Posts mit dem Label Various Artists werden angezeigt. Alle Posts anzeigen
Posts mit dem Label Various Artists werden angezeigt. Alle Posts anzeigen

Freitag, 21. Dezember 2018

VARIOUS ARTISTS - "A TRIBUTE TO OXYMORON: FUCK THE TRIBUTES, HERE'S OUR NOIZE..." (2018)

VARIOUS ARTISTS - "A TRIBUTE TO OXYMORON: FUCK THE TRIBUTES, HERE'S OUR NOIZE..."
(Running time: 52:41 minutes; 17 songs)
("Contra Records"; 2018; CD):
Hey guys, yes, finally the next one up here and this time it will be all about my review on one damn great piece of Punkrock/Streetpunk/Oi! Punk musick with a 'paying tribute to' focus and to be more precise here and now you get my record-review on the for all what I know pretty recently via "CONTRA RECORDS" released tribute compilation "A TRIBUTE TO OXYMORON: FUCK THE TRIBUTES, HERE'S OUR NOIZE..." paying tribute and giving praise and honour to one of the very greatest and very best bands ever to walk our barren earth, exactly, no one else and especially no one less than the absolutely almighty and immortal OXYMORON. Hell Yeahr!!! 17 bands from the U.S.A., the U.K., and Germany, from the likes of DDC, ARCH RIVALS, LIONS LAW, SNIPER 66, OUT OF ORDER, HARD EVIDENCE, BONECRUSHER, HARDKNOCKS, LEGION 76, BAD CO. PROJECT, DIE TRYING, THUNDER AND GLORY, WOLF BITES BOY and even more deliver their all the time and in all cases damn smart and nicely characteristic done tribute paying versions of immortal OXYMORON hymns like "BORED AND VIOLENT", "DEAD END GENERATION", "BEWARE POISONOUS!", "CRISIS IDENTITY", "SELFRULE", "ANTI", "CRAZY WORLD", "ON THE OUTSIDE", "WESTWORLD", and many more and they do it all with their very own twist and tone to it while still honouring the originals enthusiastically and that here all is about hard knocking, sharp cutting, highly melodic, ctachy and hymnal, and just damn exciting and rousing Streetpunk of and on the highest grade of quality and skill(s) I only mention because of reasons of completness because I think that this should be clear anyhow. A fantastic artwork, top notch linernotes of/by Sucker (OXYMORON and BAD CO. PROJECT) himself, and a thru'n'thru first class production sound round it all perfectly up. So, yes, this is a very short review and especially for/by my standards but I think all what needed to be said I did say and so enough of the talking and you best just get this amazing piece of Streetpunk musick and this best instantly. Cheers & Oi! Oi! Oi!
(9 of 10 points)
https://www.contra-net.com/ (-the link to the homepage of the label)





DDC - "BORED AND VIOLENT" (2018, "A TRIBUTE TO OXYMORON: FUCK THE TRIBUTES, HERE'S OUR NOIZE...")




Sonntag, 28. Dezember 2014

VARIOUS ARTISTS - "CASHING IN CHRISTMAS VOLUME 6" (The latest installment of this already classic series.)

VARIOUS ARTISTS - "CASHING IN ON CHRISTMAS VOL. 6"
("REBEL SOUND MUSIC" & "BLACK HOLE RECORDS"; LP & MP3-Download)
(Running time: 20 songs in around 64 minutes.)
(A big "THX!!!" goes out to Brett Hole/"BLACKHOLE RECORDS" for sending me the comp in its MP3-version for promo and reviewing affairs.)
Okay, I gues... or know... at least two days too late, hm, but anyhow... okay, I mean I planned to do the little review on this comp on one of the christmas-holiday-days but I simply didn't find the time or the motivation to do something productive or just anyhow anything up here during this time, yes, and so the review on this christmas comp is coming up just now... but anyhow, even it's a Christmas comp it works also without the holiday spirit in the air surrounding us - and also the next Christmas is just one year away, so you see, it's anyhow the right time to still do the review on it, and so here we go: This comp is giving you a colored mix of a lot of todays Oi!, Streetpunk, and Punkrock acts from more or less "across the globe" serving new or exclusive songs and all with a ''special'' Christmas flavor to it, like this comp series is anyhow well known for. Like usual with comps the quality does differ, but thankfully not so much in this specific case, and so you can especially enjoy hard hitting streetrockin' Christmas tunes from the SAINTS & SINNERS (feat. Liz/DEADLINE), KEYSIDE STRIKE, THE HULLS, CITY SAINTS, GIMP FIST, SHAMELESS, ASSAULT & BATTERY, DRUG SHOCK, BRASSKNUCKLE BOYS, CONCRETE, DDC, and THE TRADITIONALS (fuckin' great!!!), and you see, it's a colored and thirtsy ride through the Oi!, Streetpunk, and Punkrock field that awaits you. So, okay, don't know what to write else, maybe just that I can calmly recommend this album to you, it's full of mostly strong music, mostly funny lyrics, a strong production sound, and a great MEAT LOAF - "BAT OUT OF HELL" homage/tribute artwork so go out and get it if you still shouldn't call it your own. Cheers & Oi! Oi! Oi! /// Andy
(Rating: 8 of 10 points)
(Order it here: http://rebelsoundmusic.limitedrun.com/ - Copy the link into the headline of a new browser-tab and then just go there and order your copy direct from the the original scource.)



Donnerstag, 8. Mai 2014

Record Reviews May 2014 - Record Review Package: Bombs of Hades, Caliban, Concrete, Discharger, Krawallbrüder, Platzverweis, Running Wild, Schiller, Suffer the Pain, The Warriors, Uprisers, Various Artists.

Hey folks, what's up, everything's fine? Yeahr, I know, maybe again later than primraly planned but that's just life, I guess, so okay, here we go again, back on track. The next load of record reviews is now coming for you all. Since the last last record reviews post by me for you quite a bit happened. Some cool guys send me a lot of their new releases (extra big "THANKS!!!" as usual go out to Brett Hole and "BLACKHOLE RECORDS" and also to the guys in "AGGROBEAT RECORDS", you're just great!!!) and also I still have the last final remaining releases that I bought over the last months still waiting in the pipeline to be finally reviewed by me for you up here. So this will be a very mixed up post and for all what I do see now starting working on it I would swear that this won't be the only record review post for this month up here on your dear "MANSLAUGHTER THUG LIFE" blog. (Even it may will be the last package post for this month and "for a while" in general up here since I'm thinking about turning the direction again and giving every album and the review on it proper room up here, with having its exclusive post, hm, we will see how I decide in this case, yes, but that's how I think of and feel about it right now at the current moment.) Okay, now that's all of the introducing small talking words for now, so now just straight and direct into the action finally again, yes, so here we go!!!


RECORD REVIEWS: APRIL 2014; PART ONE

BOMBS OF HADES & SUFFER THE PAIN - "BLACK GOAT CHANT"/"NUCLEAR END"
(KRIG TEJPS"; Tape)
(Released ca. in the autumn of the year of 2013.)
(Record fact: The split program runs through in around ten minutes of total running time.)
(Collectors fact: The tape is or was limited to 100 copies at all and comes as a yellow pro tape on or via the SUFFER THE PAIN own label "KRIG TEJPS" and I am pretty sure that all copies are sold out today, and it was also released on 7'' black vinyl via "DOOMENTIA RECORDS" and of this you can still get some copies here and there so keep your eyes wide open for it.)
Hell man, is it really now that long ago since the great guys in SUFFER THE PAIN send me their last year's final output, their great split release with their buddies in BOMBS OF HADES, the "BLACK GOAT CHANT"/"NUCLEAR END" split album in its tape version... and fuck it, but do I review it really just now... freaking fuckin' ages passed us by since then... hell man... The blog was pretty dead for a long time and currently I have a lot of work to do in and for my new job, but fuck, that SUFFER THE PAIN had to wait this long for my review on it is still anyhow anyway total crap, and so with saying one more time again "THANX!!!" to the guys I am also saying "SORRY!!!", and "SORRY!!!", and "SORRY!!!", and "SORRY!!!" for them for this incredible month taking time of delay... "SORRY!!!" guys. I think that this release today should be already pretty much sold out, and they have also already released their newest album, their "FACE OF DOOM" E.P., again on tape (blue pro tape) as well as on 7'' vinyl again. (Don't have it and don't know it so far, I'm looking to change this in the future.)  But anyhow, I will still do the review of me on this very one here, and so here we finally go: Side A of the tape is occupied by the BOMBS OF HADES and their "BLACK GOAT CHANT" two track mayhem. First song is the title track, "BLACK GOAT CHANT", a brutal and devastating thrashing crutsy blackened Death Metal slasher, and the second track is a distorted cover version of what I think is a old SCORPIONS song: "CAN'T GET ENOUGH", but you don't really hear the roots of the song that much, haha, to say it that way. BOMBS OF HADES are a wild and deadly beast out on the hunt for weak trendy souls and false Hipster Mall Metal wankers. Devastating fast and sharp, aggressive and heavy guitars lead the hunt for their prey, while the roaring furious and infernal aggressive throaty and hate filled vokillz heat the inferno on and on, and with the fast and totally precise bass and drumming build a massive and precise wall of deadly hellish burning fire to cage the prey in and to block every way out of this crusty blackened thrashing Death Metal massacre with a strong graveyard filling everything down slaughtering Old School vibe to it. It's great stuff, so simple is it. BOMBS OF HADES offer a harsh and heavy, ripping and shredding cocktail of AUTOPSY and DISFEAR with some old and early DISMEMBER and some few GENOCIDE SS mixed in it as well, and thankfully this Old School Death Metal Attack is done fresh and exciting, no dull and lame retro crap, and the BOMBS OF HADES also deliver it all pretty independently, not doing a copy and paste thing of the mentioned bands. What I find interesting is that BOMBS OF HADES, the "Vagrants from Gothenburg" are long running veterans of the scene with plenty of releases already in their back catalogue and for all what I know or think I know they have also released a new compilation album of tracks taken from split releaes and comps and such stuff just recently as well as a whole complete new full length album and their singer used to sing in the Old School Sverige Underground Death Metal Heroes of GOD MACABRE back then in the 1990's... shame on me that this is my first time listening to BOMBS OF HADES. Anyhow, BOMBS OF HADES deliver here one hell of a great side and they get nine well deserve points out of ten. Ah, to the lyrics I can't say that much which means more or less nothing (but you maybe can imagine what's on the list of topics judging by bandname and songtitle), and the dirty and rotten necro production sound matches perfect to the musick. Thumbs up, period. Then it's time to turn the tape and the mighty SUFFER THE PAIN are up next with three new songs: "BREAK YOUR CHAINS", "WEREWOLF", and "NUCLEAR END". Blackened and crusty Necro Death Metal of their very own style and in the Old School Sverige Death Metal tradition. Morbid and sick guitar leads fuel the inferno of harsh and aggressive bone smashing and skull cracking massive guitar riffs, hysterical and guttural screamed and throaty grunted vokillz, fast raging and furious into battle riding bass and drums, and full throttle power and energy non stopp. Their fast paced and short hate filled eruptions are still fueled by a strong Crustcore vibe, but like I've written already back then in the review on their great "THE LAST MASSACRE" tape back then the Metal, which means the Death Metal (with Black Metal influences) really takes or took the lead today, and that's all good and fine with me. These days they simply deliver what's their very, very best stuff to date (which means for me to this very release here, after I don't know their "FACE OF DOOM" album so far), great songwriting (see or better hear what all can happen even in just a one minute song like "WEREWOLF" on this one) and great and precise and tight musical delivery. Like already said, this is their very best stuff so far and they grow and grow better and better all the time, and this is just great and also damn exiting to experience. For all of you who really still don't know them so far just imagine a great and this time even more than great stand-alone/independently bastard of old DISMEMBER, early ENTOMBED, young AT THE GATES, and early DISSECTION mixed together through and through with doses of SKIT SYSTEM, WOLFPACK/WOLFBRIGADE, and DISFEAR, imagine this all very sick, necro, rotten, and dirty, ah, and aggressive, of course, and you will have a pretty good imagination of what SUFFER THE PAIN are all about. But keep in mind that SUFFER THE PAIN are anything but a boring retro copy and paste ripp off band or something like this, hell no, the total opposite is the case, because here we have a really stand-alone band of high and highest quality in their genre somewhere between blackened Death Metal and harsh Crustcore. I simply fucking love it, one of the greatest young bands I've discovered over the last years, and I hope to see them move on and on. To the lyrics I can't say that much but I think the titles speak for themselves, as well as the production sound does: Dirty, earthy, warm, and heavy, pure gold, thumbs up. SUFFER THE PAIN get more than deserved ten out of ten points, without any doubt, point and fact. I love this split release that also comes in a great twisted artwork and I can only highly recommend it to every lover of extreme Metal and Punk and Core musick, so just go and get it while you may still can. Cheers and mosh hard and even harder. /// Andy
(BOMBS OF HADES side: 9 of 10 points. /// SUFFER THE PAIN: 10 of 10 points. /// Overall rating: 9,5 of 10 points.)
(For BOMBS OF HADES copy the following links into your borwser and click your way to the sites you will find here: http://bombsofhades.com/; and here: https://www.facebook.com/bombsofhades.)
(For SUFFER THE PAIN copy the following links into your browser and click your way to the sites you will find here: http://sufferthepain.bandcamp.com/; here: https://www.facebook.com/sufferthepain?sk=wall; here: http://sufferthepain.blogspot.se/; here: https://soundcloud.com/suffer-the-pain-666/; and here: https://www.youtube.com/user/SufferThePain666.)
(I'm pretty sure that the tapes are sold out but you still can find the 7'' here and there and so if you still don't have it you should really change it quickly which means best promptly direct here and now, and if you do so you can do order the 7'' for example here: http://fda-rekotz.com/gx/product_info.php?info=p3903_bombs-of-hades---suffer-the-pain---split-7-ep.html; so just copy the link into the headline of your browser and then go there and have fun with going shopping.)

