CD: 24:39 minutes; 4 songs)
("SPV"/"Steamhammer"; 2018; Double CD):

Hey folks, yes, time to get back to work again up here and so I now do and so here now comes my review on the (brand)new 2018 masterpiece that the British AOR legends MAGNUM (titled "LOST ON THE ROAD TO ETERNITY") released at the 19th of January of 2018 via "SPV"/"Steamhammer" and I have the (limited?) Double CD that I bought recently when it was released this January and that so is up now for being reviewed here by me for you. Back in 2015 MAGNUM took me by storm with their fantastic "SACRED BLOOD, 'DIVINE' LIES" longplayer (my review on it I finally did last summer up here) and so I was very hungry and curious for their new album to finally see the light of the day and enthusiastically I cheered up loudly when it finally was to be found in/on the shelves of the local record/media store here where I live and I took it promptly with me. And what shall I say, MAGNUM's "LOST ON THE ROAD TO ETERNITY" conquered me massively and 'overwhelmingly' and this even more than "SACRED BLOOD, 'DIVINE' LIES", yes, even more. "LOST ON THE ROAD TO ETERNITY" is filled to the max packed up full from start to finish with larger than life monsters of songs that will manifest and establish an overwhelming and exciting grip on you and won't let loose of you again even when the nearly 67 minutes are over and the goosepimples run down your neck and back without an end so that you can't do anything different then just simply press the 'play-button' one more time again- and again and again and again... This is fantastic and in all and every ways and manners highest skilled and highly authentic as well as 'engagingly' sympathic AOR (or name it Melodic Rock, Classic Rock, Hard Rock or Heavy Rock, what-ever term suits your gusto better) in absolute perfection filled with an incredible hugh amount of manifold biggest and mightiest honest and heartfelt emotions, full of rousing passion and bursting with life due to a bright shining heavily beguiling soul that breathes life and fresh-alive/lively air into the whole album so that it 'formally' comes fiery hopping out of the speakers sheer exploding (be)for life and it completely takes over with an adorably fresh and high amount of highly dynamic energy so that it will nothing else but take you by storm and maybe even as much as it took and conquered me. The brilliant songwriting that this fine gentlemen and highest skilled formidable musicians in 'persona-union' that form MAGNUM deliver us here on "LOST ON THE ROAD TO ETERNITY" is just mindblowing and breathtaking and so incredible rich and multi-faceted, multi-layered and highly diverse, packed up full of/with an amazing amount of awesome fresh ideas and exciting and grapping twists'n'turns all along the ride, while at the same time and over the whole time being so massively stunning and intense and highly atmospheric as well as full of gifted melodies and unobstrusive and yet so even more 'conquering triumphantly' hymnal/anthemic catchyness, yes, it will leave your mouth wide open, your eyes shining, and your ears sounding and clinging for/of joy, yes, and the instrumentation as well as the variety of 'musical influences' (for example enrich gifted Folk arrangements and great slightly Medieval melody lines as well as a ton of dreamlike fantasy impressions the brandnew MAGNUM compositions here on "LOST ON THE ROAD TO ETERNITY" heavily and massively and even more than before) is just stunning and so wide'n'broad and all is at the same time so perfectly flowing and highest skilled 'inter-woven' into the AOR music that it only furthermore prevents your mouth from closing again. Something that also definitely needs to be mentioned here explicit and precise are the just sheer fantastic and heavily rousing pace arrangements and the almighty forceful rhythm structures that mark all the songs and the whole album in a just sheer fantastic way'n'manner. That's perfect, nothing else, period. 'Instrumentation-wise' the biggest trademarks are surely (at least so in my book) the highest gifted and incredible soulful, passionate, heartfelt, and playful, rich, varying, and diverse as well as above all else highly characteristic guitar work, the mighty and powerful vocals with a very own and strong character of their very own, as well as the fantastic paino/organ/keyboard arrangements, yes, and this is all 'just' absolutely amazing and totally fantastic. The powerful and precise, tight and yet also very diverse, playful, and nicely and refreshing 'airy-loose' rhythm section is the perfect and much needed backbone of it all. Ah, yes, and the title-track also offers first class guest vocals by no one else than AVANTASIA's very own Tobias Sammet, yes, just that you know it. Fantastic, thoughtful and throughtprovoking, expressive and interesting lyrics, a drop-dead gorgeous artwork (I'm totally in love with it), and a very warm and natural, round and yet still nicely heavy production sound then round it all (perfectly) up. My personal favorites? Ha, the whole album, period. (Even the absolutely amazing larger than life and incredible powerful "STORM BABY" is my total love affair up here on MAGNUM's "LOST ON THE ROAD TO ETERNITY".) The Bonus CD features a bunch of fantastic older MAGNUM opus' in a formidable live quality and is a very welcome nice bonus goody. Even we now have just reached March of 2018 I am pretty sure that you will definitely find MAGNUM's "LOST ON THE ROAD TO ETERNITY" in my 2018 top ten list, and so I think I've said it all and I can now only leave you with my highest and honest recommendation(s) and so in my book every fan of honest and passionate Rock music simply needs to call this giant of an album his/her very own and so you better get it way earlier than any later in case you still don't have it. A masterpiece of one of a kind. Cheers.
(10 of 10 Points)
www.magnumonline.co.uk/ (-the link to the homepage of the band)

MAGNUM - "LOST ON THE ROAD TO ETERNITY" (2018, "LOST ON THE ROAD TO ETERNITY")