CALIBAN - "GHOST EMPIRE"
("CENTURY MEDIA RECORDS LTD."; CD)
(Released at the beginning of 2014.)
So okay, here it is, a album about I clearly and calmly say two things straight and direct off from the get go:
(1.) This album is already now one of the BIGGEST surprises of 2014, without a single doubt, period.
(2.) This album is already now one of the VERY BEST albums of 2014, point and fact.
And if you would know me only a little bit than you would know what this means... after CALIBAN had always been so far a band that I could calmly and easily live without. In my something like around two-thousand albums big record collection you will find beside this one here only one more CALIBAN album, and that's their "OPPOSITE FROM WITHIN" titled one that's now also already some years old but that was so far the only album I considered pretty good and I considered to might have it won't hurt no one which means me. And now this perfect bomb of an album, it hit me like a laser guided cruise missle, and this also totally from out of nowhere. It's incredible what they've done here, what they've created here, and it hit me absolutely unprepared. And, yes, I dare to say it: I fucking love it, period. In contrast to their mates HEAVEN SHALL BURN they truly sticked true to their Metalcore approach with still retaining a strong Hardcore spirit and style and keeping it their very own. This is already fucking great, but even more great is simply the fact that they still sound very strong like just themselves. I mean it is comparable to KILLSWITCH ENGAGE and them still sounding also still like just themselves. There are legions of bands outta there copy the styles of KILLSWITCH ENGAGE as well as of CALIBAN and still this are two bands that stick out and that still offer sort of an aprroach of their own, and this is really great. And in contrast to pretty much more or less all of the years before today with this album I really cheer up to their own approach, because today they finally have convinced me in a supreme and total conquering way. Hard and heavy and furious raging and brutal smashing'n'cracking yet incredible melodic and hymnal, catchy and in an all positive sense poppy so that it makes you smash down everything in sight in this moment just to let you fall down to your knees and sing from out of the deepest dephts of your heart full of passion and emotions the next moment, just to raise up and mosh hard and push up your fists to the sky and sing loud and proud a long to the songs the other moment. Packed up full with energy and dynamic, passion and heartfelt emotions, and a pretty strong and authentic unbroken attitude, all made out of fantastic guitars (diverse challenging and incredible well lowing through at the same time, brutal hammering and yet incredible strong melodic singing - I mean that the guitars are singing, you are not reading it wrong;-).......), emotional and strong lead vocals, loud back up chants, and a hard and precise rhythm section machinery at work. Great musicians at work and they deliver it all in the garment of a really strong, surprising, varying, demanding, and grapping songwriting, it's just perfect (or at least as close to perfect as it only could be), point and fact. This is modern, melodic, hymnal/anthemic, heavy Metalcore of the best of kinds so if you are in this then just don't think twice and just go out and get it, you won't regret it, trust me, it's superb, period. My personal favorites are "WOLVES & RATS", "YOUR SONG", "I AM GHOST", "KING", "I AM REBELLION", "NEBEL", and "WHO WE ARE", but don't mistake that for thinking the other songs would suck, nah, the total opposite is the case. The production sound is purest gold and the artwork just a phenomenal beauty of an album artwork that I would love to see and have on LP format. This album rules in a totally supreme way so I can only highly recommend this to you so go out and get it- and then go freakin' fuckin' nuts on it. Cheers & grab your copy soon. /// Andy
(10 of 10 points)
(Copy the following link into your browser and then just go there: http://calibanmetal.com/.)

CONCRETE - "SUBCULTURE STREET TROOPER"
("REBEL SOUND MUSIC" & "REBELLION RECORDS"; 7'')
(Released at the 26th March 2014.)
A big "Thanks!!!" very much for this little record goes out to Brett Hole of "BLACKHOLE RECORDS" who used to send me this little album some time ago via E-Mail, and here's now finally my review on it. Again: THANKS a lot man, cool of you!!! This is a collabortaion release between "REBEL SOUND MUSIC" and "REBELLION RECORDS" and it's a vinyl 7'' release featuring two tracks at all, "SUBCULTURE STREET TROOPER" and "BORN TO LOOSE NEVER", in around six minutes of total running time. Expect some hard hitting and tough as nails no bullshit American Oi! blended with some doses of old school Hardcore, somewhere between HAMMER & THE NAILS and BLOOD FOR BLOOD and throw some RAZORBLADE and also some CRO-MAGS in the mix here and there, too. Cracking and smashing, harsh and heavy shredding guitars, brutal shouted aggressive full power lead voacls, stomping precise and tight damn hard drums, angry rumbling and buzzing bass, and full throttle loud and proud crew back up chants and a lot of great and fresh sing a long potential in it as well. The songwriting is pretty strong, especially the diverse and really heavy stomping title track is very strong and grapping arranged and composed, thumbs up. The artwork is okay... I guess... here and there some good old clichés won't hurt, righty right;-), the lyrics are good stuff, and the production sound is dirty and heavy as well, so all good and fine. It just seems to me that the two songs had been recorded to different times and maybe even at different locations, because, hm, that's just how it sounds. Btw, the production sound of the a side is much stronger, as in general the a side really sticks out, with the b side still being good anyhow as well. Okay, that's it already for this one, a short album and a short review, that's how it is. Oi! fans and Hardcore maniacs as well should make sure to check CONCRETE out, I am pretty sure they will be worth your time. Damn good stuff. Cheers & Oi! Oi! Oi! /// Andy
(8 of 10 points)
(Copy this link into your browser headline and then just go there: https://www.facebook.com/CONCRETENATION?fref=ts)

DISCHARGER - "DESECRATED GROUND"
("RANDALE RECORDS"; CD)
(Already released back then in 2012.)
Yes, I know, this an already a little bit older album, the so far last DISCHARGER full length album and probably DISCHARGER are already about to release a new one this year and at least a new 7'' (I think so) will see the light of the day very soon (and will be released , ah, I mean reviewed up here also very soon... just read on...), but this is all nothing but uninteresting right now right here, because what's is now interesting is nothing else but this groundbreaking masterpiece of an album that I desperately want to finally review up here, and after I am the CEO (and the only writer as well;-)...) of the "MANSLAUGHTER THUG LIFE" blog I'll now do exactly this, review it (finally) right here, right now. Like already said this was already released back in 2012 but it took untill christmas 2013 before I got it, when my girlfriend gave it to me as a christmas present. There had been three albums that I missed out on in 2012 and that I really desperately wanted to have since then. Two of them I managed to get pretty early and reviewed both of them already last year up here. I am talking about PATRIOT's - "THE SPIRIT OF REBELLION" and WISDOM IN CHAIN's - "THE MISSING LINKS", and both of them would have made it easily and also pretty high in my top ten album list of 2012 if I would have just got them earlier. The third album was always this one, DISCHARGER's - "DESECRATED GROUND", but due to what reasons ever it took untill christmas last year. Hm, and then something happened that in this form I wouldn't have thought ever to experience again: With this album I discovered sort of a bit of a lifechanging album. A groundbreaking one this very one here is really and truly anyhow, but also sort of more than this. It made me feel like back in the days when I was a teenager and discovered albums that influenced me heavily and for life and this fantastic and phenomenal masterpeice of an album owns all the potential to be also exactly this, and it appears to be exactly this. Playing since 2003 or 2004, I can't recall it exactly right now, and going stronger than ever today. (And they always went impressive strong right off from the start.) So, now finally straight to or back to (?) the topic: DISCHARGER - "DESECRATED GROUND", released via the german label "RANDALE RECORDS" (one of the best we have today... if not the best of all) and this in 2012. DISCHARGER always sort of played a sound very much of their very own, they had never been ''just another Oi!/Skinhead Rock band" and hell no have they ever been sort of a Streetpunk/-rock/-core what the hell else ever band (and also never claimed that to be, no, the total opposite), but latest with their so far last full length album "THE SWORD OF OUR ANCESTORS" from 2008 they finally presented something very fresh, very new, very unique, very stand-alone, and something so much outstanding that I was totally conquered by supreme force and by storm. Oi!, Pagan Rock and Heavy Metal joined forces and gave life to a new born bastard son, and here's this piece of dirty and outspoken greatness grown a little bit up and it got even better, even fucking better. Their split with JENNY WOO I sadly missed out on so far, so "DESECRATED GROUND" was my long awaited and also long overdue next meeting with them, with DISCHARGER, and it was and still is one hell of a happening. Fifteen new (okay, back then new... you know what I mean;-)...) songs they give us here and right from the get-go it is clear that this album is nothing else than a damn fucking statement: "Bow down, the champs are here!!!" No doubts, no dsicussions. DISCHARGER give us here all in all fifteen songs (including the great atmospheric intro track of the title "LEGACY OF VIOLENCE"), and this are simply fifteen anthems and nothing less or else. After the already mentioned intro the album kicks really off and this with the smasher "THE BOYS OF 033", one hell of a song, followed up by the larger than life hymn "WE'RE COMING TO YOUR TOWN". Whoooaaa, what an impressive way to start the album off. And so it continues to go on. The album is filled with great diverse guitars that cover a wide distance from crushing metallic riffs and punky melodic chords to adorable larger than life melody lines and leads as well as brilliant solos, and this all on an incredible high level of skills, no matter if we talk about the technical skills of playing or the creative skills of writing. Then we have great hard sung aggressive and pissed off very charismatic lead vocals that are backed up by massive crew shouts, and the sing a longs they deliver are just fantastic, as well as the verses and also the refrains are just fucking awesome arranged. A great bulky and forceful bass and massive stomping and beefy stunning drumming then add up to this mighty force. The musicians are very, very skilled and very, very well-, well-versed and the songwriting skills and abilities are sort of even a bit higher, it's just sheer fantastic. Grapping, atmospheric, interesting, powerful, and full of energy and dynamics, all just on a level of pure platinum. Also all is done fucking fresh and outshining strong, too. Great outspoken und critical as well as proud lyrics that cover a wide distance of different several topics, and also on a very, very high level of quality. Then we get also a cool and sinister artwork (that's a perfect match to/with the 100% authentic militant attitude of the album, the songs, the music, the lyrics... the band), and a first class production sound. So you see, this is the fucking complete package, point and fact. Each and every single song is a pure anthem, but if I should name you my personal favorites then it would be "WE'RE COMING TO YOUR TOWN", "HEAR US MARCH", "OUR SOCIETY", "MY RIFLE", "OUT ON PAROLE (MOTHERFUCKER)", "NEVER SURRENDER", "BOUND TO BE CRUCIFIED", "DEATH BEFORE DISHONOUR", and "THE BOYS OF 033", so maybe you start with checking this pure groundbreaking and even more lifechanging anthems out, but also with the other here not mentioned songs you won't go anyhow anyway wrong. I don't know what I could write here and now more. To name you here and now any bands to compare them, DISCHARGER, with makes no real sense at all, after they really play a style and sound of their very unique own. But if I would need to then let me say that if you like BADLANDS and BATTLE RUINS, then you will also like if not even love DISCHARGER, but keep in mind that they take it further than BADLANDS had ever did, and that they play it more stand-alone and more Metal-Cliché free than BATTLE RUINS. This is a brilliant and phenomenal album, an album that really sticks out and shines bright and an album that will stand strong and hold its ground as one of the most strongest and powerful for many, many years to come. If you should still not have this album, just in case, then by anything what's maybe holy in your believe or in your whole life, then just finally buy it and enjoy it, this is a totally amazing album and a clear statement: DISCHARGER, unrivaled, unbeaten, battle scarred and pissed off as fuck. Better than ever, and the best around!!! Get it, now!!! Cheers & Oi! Oi! Oi! /// Andy
(10 of 10 points)
(Copy the following link into the headline of your browser and then check it out: https://www.facebook.com/dischargerholland.)

DISCHARGER & UPRISERS - "SPLIT E.P.: NO PLACE FOR OUR KIND / EVERYBODY'S GOT A REASON"
("REBEL SOUND MUSIC"; 7'')
(Released at the 27th of March 2014.)
Hell yeahr, a brandnew DISCHARGER release, fuck, that's damn great!!! This time around they are with a new split release on 7'' vinyl, sharing the vinyl with the UPRISERS from New Hampshire, a to me totally new band. Before we go in it deeper: THANKS very much one more time Brett Hole and "BLACKHOLE RECORDS" for sending me this album via E-Mail, fucking great of you!!! All in all both bands give us two songs which makes this here a four songs release at all with a total running time of around eleven minutes. Okay, side a is occupied by the UPRISERS. A to me totally new band formed by guys that back then used to play in THE BRUISERS as well as THE RADICTS, and their first song on this split 7'' and the title track of/for their side "EVERYBODY'S GOT A REASON" is a re-done old THE RADICTS song, their second track "GHETTO BLASTER" then is a brand new one of them. The UPRISERS play a very strong rockin' Punkrock style and sound with a female singer, Britney Noyes, who does a decent, a good job, especially in and with "GHETTO BLASTER" she shows what she really can do. Okay, the UPRISERS give us heavy rockin' and catchy rollin' melodic as well as fast and sharp hitting played guitars, a stomping tight and precise right in time powerful rhythm section, and the strong vocals already mentioned, as well as nice sing a longs and good loud back up chants. They can play and they can write songs, for sure, it's just not really my bottle of beer. But fans of DEADLINE, THE DISTILLERS, DIE HUNNS, and also the U.S. BOMBS will surely love them and their side. For me also anyhow truly good stuff, and so they get 7 out of 10 points for their delivery here and now by me. Then side b is on and this means that it is time again for the almighty DISCHARGER. And they simply deliver one hell of greatness, pure platinum, again. Their first song "EVERYTIME WE DRINK" you may know already for it is around on YouTube now already for a while and sees here its first record or album release. It's fast forward, it's straight to your face, it's outspoken gladitorial (the attitude and the message- not the music- remind me quite a bit of the legendary and iconic STORMWATCH and their immortal classics like "NOTHIN' BUT TROUBLE" and "BOOTLES FLYING"), it's skilled in every sense, and it is no prisoners taking and no bullshit accepting catchy and melodic as well as heavy and harsh Oi!/Skinhead Rock & Roll of the very best kind. Their second song "NO PLACE FOR OUR KIND" kicks off also just right, with smashing guitars and a massive rhythm battery that will tear down every wall in sight to make sure they will be heard and the battle scarred militant message they deliver will be heard everywhere, delivered by the great singing charismatic singer who's backed up by some mighty back up chants as well. I won't go in it too deep after in the direct review above I have already described the style and sound of DISCHARGER as far and as good as I can do it in english and so just read there if this words here hadn't been enough for you so far. But let me say that this are the most "pure" Oi! smashers that DISCHARGER had done maybe since their legendary and great "BORN IMMORTAL" debut but on the same larger than life and greater than great, groundbreaking and lifechanging level of quality of their "DESECRATED GROUND" output. So, yes, don't think twice, brilliant stuff again delivered by DISCHARGER. They get the purest platinum one more time up here which means that they get 10 out of 10 points for sure. Phenomenal!!! Both bands deliver also strong lyrics, and the production sound(s) as well as the artworks of both sides are damn strong stuff. So, what are you waiting for, buy it. Now!!! Cheers & Oi! Oi! Oi! /// Andy
(7 of 10 points and 10 of 10 points make 17 points at all, and this makes after all and over all...)
(8, 5 of 10 points)
(Copy the following links into the headline of your browser and then check it out: https://www.facebook.com/dischargerholland & https://www.facebook.com/theuprisersnh?fref=ts.)

KRAWALLBRÜDER - "SCHMERZFREI"
("K.B. RECORDS" + "TONPOOL MEDIEN GMBH"; CD)
(Released in 2014.)
Yes, here it is, the new full length album by the mighty KRAWALLBRÜDER from Germany titled "SCHMERZFREI". This is the normal CD version that I have here before me, but for all what I know or think to know this album is also released as a limited CD edition (but don't ask me what goodies are included in the limited package of the limited CD version set) as well as a LP vinyl version. After I missed out on their precursor release, "BLUT, SCHWEISS UND KEINE TRÄNEN", this is my first time again with the KRAWALLBRÜDER since their "DAS 11. GEBOT" album from some years ago (I reviewed this very album some years ago up here), and I was very curious what they would hold in store for me respectively us this time around. And something that I can calmly say right now and right here at the beginning of this review to kick it all off is this: This very album here will definitely be one of the very best albums of 2014, damn fucking DEFINITELY, no matter how early it may still is in this year and no matter how early it was released, period. I was a little bit out of this whole Oi! from Germany or German Oi! stuff and especially this whole German Rock trend was never up that high on my fave lists, nah, in contrast to this it ticked me off and still ticks me off mostly all the fucking time. And after the Krawallbrüder moved more and more from German Oi! to German Rock if not maybe even a little bit "German Metal" or "German Street Metal" I lost them out of sight without that much regrets. Here and there I noticed that the whole dumbass German Anti-Fascist-Action-Über/Ultra-Fascists still treat them as one of their favorite objects for witchhunting, for hustle and defamation and an endless stream of terrible bullshit lies flows about them coming from out of the AFA direction, but I guess that some things probably will never ever change, especially not the stupidity of men... But okay, after I've read an interesting interview with them and saw the great artwork of the album when I first saw it in my local record store I suddenly and promptly felt the need to take the album home with me and so I did. And already in my car it first conquered my stereo... and then it conquered me, and this in a totally supreme way. The KRAWALLBRÜDER grew over the last decade or so to one hell of a mighty and damn fucking strong band, it is really fantastic when you listen to example to their "DIE FÄUSTE HOCH" album or their "IN DUBIO PRO REO" album (two also really strong albums, also still today) and then to this one here, their new "SCHMERZFREI" titled album, how strong and skilled and diverse they have become over all the years, as musicians and as songwriters. This is hard and heavy stomping metallic Hard Rock music made in Germany deeply rooted in punky German Oi! and standing for it. Harsh and heavy guitars, yet pretty diverse and incredible catchy and really damn skilled and well-, well-versed, mark the music as well as the charismatic hard sung vocals (and the vocals that are today really sung and this also pretty often clear and melodic) and the loud'n'proud band back up chantings and the very sing-a-long compatible hymnal and anthemic refrains. The rhythm section is pure and true force, massive, tight, precise, to the point, in time, and very well-versed and incredible fucking skilled. The songwriting is outstanding strong and diverse, and energy, force, dynamics we get it all non stopp. What I like even more is how great diverse and still more than well flowing the grapping songwriting is, it's just phenomenal and sheer fanastic. On top of it all we get great and very outspoken lyrics, the already mentioned awesome artwork, and a true and poor bomb of a production sound, the whole damn complete fucking package. Don't know what I now should write more, I mean, if you miss out on this very one here you will surely miss out on one of the best albums of/for 2014, I guarantee you, and this I can and I do very calmly, so trust me upon this. My personal favorites are "AUF EIN WORT" (the best one of them all), "BLUT UND TINTE", "WEG VON EUCH", "SCHMERZFREI", and "NIE EIN ENDE SEHN", but also the other not mentioned songs rule like hell. For any fans of bands like the TROOPERS, TOXPACK, BERSERKER, FREI.WILD, UNANTASTBAR, KÄRBHOLZ, and the BÖHSE ONKELZ, but they are fare superior- more fresh, more exiting, more independently, more heavy, and far more metallic- to them all, even compared with/to the mighty TROOPERS and TOXPACK. And, oh yes, they really deserve their success, it's earned and hard worked for, and it is by far more than just deserved. One of the best current bands, and one of the very best german bands of today. For Skinheads, Metalheads, Hard Rockers, Streetrockers, Punks, Hools, Bikers, Rock & Rollers, and all other antisocial outcasts with a faible for heavy rocking anthems, because anthems are all of their tunes on this brilliant album and antisocial they are still anyhow. Get it my dear readers, highly, very highly recommended to all of you outta there. An amazing album, a more than amazing album, point and fact. Go out and get it. Cheers & Oi! Oi! Oi! /// Andy
(10 of 10 points)
(Copy the following link into the headline of your browser and then check it out: http://www.krawallbrueder.com/.)

PLATZVERWEIS - "BIS DER VORHANG FÄLLT..."
("BURNOUT RECORDS"; CD)
(Released recently in 2014.)
Cool, the new PLATZVERWEIS album, released just recently, is spinning its round in my stereo. PLATZVERWEIS are a still pretty young German Punkrock/Oi!/Streetrock band from Liebenburg, a small town near where I live, and with saying that they are still a pretty young band then I mean when we just look at the age of the guys in the band, because this is already their thrid album (their debut "MIT DIESER BAND" already released back in 2006, their second album "DEIN LETZTER TAG" released in 2011, and now in 2014 their newest one "BIS DER VORHANG FÄLLT...") so far and beside their already three album they also participated in the five way split "THE KIDS STRIKE BACK" in 2009 and "UNITE AGAINST CANCER" that I have reviewed some time ago up here, maybe two years ago or so. You see, the band started many years ago and the guys in the band were around sixteen years old back then, so you see, they are still sort of young guns but they already came a pretty long way so far untill now. And so now here is their third album already, and the first full length of them that made it into my collection. I saw them live two times before over the last years and then at the release party of this album a thrid time, and what shall I say, they heavily conquered me. Had they been before too much sort of Rocking Teeny Punk music or so that was live on stage pretty entertaining even not too impressive at all and so no album of them beside the above mentioned five way split and also the comp album made it home to me, but that changed in a definite way with their recent release party and this one here, their brandnew album, entitled "BIS DER VORHANG FÄLLT...", released via the "KB RECORDS" sub label "BURNOUT RECORDS" - and they couldn't have find a better label, perfect match, if you ask me. We get thirteen new PLATZVERWEIS songs (including the cool intro track "LA MADRUGADA", the solely english song "DREAMS OF RIOTS" feat. Mane/LAZY BASTARDS- all other songs are completly sung in german- and the outro track "AUF WIEDERSEHEN") in around 43 minutes. And judging by their recent live performance and this songs respectively album they made a huge, a really huge step of development forward- live on stage and also on the record. This is one of the strongest and toughest, tightest and energetic current german Streetrock bands somewhere in the middle between Punkrock, Oi! Punk, and German Rock (but without becoming sort of this typical bullshit cliché German Rock FREI.WILD/BÖHSE ONKELZ/etc. pp. band like so many and with this I mean too many and this means by far too many bands outta there these days) and they do it all very much independently and concentrated on their own and they deliver one hell of a great quality, and this is just really great and all is more than fine with me. So we get cracking guitar playing that's really surprisingly fresh and diverse, varying and really nicely skilled, truly far above average and really shining in the genre of German Rock and German Oi! Punk and German Punkrock like we see and hear it today in by far too many cases. And don't make any mistakes, even when I speak about German Rock here in the context of the new PLATZVERWEIS album I simply just mean that you can clearly find some marks of this kind of music in the sound and style of PLATZVERWEIS, but they are definitely no German Rock band not only but first and foremost because they are by far too much Punkrock for this, and that's just great and more than good and fine with me. And what I like even more is that they really manage to create a strong on the one hand socially aware and critical mood while on the other hand a full blown out "No Future!" attitude all at the same time, and this music-wise as well as lyric-wise, and that's just something that not many bands of today manage to do, especially not so many young bands of the current ones. With doing so and with keeping it all fresh, alive-lively, and exiting they remind me of the better 1980's German Punk bands but without copying anyone and also without becoming a dull lame crappy retro farce, and that's just great and makes it even greater. Best you can experience this in their phenomenal dystopic anthem "IN DER FABRIK", one hell of a pure platinum song, music- and lyric-wise. In general the guitars marking the songs strongly and this, like said, for good reasons and also for the good of the music of PLATZVERWEIS, great, thumbs up. Beside the guitars the lead singing voice stands out, too, and marks the songs really heavily, and this is good, really good, because: It's tough as nails, roars and shouts harsh and aggressive as well as it sings catchy and hymnal in a melodic way as well, diverse, really well-skilled, and pretty charismatic, thumbs up. The rhythm section then bombs thru in a massive way and gives it all a really strong and beefy backbone. On top of it we get full back up chants and massive sing a long shoutings. All matches perfect together, thumbs up. The songwriting is tight and precise to the point, diverse and grapping, the arrangements of the verses as well as the sing a long refrains are really great, so it's all there, it's all here. Ah, and one word, when the intro "LA MADRUGADA" played the first time I was frightened that they now would sound like the new BROi!LERS full length... hahaha, but hell no, they don't, and that's great. On top of it we then get also really strong lyrics that cover a wide range of topics, a great and beautiful artwork, and a first class bombing production sound, the full package. Great!!! Ah, and beside Mane/LAZY BASTARDS who joins PLATZVERWEIS in/with "DREAMS OF RIOTS" also Schulle/TOXPACK joins PLATZVERWEIS in/with "UNSERE HASSLIEBE". My personal favorite songs on this one are "IN DER FABRIK" (best song on the album, also lyrics-wise), "ZWISCHEN BEGINN UND ENDE", "SIEVERT", "BIS DER VORHANG FÄLLT...", "ODE AN DIE HEIMAT", and "DREAMS OF RIOTS" (and they should really sing more often in english, just by the way, also their great cover versions of "EVERYWHERE WE GO" by DISCIPLINE and "CRISIS IDENTITY" by OXYMORON proofed this to me clearly when they played them live on stage last saturday), so maybe start with this boneshakers and then move on and continue your discovery journey through the whole album. So, okay, my last words of this review and on this album: It's a great piece and it secures PLATZVERWEIS a good place in the championsleague of German Rock, Oi!, and Punk music. And check the guys also live on stage out if you can, they surely won't dissapoint you. Ah, and before I forget: Get this album as soon as you can. Cheers & Oi! /// Andy
(9 of 10 points)
(Check out the following link by copying it into the headline of your browser and then just go there and enjoy your ride: http://platzverweis-punkrock.com/.)

RUNNING WILD - "RESILIENT"
("STEAMHAMMER" / "SPV"; CD)
(Released- for all what I know- by the late end of 2013.)
Fuck yes, after the to me totally surprising (and fucking great) comeback album "SHADOWMAKER" something like two years ago or something so like this Rock'n'Rolf really did it and here's the next round, another new and never or in this case maybe just not that really expected RUNNING WILD album. This is one of the three most important bands ever to me, maybe even the one and only most important band ever, anyhow, more precise I simply can't tell it here and now to you. Anyhow, enough of the glorious introduction talking and about all the haters out there I won't say a word here, and anyhow, even if I would do so they would know it all anyhow far better, so fuck it and fuck them. And so with this set straight right from the get go direct into this record and my review on it up here for you, so here we go: I love this band, I was happy as fuck when they really came back two years or so ago with "SHADOWMAKER", I was even more happy with the album for it is a fucking strong album, and as far as I was surprised when I saw this album I was happy to see it, and then I bought it promptly... and fell in love with it and so it's easy and clear for me to say that I damn fucking love this album, period. Again it breathes a very strong Hard Rock vibe with stomping rhythms and grooving guitar riffs, but offers also even more big loads of fiery and furious Heavy Metal full of hard and heavy, yet incredible catchy and melodic striking guitars, thundering drums and bass, and one of the greatest and most ever charismatic voices in Rock and Metal. This time a lot of a stronger and from RUNNING WILD thankfully well-known rebellious Outsider or Renegade mentality comes finally into play again as well as also really a Pirate or Pirate Metal flair shines through strong here and there and this also stronger than on the last albums. Honestly, I don't really know what I should write more here and now... I mean I could tell ya about the great grapping songwriting that offers one hell of a lot of surprises like for example the tricky rhythm architecture in/of "DOWN TO THE WIRE", about the tension filled tight atmosphere like it is for example maybe best build up in the monumental or epic "BLOODY ISLAND", about the great fresh youthful 1980's streetcruisin' born-free spirit of the perfect hymnal and catchy and by any positive means poppy "DESERT ROSE", about the full power authentic battle scarred spirit of the full throttle high energy anthem "FIREBREATHER", about the minimalistic greatness of the stoic and somehow punky rocker "RUN RIOT", about the glorious pure pirate hymn "THE DRIFT", the incredible great arranged up tempo hymn "CRYSTAL BLOOD", the stoic marching Hardrock riffing of the title track "RESILIENT", about the great fluffy and relaxed catchy car driving Heavy Metal Highway hymn "ADVENTURE HIGHWAY", or about the power and force of the dirty rocking and nasty rolling hard rocking pure Heavy Metal greatness of the opener "SOLDIERS OF FORTUNE"... I could tell ya about the phenomenal and unique leads and the in platinum shining solos, about the great and even greater than "just" great songwriting and the structure of the rhythm and pace of the songs, about the fantastic arrangements of the verses and the simply just larger than life refrains, or about the great lyrics packed up full with strong metaphors, about the cool artwork with the old school Adrian head completly in gold, or about the great clean and clear, yet hard and heavy perfect production sound. About all this and even far more I could tell ya all about, but would it change anything? If you know Metal, Heavy Metal, and RUNNING WILD then I am pretty sure that you already did make your decision: Either you are one of the countless haters that are running wild around today and of which the numbers are legions and so you simply defame and hate and turn down this album and this band all the time and you will never ever give it a fair try and chance and so haven't bought and won't buy it anyhow (or have it- and maybe even enjoy it- but can't stand for it in public), or you already know or have it and know about the strong quality of it and so enjoy it and I hope you enjoy it on and on and on. So just let me close this lines with saying that this is one of the best Heavy Metal and Hard Rock and Metal and Rock in general albums in and perhaps also for years and that you miss something outstanding with it. The best RUNNING WILD album since "VICTORY" and a album that stands strong and stands its ground even in the context of the brilliant RUNNING WILD history and discography. And also one the very best albums of 2013, just for the record. So don't be a nutjob, and so if you are into Metal, Heavy Metal and Hard Rock in particular, and if you still don't know or have it, then by any means do yourself the great, great favor and finally buy it and enjoy it... and play it loud!!! /// Andy
(10 of 10 points)
(Copy the following link into the headline of your browser and then check it out: http://www.runningwild.de/.)

SCHILLER - "OPUS"
("DEUTSCHE GRAMMOPHON GMBH, BERLIN" @ "UNIVERSAL MUSIC COMPANY"; Limited edition double CD)
(Released in the second half of 2013.)
And now to something very different, hm, and I dare to say something completly different. If you know me or maybe better this very blog of mine and me through this work of me up here on and with this very blog then you maybe already know or really should know that I simply love music, more or less in all its variation. For sure I have certain styles that I clearly perfer and to which I listen now for something like over fifteen years which means for the half of my life so far and in some cases of styles and bands I listen to it for now sort of two decades or so which means that I listen to it for more than the half of my life so far. But growing up and maybe also nowadays really start to slowly grow old... nah, hell no, haha ;-) ... taste variates and differs and like the mind and the character and personality also the taste gets wider and more open and so today I don't really care what certain style or kind of music it is I listen to as long as it is good music that pleases my gusto and gives me a great feeling or something like this I will listen to it and stand for listening to it no matter what specific style or kind or genre of music it now may be. And so I enjoy heavily to listen to good Electronical music of all kinds as well as I use to enjoy for example a good Punkrock record in my stereo. (Ah, and don't make any mistakes, I am still talking about Electronical MUSIC, so I am not talking about bullshit chart disco Techno Pop, Euro Dance, Thunderdome styled sort of stuff, or any garbage of that kind else, just to get this straight.) And this brings us finally to this very album here, the current release of or by SCHILLER, for sure the in every sense leading german Electronical Music artist of our present days and current time. This newest album of the more or less one man E.-Band SCHILLER a.k.a Christopher von Deylen is titled simply "OPUS", and it was released by the end of the last year 2013 or something like late autumn or so, and I really wanted to have it and finally got it as a Christmas gift from my beloved parents. And since then this album granted me a lot of great deep and intense trips of the musical kind through majestic landscapes of sound and music, melodies and symphonies, made me dream and made me let my mind fly and drift away from the stress and strife of the daily grind for a lot of times, and it keeps continuing to do so, and this hopefully for a long, long while on and on. On this album SCHILLER combines his great passionate, playful, well-, well-thought-through and thought-out, emotional, atmospheric, soulful, alive-lively, and just sheer mind opening Electro music with Classic music and Opera music and he creates what is one of his strongest works to date. Not only one of his strongest but also one of his most interesting and most demanding and also most challenging and also one of his so far most ever critical works, because with a such ambitious project like this, melting modern Electro.-Music into one with Classic music and also with some few Opera set pieces you either completly fail in a epic way or you conquer supreme in a even more epic way. And thankfully SCHILLER is gifted, skilled, talented enough and ambitious in all the right ways, and simply a little genius in his musical genre and also sort of a unique little big musical genius of his own, and so he definitely manages to conquer supreme in a total way with his newest offspring "OPUS". It's very relaxed and creates and offers a lot of space for imaginations, dreaming, and drifting away in a world of sound and music. Soulful beats, life breathing melodies and symphonies full of spirit and soul, fantastic rhythm arrangements, all is totally in a flow of its very own, a tight atmosphere, all is incredible fresh, young, and simply just welcoming if you just got the sense for that kind of music, as well as it is really very sophisticated in so many ways so that it really demands your full attention listening to it when you want to experience this in every way majestically masterpiece of art in its whole stand-alone brilliance, and how all the great ones of the larger than life Classic Music themes are worked into the compositions is just breath-taking, and trust me, you won't be able to see where the shining horizons end when you allow yourself to let you slide into the wide open life and spirit breathing landscapes of the "OPUS" created by SCHILLER. SCHILLER also works here and there also on this one together with other artists that cultivate some of his new songs even more. I own the big limited edition package that also comes with a first class bonus CD packed up full with variations, outtakes, and alternativ versions of or to the album tracks, as well as some complete new tracks (and I totally fell in love with "L'HORIZON" and "BERMUDA DUNES", so just thanks for this pure beauties). Just a great deal. I don't know what to write here and now more, if you are also into Electronical Music, no matter if you stand for it or not, then do yourself the favor and get this album, otherwise you would miss one pure shining beauty of its own immortalized in music. I simply love this album, that comes in a minimalistic but just great atmospheric artwork as well as in a warm, clear, and clean production sound that's a perfect match with the music. Like already said: I love this album, and so I can only recommend it to you, my dear readers, if you just can rely to Electro.-Music as well as to Classic Music, too. For sure one of the best albums that had been released in 2013, and so better just get it, dare to do so, you won't regret it. /// Andy
(10 of 10 points)
(Copy the following link into the headline of your browser and then check it out: http://musik.schillerserver.de/.)

THE WARRIORS - "DEAD TO ME"
("REBEL SOUND MUSIC"; 7'')
(Released at the 2nd April 2014.)
First of all a really big "THANKS!!!" to Brett Hole/"BLACKHOLE RECORDS" and the great guys in "AGGROBEAT RECORDS" who all send me this very one here via E-Mail for reviewing it up here, the new two track 7'' vinyl EP of THE WARRIORS, old England Oi! warhorses. Like already said they give us two brandnew tracks, the title track "DEAD TO ME" on Side A and "NO ONE PROVOKES ME" on Side B, and the two tracks run through in around six minutes. Seems to me that THE WARRIORS are more active than ever over the last six to eight years and that's all good and fine with me, had been always one of the best and most authentic U.K. Oi! bands ever and how ridiculous it is that over here in Germany the AFA and their "fighting" comrades really defame and label them as R.A.C. we don't need to discuss here and now. Instead of this let us rather focuss on the music, and that's just great pure british Oi! with a stoic typical english stomping boot party spirit and a raw punky edge to it, full of slashing guitars, marching drums, heavy buzzing bass playing, great forceful yet clear lead singing vocals, sing a longs and loud and proud crew back up chants. It's hard, it's heavy, it's nasty, and it's pissed off and outspoken and unbowed, straight up no bullshit old school Oi! Oi! Oi! music with strong lyrics, and wrapped in a poweful production sound and a great and cool "RESERVOIR DOGS" like artwork. What need you more, this is damn good stuff so anyone into Oi! should know what to do. And, of course, short album, short review. And now go and get it, period. Cheers & Oi! Oi! Oi! /// Andy
(8 of 10 points)
(Copy the following link into your browser and go there: https://www.facebook.com/pages/The-Warriors/30082312869.)

Great tribute cover artwork!
VARIOUS ARTISTS - "CASHING IN ON CHRISTMAS VOL. V"
("BLACK HOLE RECORDS"; Double 12'' LP)
(Released more or less by the end of 2013, sort of just right before the Christmas time really kicked off.)
(Music-Junky and Record-Nerd News: I have a copy of the to just five copies at all limited test pressing of this compilation, and this just rules, so fuck you, haha...;-)...!!!)
Okay, I know, it's maybe a little bit late or otherwise maybe a little bit far too early for a review on a Chrsitams compilation... but me and my lazy ass simply failed to get it done earlier due to reasons that I already talked about enough (or at least I do feel so) in earlier posts of this very year of 2014 and so I will spare me every word more about it here and now. And also, hey, come on, this review won't anyhow anyway hurt nobody, and the next Christmas time will come for sure, so take it like this: This review will prepare you just right for it. ;-) I received this last year direct from Brett Hole, the C.E.O. of the mighty "BLACK HOLE RECORDS", and not even just a ordinary copy of it, nah, but a copy of the rare test pressing of this album coming as a double 12'' LP release on black vinyl. And so, dear Brett, a extra big "THANKS!!!" goes out to you, great of you man. Cheers & Oi! for it. :-) And now finally into this very review of mine on it: This is a fucking cool compilation featuring one hell of a truckload of Oi!, Streetpunk, and Punkrock and to this related bands playing tribute songs to what is one of the greatest times of the year, Christmas. One hell of an all out American Oi!/Streetpunk brawl + battle mates from some other Oi!/Streetpunk bands from several other countries of the world join in the attack, and don't take anything too serious, have some fun with it, and then you will experience happy holidays mood also in May or so. The soundquality or production quality is over the whole distance no matter what particular band is playing what specific song pure gold, the artwork is just gorgeous and a brilliant slightly (?) ironic tribute to one of the greatest classics of Punk ever, the vinyl comes in black and features music on three sides of the two 12'' LP's, while side four shows a great imprinted "Santa's not dead!" picture :-) !!! The quality of the bands and music differ here and there a bit but is all in all really good and better. Hm, and now I will name you my favorite bands/songs on this one, hm, yes, and then we're maybe almost through with this review because then you know all what you have to know so far. My personal favorites are without a doubt the HARRINGTON SAINTS (hailing "XMAS"), SUCKERED IN (roaring out loud for "WHISKEY & KIELBASY"; good to hear something new from them finally again), LION'S LAW (being pissed off because Santa, yes, "HE NEVER CAME AROUND"), the American Oi! godfathers IMMORAL DISCIPLINE (shouting out loud and proud "FUCK YOUR CHRISTMAS"), ROADSIDE BOMBS (telling us about "CHRISTMAS IN CALIFORNIA"), MADDOG SURRENDER (proclaiming that "ALL I WANT FOR CHRISTMAS IS THE STANLEY CUP"), STRANGLEHOLD (mourning because of "ANOTHER NIGHT ALONE"), BOY (announcing the "PARTY TIME"), BISHOPS GREEN (teaching us all about "CHRISTMAS IN NEW YORK", and delivering the stand-alone by far very best song of the whole comp, fucking amazing Skinhead Rock & Roll), PRINS CARL (who tell us it's time to "CUT THE WIRE"), the ANGRY SNOWMANS (taking us with them on a trip to the "NORTH POLE", while wrapping SHAM 69's "BORSTAL BREAKOUT" into the right christmas clothing), EVIL CONDUCT (ringing the "SILVER BELLS"... and sounding extremly like the good old Sugar Oi! veterans of the VANILLA MUFFINS, at least to me, but in this case the opinions do differ heavily here;-)...), and the MISSILE TOADS (hailing the "CHRISTMAS HAM"). Don't take it all too serious and if you are going down into your cellar to laugh than you're definitely not in the target audience of this release. I like it, a really damn good compilation, that I can only recommend to you. Cheers & Oi! Oi! Oi! /// Andy
(8 of 10 points)
(Copy the following link into the headline of your browser and then check it out: http://blackholerecs.bandcamp.com/album/cashing-in-on-christmas-volume-5.)

Okay folks, that's it for now, more will be coming sooner than you think for you again. Sooner... why?!? Okay, because I will definitely change the formula again which means that in most cases I will step back from the package posts finally again and will give every single album its single record review post, mostly because so I hope and think to get a more frequent posting series managed finally again up here without that long times of nothing really happening up here, and also this seems to me more just to the bands and labels who send me their albums for reviewing them, so that no long or at least no that long times of waiting for your reviews up here won't happen again, at least not as long as nothing anyhow serious trouble like bullshit happens that hadn't been a part of my smart master plan... ah, okay, I guess you know what I mean;-)... So, yes, that's all for now, thanks very much for your time and interest. Next up I will finally correct the mistakes in the three big record reviews posts that came before this one here and then from next week on stay tuned for a massive load of new reviews coming up here. Ah, and untill then: By any means go out and buy the new RYKER'S album "HARD TO THE CORE", it's damn fucking amazing!!! Cheers & Oi! /// Andy

Sonntag, 9. März 2014

Record Reviews October 2013 - March 2014; Record Review Package Part Two: Dead End Street, Drifter, Halbstarke Jungs, Minoria Activa, Runnin' Riot, Shameless, The Shame, The Warriors, Tribünal, Various Artists.

Hey folks, what's up?!? You see, back again, and hey, just one week after the last post already a new one comes up, haha, seems like this blog here is really breathing new life again. Like I've said last week, it took me a week or so to finish a new post and bring it up here. If you ask why then it is very easy to answer to it: Work. I've started my new work this week on Monday and I simply had too much to do so far so that it wasn't possible for me to bring something new earlier up here. Okay, anyway, because here and now a new post is coming up. Again it's a record review post, a package post, too. And at least another one will follow also on this one here, simply because I have so many records that are desperately waiting to be finally reviewed by me for you up here and so I will do. This post will be of the same kind like the last one, which means that it will more or less deal mostly with releases that had been send to me via one way or another in this format or that format by the bands or labels who recorded and released it, after this at least one more record reviews post, also a package post, will follow in a week or so dealing mostly with all the releases that I bought over the last months. And now enough of the introducing small talk, right and straight and direct into the action. Ah, just one last thing: THANKS TO ALL THE BANDS & LABELS THAT KEPT ON AND KEEP ON SENDING ME THEIR MUSIC FOR REVIEWING IT, THANKS A LOT GUYS, THAT'S GREAT OF YOU!!! (PS: And sorry that it took so long in this case, but, okay, like already said before up here, this blog was dead for some months, that's it, and so it took far longer than usually.)


RECORD REVIEWS: OCTOBER 2013 - MARCH 2014; PT. II

DEAD END STREET - "DEAD END STREET"
("AGGROBEAT RECORDS" & HELLNATION"; 7'' EP)
(Released in the autumn of 2013.)
Cool shit, that the pretty young label (at least so my knowledge about it) "AGGROBEAT RECORDS" from the Netherlands send to me via mail, and so a big "THX!!!" goes out to the Netherlands, yes, for sending me this 7'' release of this italian Oi! roughnecks (beside a bunch of other records that will be also part of this review package here and now, so just stay tuned for more Oi! and Streetpunk to come right here, right now). DEAD END STREET were unknown to me before, but what shall I say, everyone makes mistakes. And it is good that this now finally is changed due to this little hard knocking Oi! Oi! Oi! boneshaker release. DEAD END STREET are from Italy and even they are still a pretty new band the guys in the band are all veterans to the Oi!, Punk, and Hardcore scenery. What once started as a fun band side project by former guys of PAYBACK and COLONNA INFAME soon became a proper full band going strong, and they already played shows together with for example ARGY BARGY, NABAT, and KLASSE KRIMINALE. And now here it is, their debut release, a 7'' vinyl EP released by "AGGROBEAT RECORDS" from the Netherlands and "HELLNATION" from Italy in cooperation. On this EP that comes with a pretty cool artwork by the guys from the shop "PSYCHO TATTOO" (who ever may know them...) delivers us four songs in around ten minutes, two songs on each side of the vinyl. And DEAD END STREET play a damn great sort of hard rockin' and dirty rollin' Oi! Oi! Oi! music with clear American Oi! influences and also even clear street raised Rock & Roll influences. Sharp, harsh, dry, yet damn catchy and melodic guitars, great powerful and also pretty melodic yet still hard and throaty enough charismatic vocals, hymnal arranged vocal lines, some strong back ups and really great refrain parts, as well as a powerful roaring and stomping rhythm section make the music of DEAD END STREET. On top energetic and grapping songwriting, and all done and delivered by skilled musicians, and you really here that they aren't around just since yesterday. Also cool lyrics, a gorgeous artwork, and a perfect matching production sound on top of it. If you love THE CORPS and you can't resist the almighty THE WRETCHED ONES and also love some good old THE BRUISERS then make sure to get a copy of this vinyl gem and make sure to have DEAD END STREET on your radar screen, but also keep in mind that thankfully DEAD END STREET are everything but a damn copy'n'paste band, just to point that out. Great stuff!!! Cheers & Oi! Oi! Oi! /// Andy
PS: Collectors facts = 320 copies had been pressed in black, and just 20 copies in orange, and then that's it, so make sure to be quick to finally get one of this to 340 pieces limited gem as soon as possible, in case you still don't have one.
(9 of 10 points)
(Copy the following links into your browser and then just go there: https://www.facebook.com/aggrobeat?fref=ts + https://www.facebook.com/pages/Dead-End-Street/101022083331802?ref=profile + https://www.facebook.com/pages/HELLNATION-Store/143426122415136?fref=ts)

DRIFTER - "SEPARATE GRAVES"
("D.I.Y."; MP3-Online + Download-Release)
(Released 23th of July of 2013.)
(Download: http://drifter505.bandcamp.com/album/separate-graves /// Up for downloading as a name your price download.)
DRIFTER are a band that wrote me an e-mail a while ago, giving me a link to their Bandcamp site and asking me for reviewing their stuff. And so, there I went and here I go. Delivered like asked, maybe just a little bit later... For all what I do see up there on their Bandcamp site they released this album all the D.I.Y. way, and they are from Albuquerque, New Mexico/U.S.A. and they have also released their third (?) and anyhow new album just two months ago (review will follow). Ah, and for all what I know this is their second album, but I am not 100% sure about it, so don't nail me on that. But what I know is that they play some sort of Screamo and Post (Hard-) Core music, and if you now may think: "Fuck, Screamo, it's bullshit!!! And post what?!? Fuck it!!!" Then that's okay because it's your taste and opinion and who am I too judge, hm, but in the case of DRIFTER this thinking would be totally wrong, period. Here they do give us four songs in sort of around eleven to twelve minutes.  It's very energetic and dynamic, pretty intense and emotional music that reminds me of bands like the mighty TORCHBEARER, just for example, and they surely don't need to hind behind them. Also when I listen especially to the guitar parts bands like 454 BIG BLOCK and KALEL come to my mind, also in the playing together with the intense and pretty extreme hyterical scream and shout vocals with this suffering undertone. All is marked by nested arrangements and truckloads of silence/loudness-dynamics-playings, filled with the mentioned suffering lead vocals, crashing as well as playful guitars that mark the songs and the dynamics of them largely, and also with a stunning and totally precise rhythm section. With all that heavy, edged, and bulky guitar work that leaves no room for classic flowing stuff and the nested arrangements of the songs also fans of stuff like NEUROSIS will surely like DRIFTER a lot if they just give them a fair try and one or two good rounds. The sort of melancholic and maybe even depressing but anyhow intense and incredible devastate atmosphere just adds up to it all. That this guys are strong at songwriting and also really strong skilled musicians needs no further explanation. To the lyrics I can't say anything of worth and value and so I'll rather spare me every word more about it, but the (cover-) artwork is a nice one, and the production sound really shines. If you should have (still) any prejudices concerning Screamo (and Post Core stuff as well), hm, then you really should better make up your mind, and why not start to change this at least a bit right here with DRIFTER?!? Strong band, strong album. Cheers. /// Andy
(8 of 10 points)
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DRIFTER - "2014 DEMO"
("D.I.Y."; MP3-Online + Download-Release)
(Released at the 24th of January of 2014.)
(Download: http://drifter505.bandcamp.com/album/2014demo /// Up for downloading as a name your price download.)
And here's the for all what I know third DRIFTER release so far titled just short "2014 DEMO" and it was released just sort of two months ago in the January of this very year of 2014, for all what I would say also again straight up all the D.I.Y. way. Ah, and don't ask me if there are any physical copies of it floating around (and ask me this please also not in case of their before reviewed album). Not much changes to be noticed, no drastic changes to announce and describe. Just a steadying of the quality, style, standard, and also of the passion of their songs and musick, and so this little word ''just'' is really a truly big ''JUST'', if you get what I mean. They made it all even a little bit more intense and they irritate the borders of conventional songwriting and more or less usual dynamics of silence and loudness even a bit more than the last time, but still they manage to keep some sort of a flow in their songs and the writings of them, and the lead singer is really puking out his heart and soul through and with his hysterical and suffering screamings. This is clearly something of interest and value for fans of bands like TORCHBEARER as well as for those of stuff like NEUROSIS, and they tend even more into this whole Post (Hard-) Core direction than before, and this is a good move by them, if you ask me. I can only recommend this little album to you, again a strong release offered by DRIFTER, a band we should all have one or two eyes and ears on. That's it, I'll keep it short this time, the general description of their music how it seems and feels to me you find in the review before and the development of DRIFTER between this two albums I've described also enough, at least I do think so, yes, so that's it for this one here and now. Recommend album anyhow anyway. I just ask me, if all the labels outta there are deaf...!!! Cheers. /// Andy
(9 of 10 points)
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DRIFTER - "THERE IS NOTHING LEFT FOR ME HERE"
("D.I.Y."; MP3-Online + Download-Release)
(Released at the 18th of January of 2013.)
(Download: http://drifter505.bandcamp.com/album/there-is-nothing-left-for-me-here /// Up as a free official download.)
And after I reviewed already their second and third albums right before I will now also let their for what I know debut release become a part of this post and blog right here and now. This is pretty interesting, especially for getting an idea about the development of a band, in this case of DRIFTER, to have a closer look on their discographie in a row. Their style somewhere between Screamo and Post (Hard-) Core with all the above also already described trademarks, that are surely more or less sort of typical trademarks of that genre(s) or kind(s) of musick, so no need to repeat it all, just read the review on their "SEPARATE GRAVES" album above. But while they started to move more and more into the Post (Hard-) Core direction with their "SEPARATE GRAVES" album and especially with their this years demo here on their debut they are still far more grounded in Screamo and Emo as well, and the songwriting is partly not so much nested (like it is today) but in truth more of sort of distracted when it should have been nested, and such a crappy song like "COLD WOOD FLOORS" you won't find on their two follow up releases no matter how hard you search for it and how hard you want to find one. Don't get me wrong, "THERE IS NOTHING LEFT FOR ME HERE" is by no means a bad album and it will please especially Screamo (and Emo) fans in a total way, at least I guess so, but how good they really are and what they hold really in store they showed us all just later on with their so far two following releases. They got more tight, more precise, more focussed, and simply better since this one here, but after it is also still a nice shot, it's up for free, and also a nice little lesson in history you can also calmly give this one a shot without risking your ears, even I like them going more into that Post Core direction without a doubt a bit more. And especially all the Screamo (/Emo) kids will probably love this album. Ah, and also in this case don't you ask me if there are any physical copies of it floating (still?) somewhere around. Cheers. /// Andy
(7 of 10 points)
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HALBSTARKE JUNGS & THE WARRIROS - "SPLIT"
("AGGROBEAT RECORDS"; 12'' LP)
(Released during the autumn of 2013.)
(Collectors fact: Limited quantity to 525 copies.)
Here's the next that the great guys of "AGGROBEAT RECORDS" send to me for reviewing via mail. It's a teaming up split release with the young german Oi! band HALBSTARKE JUNGS occupying one side of the vinyl and the legendary Oi! warhorses from England of THE WARRIORS the other one. Two different covers, one to each side (I've chosen the one of the THE WARRIORS side, simply because I like it more, that's it), and the HALBSTARKE JUNGS do deliver four songs in all on their side of the vinyl, and if I understood it correct then they have rerecorded four songs of them this time in English, and- let me say so much already this early in this review- this was a really good move. THE WARRIORS then give us six songs on their side. This makes ten songs in total, and this ten songs run through in around thirty-five minutes of playing respectively running time of the vinyl. Okay, let us start with the HALBSTARKE JUNGS, the young german Oi! band running riot here on this split. They play a sound comparable to the KRAWALLBRÜDER before they totally turned to metallic Deutsch (which means: German) Rock, but sound more tight and more focussed and by far more through and through Oi! like the KRAWALLBRÜDER already back then. (I talk about the "IN DUBIO PRO REO" phase in the existence of the KRAWALLBRÜDER, just that you know it.) Hard and heavy and mercyless forward pushing angry and pissed off Oi! Oi! Oi! musick filled with harsh stunning pretty diverse guitars, a heavy buzzing bass, tight and hard stomping drumming, and pissed off pretty brutal vocals. The three rerecorded songs in English are really strong, but the original one of them in German is just not that much my cup of tea, but that's just a matter of personal taste because anyhow good done is that song as well. Nothing anyhow of or like changing the formula or so, but something really good, to point that out, and so I'll now keep it short. Don't know more by them so far, but this four songs made me really hungry for more. Good lyrics on top of it, and also a strong "Nazis fuck off!!!" good night white pride message as well. Thumbs up. Their artwork rocks as well (even I like the one of THE WARRIORS still a bit more), and the production sound just makes my thumbs go up. Really good stuff, and so they get well deserved eight out of ten points. Then come the old veterans of THE WARRIORS, that are today in Germany pretty often and this means by far too often labelled R.A.C., it's ridiculous, you know, I know, so anyhow. What shall I say here that wasn't said before on which place ever, even in an older review on one of their older split releases some years ago: This is Oi!, Old School England Oi!, stoic stomping, loud and proud, patriotic, rebellious, Working Class, outspoken, and pissed off as fuck. Hammering dry and harsh guitars, pulsating sawing bass, thunderous loud forward marching drums, broad back up chants and sing a longs, and those typical snotty smart and hard charismatic lead vocals on top of it. A sound of their own, and a sound and style that will anyhow please the gusto of all the ones in love with good old english as well as british Oi! like the (original) 4 SKINS, THE LAST RESORT, and the COCKNEY REJECTS, to name just them as examples, but also a sound and style that still offers surprises like for example the Offbeat rhythm and SKA licks of "KEEP IT REAL", a real hymn. All delivered via intense songwriting and by well-versed musicians, and all done with that for english and british musick typical stoic approach, great. On top of it strong outspoken lyrics (and in "WATCH YOU'RE BACK" they use some lyric lines that once had been also used by BETTER DEAD THAN RED in one of their nowadays already older songs, don't ask me what's the deal with that or the story behind it anyhow), great artwork, and beautifully earthy and warm production sound. We get also a nice done cover tune of the forever immortalized THE LAST RESORT classick "VIOLENCE IN OUR MINDS". They get eight out of ten points, too, and especially "KEEP IT REAL" totally rules and also shines with a great guitar work and in particular and especially the guitar solo is pure gold. This makes it in whole also eight out of ten points and I can only recommend it to every Oi! fan and Oi! addict outta there. Really a damn good split album, point and fact. Cheers & Oi! Oi! Oi! /// Andy
(8 of 10 points)
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MINORIA ACTIVA - "DONDE NADIE PERTENECE"
("D.I.Y."; full length release)
(Already a little bit older.)
(Record facts: Twenty one songs in sixty eight minutes of running time.)
A band from Argentina who wrote me and asked to write about them respectively to review their current album up here and who send me their album via mail at the beginning of this very year of 2014. Unfortunately I got my e-mail account hacked (- Really!!!) and due to this bullshit I've lost some mails and with this some informations. And one mail was the one by the band with all the informations about them and this album. So sorry that I can't give you a proper introduction to them, but bad luck striked. I only remember that this album is already a little bit older and is or was all self released the D.I.Y. way of doing such things like releasing an album, ah, and they are from Argentina, from Buenos Aires exactly. I hope I got it all right. Hm, and or but please don't ask me, for example, in which form and which way this album was released, or something else like this. Ah, and to/for the band two things: (1.) Sorry, that you had to wait for the review on your record a bit (and also sorry for that I failed to answer you, in parts due to the above mentioned bad luck, and in other parts due to me being sometimes a lazy bastard). (2.) Thanks for sending me your album that I probably would otherwise have never ever listened to. Okay, back to the topic, the review on MINORIA ACTIVA's "DONDE NADIE PERTENECE" album. This is a great and really strong album, some really interesting, diverse, multiple varying, and pretty much more or less always grapping album full of different heavy and also emotional music styles mixing Hardcore (Old and New School), thrashing Tribal Metal a la SEPULTURA and SOULFLY, Nu Metal a la ILL NINO, strong forward going exploding diverse and dynamic HC Punk like for example the RAIMUNDOS (from Brazil), and also even some Ethno Rock stuff into one great tasting and more than well flowing diverse and fresh, interesting and surprising cocktail of great Hardcore/Metal/Punk music, without any songwriting breaks, boring fills, or atificially tingle-tangle crap, all is done fresh, sympathic, authentic, and damn heavy and intense. Crushing guitars, full power vocals, damn loud gang shouts, and a thundering rhythm section, all wrapped up into strong songwriting, delivered by very skilled musicians, and all dressed up in a powerful production sound. A very stand-alone band that refuses to be compared to who else ever. That's how I like it. To every one especially into Hardcore, Metal, and also heavy HC Punk music I can simply only highly- and I mean really highly(!!!)- recommend this fucking strong damn great album, so simple is it, and so I will keep it short right now and pretty much end this review with this words. To the lyrics I can't basically say anything due to the language barrier, and to the proudtcion sound I've already said what there was to say. Ah, and the (cover-) artwork is just phenomenal, I simply love it (like the band and album, too). And I only can imagine how great this band must be live up on stage...Want some last words, some closing words? Get it!!! (From where the hell ever...) And best get it now, period. Hardcore!!! Fist!!! Cheers. /// Andy
(9 of 10 points)
(Copy the following link into your browser and then just go there: https://www.facebook.com/minoria.activa.7?fref=ts)

Update, something like six hours later, the same day:
RUNNIN' RIOT - "BOOTS & BALLADS"
("REBEL SOUND MUSIC"; LP)
(Released by the end of 2013.)
(Re-Edition facts: Originally released in 2009 on CD sees this album now it's second run on vinyl with this LP reedition. 500 copies at all: 200 black vinyl; 200 red vinyl; 100 white vinyl. The first time on vinyl it was limited to 300 copies, released by the Ireland based label of "PUNKERAMA" back then in 2011.)
Uh, I somehow really nearly forgot about this one. Lucky enough that I stumbled upon this mistake so soon, so that this album and the review on it still can become a part of this post of today. RUNNIN' RIOT from Belfast, now running riot ;-) for nearly twenty years, and it's good to see a band like this still around. Catchy, hymnal, melodic Oi! of the first class kind. Large, and I mean really large melodic guitar work with great anthemic arranged strong rocking and rolling riffing and even greater melodic leads and really singing solos, catchy as fuck but yet still with a sharp heavyness that comes more like a short warm slap to the face, not like a brutal hit with a cold concrete sledgehammer on the head, that's the biggest trademark of the music of RUNNIN' RIOT, together with the charismatic pretty hard yet still really and also somehow melodic sung lead vocals that are enriched by nice loud back up chantings. The rhythm section acts their part damn great, tight, precise, nicely varying and nicely relaxed, perfect. The songwriting is great, the songs totally filled with power and drive, full throttle energy and attitude without end, we get damn mighty and damn large sing a longs delivered for that hell a lot of other bands outta there would murder, here and there also some charming "CHISWICK" influences come into play when the guitar riffing starts to really shine, and that this veterans are really skilled musicians should be clear anyhow and is here by me just named for the record. Their bandname they carry not without a reason, so COCK SPARRER are surely an influence for them, like for legions of other bands as well. RUNNIN' RIOT manage anyhow to do their own thing and to be a really independent band of their own, maybe somewhere to be located between good old England Oi! like COCK SPARRER, some Pub Rock (obvious), and some good healthy doses of melodic American Oi!/Streetpunk like for example THE HARRINGTON SAINTS, YELLOW STITCHES, and some- if we look just at the guitar work- some PRESSURE POINT as well. Out of this they create their own thing, and I should say more precise: Their own great thing, point and fact. Cool and smart lyrics on top of it, a nice artwork as well, and a pure gold earthy and warm production sound, too. What shall I say or write more, if you should don't have it then it is now the time to change this. A great, a really great album, RUNNIN' RIOT rule okay... totally supreme... totally okay!!! Btw, we get eleven songs in around 42 minutes. Ah, I received this album via mail from Brett Hole of "BLACK HOLE RECORDS" for reviewing it (and so I finally did with this review here), and so: Thanks very much man. Cheers & Oi! Oi! Oi! /// Andy
(9 of 10 points)
(Copy the following links into your browser and then just go there: https://www.facebook.com/blackholerecs?fref=ts + https://www.facebook.com/rick.record.10?fref=ts)

SHAMELESS - "GUILTY"
("REBEL SOUND" & "LAST ROCKERS"; Picture LP)
(Released somewhere between the late end of 2013 and the early beginning of 2014.)
(Record facts: Eleven songs, thrity-three minutes of running time.)
French Oi! is now up. A to me new band from our european neighbors with a album recorded in 2012 on picture vinyl, a beautiful designed piece, released via "REBEL SOUND" and "LAST ROCKERS". This album was sent to me by Brett Hole and "BLACK HOLE RECORDS", and thanks very much for it. I am usually not the biggest fan of Oi! from France and so I am anything but a expert concerning this specific genre/kind of (Oi!) music, but who cares, because what one should care about is this album because it is really a killer album. Pretty diverse and nicely varying melodic, catchy, and anthemic yet still pretty heavy and hard Oi! filled with a great walking and talking very present bass, heavy guitar riffs and large melodies and leads, a massive amount of hymnal polyphonic parts that invite us to sing a long to on and on, and great smoky and throaty, dry and hard yet somehow still melodic sung lead vocals, while the tight and old school styled stomping and marching drums come also nice into play and make it all round. I like this specific composition of the songs out of the mentioned single parts very much, and what I like even more is the fact that they know very well to nicely change their songs and songwriting all the time bit for bit here and there to keep it all fresh and grapping, not like they would do any extreme breaks or too drastic changes of and in their music, but they keep it all fresh and sort of surprising over the complete running time of this vinyl gem. And this is just great, even more because they know how to do it with keeping their music very old school (without becoming boring retro crap) and also sort of minimalistic. I really like it a lot. Since I am not that much of an expert concerning French Oi!, like already above mentioned, I can't really name you any bands to compare them with, to me they are a pretty fresh and independently band, even especially the leads are very french to me, even this now isn't making that much sense after all, maybe ;-) ... Good lyrics we get on top of it all (they sing in english, so that's no problem, especially after the clean vocals are very good to understand), as well as a dirty perfect production sound, and a just beautiful artwork. This album is highly, and I mean really and truly highly, recommended to you, great band, great album, period. Cheers & Oi! Oi! Oi! /// Andy
(9 of 10 points)
(Copy the following links into your browser and then just go there: https://www.facebook.com/shamelessoipage?fref=ts + https://www.facebook.com/rick.record.10?fref=ts + https://www.facebook.com/blackholerecs?fref=ts)

THE SHAME - "TULSA OLD SCHOOL"
("AGGROBEAT RECORDS"; Mini-CD)
(Released at the 18th of November 2013.)
(Collectors fact: Released in a limited edition of 300 copies, so if you want one and in case you still don't have it then better make sure to be quick before all the limited ressources are sold out.)
(Musicnerds fact: THE SHAME are pretty much the first Oi! band ever that worked together with the Punk fanzine/magazine "PROFANE EXISTENCE". Not that it would anyhow matter to me or that I think it would be anyhow important, but some may see it different, why ever, and so just for the record I pointed that out...)
THE SHAME started out and kicked it all off in 2011, when the Punk and Hardcore veterans that make THE SHAME and that before played in such bands like ASSEMBLY OF GOD, BROTHER INFERIO, and BRING DOWN THE HAMMER teamed up again to make music, like friends that are able to play and create music may do sometimes. When they did so back in 2011 they decided that it was about time for them to go back to their roots, to go back to Oi! and to give it a proper run, and finally so a new American Oi! band was brought to life and it was named THE SHAME. They recorded a bunch of six songs promptly and released them on various in parts also pretty obscure and rare compilations like "Oi! This is Streetpunk" Vol. III and "VOi!ce of America" Vol. II, as well as also on their own EP titled "THE WORLD IS OURS", and this is or was the above mentioned cooparation with "PROFANE EXISTENCE" (fanzine/magazine and label). And it seems that they also released a full album titled "THE PLAN". Honestly: I know none of the mentioned releases and THE SHAME had been totally unknown to me before. Seems like they are still active, and to gain some attention and momentum outside the States and especially over here in old mother Europe they joined forces with the young up and coming "AGGROBEAT RECORDS" ("THX!!!" for sending this album to me) label from the Netherlands and released all their six first ever recorded and released songs and also three of their already mentioned "THE PLAN" album on this nine songs containing album titled "TULSA OLD SCHOOL". Ah, and they are from Tulsa, Oklahoma/U.S.A., to get this also straight. Okay, now you should know with who and what we deal here and now with in form of THE SHAME and their sort of new old album of the title of "TULSA OLD SCHOOL". One thing that I don't really get is that whole soccer thing going on here, keep in mind that it's an U.S. American Oi! band and since when soccer is over there a big thing... (But maybe I'm wrong about it, if so, sorry, me and my ignorance then I guess) ... seems a bit like a joke/cliché and not really that much authentic... But beside this, this here is a good proof for Oi! running wild and going strong in 2013/2014, and hopefully this will go on. Great mixture out of British Hooligan Oi! and hard stomping American Oi!, somewhere to be located between THE BUSINESS, PATRIOT, and STARS & STRIPES. Fuck yes, and how could you ever go wrong with something like this?!? Right, you simply can't, point and fact. Quick and very well flowing played, hard and yet damn catchy melodic delivered guitar playing, buzzing bass and stomping drums, great sing a longs, loud and proud back up chants, and very charismatic lead vocals that place somewhere between STARS & STRIPES and THE HARRINGTON SAINTS. Good songwriters, skilled musicians, it's all (t)here. I really like it. I mean, it's nothing new and nothing anyhow formula changing, hell no, but who cares, it's some damn good shit and that's what matters at the end. If THE SHAME are unknown to you and if you are an Oi! Oi! Oi! lover especially with a faible for American Oi! then make sure to get a copy of this one. Nice lyrics and nice artwork anyhow (about this whole soccer thing I've said enough already above), and a full throttle high energy production sound. Clearly recommended to you, so make sure to get your hands on it. Ah, and btw, this nine song album has a running time of around twenty-three minutes, just for the record. Cheers & Oi! Oi! Oi! /// Andy
(8 of 10 points)
(Copy the following link into your browser and then just go there: https://www.facebook.com/aggrobeat?fref=ts)

TRIBÜNAL - "ALL HOPE IS LOST"
("D.I.Y."; Tape & MP3-Online + Download-Release)
(Released at the 30th of November of 2013.)
(Collectors fact: First edition on black tape is already sold out, second edition on white tape will be out soon respectively should already be out. The tapes include a download for free link as well.)
Yes, they are back, one of the rawest and most brutal bands that I discovered over the last years, TRIBÜNAL, the god free, drug free, and meat free D-Beat/Crustcore beast from Germany. After I reviewed last year there "F.T.W." slasher they wrote me at the end of the last year an e-mail and the rest is history, and anyhow here's my review on their newest album, titled "ALL HOPE IS LOST", released all the D.I.Y. way (again), and released on Tape as well as in form of a MP3 Download for a name your price pick up on their Bandcamp site. (The Tapes cost 3,00 Euros.) All in all they give us this time five new songs in around seven minutes of playing respectively running time. And this five new songs a are all out attack of raw, noisy, brutal, fast, loud, shredding, ripping, and crushing D-Beat/Crustcore musick for fans of the likes of DISGUST, for example. Brutal shredding guitars, sick and furious guttural shouted dry throated vocals, heavy sawing bass, and harsh hammering drumming non stopp, short and angry, pissed off and outraging short exploding song eruptions dominate the scenery.. Power, energy, dynamic, attitude, aggression, and brutal intensity without an end all the time. This is truly nothing else but a raw and intense as fuck D-Beat/Crustcore massacre that you will love if you are into this kind of musick. I am now waiting just for a proper full length of that quality of TRIBÜNAL and then I am really happy. Untill then I can only recommend this one to you. And then that's it, short little album, short little review on it. Cheers. /// Andy
(8 of 10 points)
(Copy the following link into your browser and then just go there: http://tribunal-dtakt.bandcamp.com/album/all-hope-is-lost)

VARIOUS ARTISTS - "Oi! MADE IN INDONESIA"
("AGGROBEAT RECORDS"; CD)
(Released at the 18th of November of the year 2013.)
(Record Facts: 25 songs in 74 minutes.)
A new sampler completly dedicated to the Indonesian Oi! scene, released by "AGGROBEAT RECORDS" who also send it to me via E-Mail. Thanks for this guys. This sampler offers us twenty-five songs in a total running time of seventy-four minutes. The title should best be enriched by Streetpunk and Punkrock, SKA and Hardcore because it is not only "Oi! MADE IN INDONESIA" but Streetpunk, Punkrock, SKA, and Hardcore as well that's featured on this disc, too. I am totally not familiar with the Oi!/HC/Streetpunk/SKA/Punk(rock) scenery of Indonesia and I feared to get some straight up bullshit stuff to listen to that "scores" with nothing than its exotic bonus. Hm, but I definitely was wrong with that aspectation. Because this is proper music dressed into a proper production sound. Surely, twenty five songs by thirteen bands (expect of one all bands are delivering two songs to this compilation), there simply can't be only gold, but most stuff really rocks and rules. My personal afvorites are for example the FULL TIME SKINHEADS (sort of the indonesian STAGE BOTTLES, musicwise and lyricwise, and also politically on the same page like they proof with their SKA/Oi! anthem "RED INDONESIAN SKINHEAD"), SPIRIT OF Oi! (melodic sing a long and dance to Oi! Oi! Oi! Punk), MOONSTOMP (brutal Hardcore stompers, and not to be confused with the larger than life American Oi! legends), the STA-PREST BOYS (heavy hitting Brickwall Oi!, CONDEMNED 84 as well as the GLORY BOYS are surely no strangers to them), SKINLANDER (fast paced pogo Oi! Punk), THE NAG NAG NAG (great female fronted and strong rocking Oi! of the catchy and melodic kind... slightly comparable to DEADLINE... before they turned into a ridiculous farce), and DOM65 (powerful and very well-versed Skinhead Rock & Roll), but check the bands out for and by yourself, you may see it different or so. A good comp anyhow that you can calmly grab a copy of if you find it. Ah, after it is a compilation I won't say anything about the lyrics, not to talk about politics or what bullshit the hell may else ever. The Old School "SKINHEAD ANTHEMS" styled artwork rules, and all bands deliver their songs in a pretty and surprisingly strong production sound. Good comp, so check it out. Or better get it anyhow anyway promptly. Cheers & Oi! /// Andy
(8 of 10 points)
(Copy the following link into your browser and then just go there: https://www.facebook.com/aggrobeat?fref=ts)

Okay folks, that's it for now for this one. I will try to bring up the next record reviews package post again latest next weekend what means latest next sunday... but anyhow as soon as possible. We will see if I will be able to bring it up earlier this coming week but I'm not so sure about it so better don't wait for it untill next weekend or so and so maybe untill latest next sunday.
If anything little will come up between this two record reviews package posts I don't know by now but I've planned nothing like this, so don't wait for something else.
The next record reviews post or also posts will concentrate on all the physical releases that I bought and got over the last month and it will focuss on different artists like from SUFFER THE PAIN over DISCHARGER and BACKTRACK to A TRAITOR LIKE JUDAS, and from UGLY KID JOE over PRO-PAIN and CALIBAN to PHILIP H. ANSELMO & THE ILLEGALS as well as from KROKUS to SCHILLER. So you see, a lot of albums dawning at the horizon to come up here and with this also a lot of different genres and kinds of music.
Okay, that's it, thanks for your time and interest, thanks for reading this reviews. Hopefully you've enjoyed it and maybe you've stumbled upon a band or record that you didn't know of so far and you now feel the need to change this. Anyhow, more soon up here, so stay tuned.
Cheers & Oi! Oi! Oi! /// Andy