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Part II - 2012 from a whatever ''subcultural'' standpoint: The musick 'n all the stuff
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The Best of 2012: Top 10 plus 2 of the year
Let us start with the top ten or in this case the top ten plus two list of 2012. And like usual, more frequent and more regular readers know the deal, after I've done reviews of all the here mentioned and listed and, if you want so, honoured albums already before I will just give you a short few words appreciation and mentioning of the albums here. Okay, any questions left open? Not? Right! That's how I thought it to be. So here we go...:
BRUCE SPRINGSTEEN - "WRECKING BALL"
"Sony Music" / CD
2012 was in every way and in every sense the year of "THE BOSS" himself, the year of no one else than the almighty BRUCE SPRINGSTEEN himself on my personal hitlist, not only - but surely first and foremost - due to his fantastic 2012 "WRECKING BALL" titled release, but also because several of his larger than life classics had been on heavy rotation as well this very year. But back to 2012: Released one hell of a outstanding new album, that is soon to be another one of his larger than life classics, a album that is lyrically and musically one of the best albums in as well as for years and that ran and still runs daily rounds on my stereo. So, no one else than "THE BOSS" with his "WRECKING BALL" deserves to be the clear and unrivaled nomber one of 2012, period. The best of the best, they still call him "THE BOSS" for more than just a few very good reasons. Here's the newest proof. Amazing!!! (For more deeper informations read the original article/review, the link you find a little bit above.)
MANOWAR - "THE LORD OF STEEL"
"Magic Circle Entertainment" / CD
I would never ever had believed to experience this only one more time again, but it's a good proof that things with that you never ever had reckoned anymore can still surely happen, and so the old Heavy Metal legends of MANOWAR really released an incredible outstanding and groundshaking new album titled "THE LORD OF STEEL" in 2012, musically and lyrically one of their very best works and surely lightyears ahead of all the bullshit farce that they'd done the last decade before this very one here. It's a very special and skilled and gifted album, heavy, dark and pretty brutal. One of my daily meals. I love it!!! (For more informations read the original review up here, the link you find above.)
THE HARRINGTON SAINTS - "PRIDE & TRADITION"
"Pirates Press Records" & "Contra Records" / CD
The first Oi! album in this year's list and of course an American Oi! or U.S. Oi! release, I mean, it couldn't be any other else, point and fact. This band stil is one of the new breed of American Oi! bands and one of the very best outta there with a very decent and self-contained sound, holding leftwing unionist positions as their own dear to the heart, and are anyway also some sort of a pretty controversial band these days, at least so it really seems to me, why ever... However, don't care for it, controversity or not, what counts is the quality of their amazing music and their lyrics, and in both they set up themselves far above most if not all of the rest of the global Oi! scenery these days. And also they managed to develop quite a bit, compared with their already damn great full length debut two years ago that was back then also already placed up in my yearly top ten list then but just at position eight (read here: http://manslaughterthuglife.blogspot.de/2011/01/that-was-year-of-2010-and-here-comes.html), and so they jumped the letter up five positions and this not because the competition was weaker than back then, hell not. Fanstastic album of a fantastic band, awesome!!! Cheers & Oi! Oi! Oi! (For deeper informations click the above link and read there the original review that I've done of it the last year.)
STOMPER 98 - "...BIS HIERHER!"
"Sunny Bastards" / CD
Next up, Oi! Oi! Oi! from Germoney. Okay, more or less from here... and a little bit from the United States of America as well, because don't let us forget about no one else than Phil Templar of, righty right, the almighty TEMPLARS from the NYC that plays the drums in STOMPER 98 now for some years already. This is, in short, one of the very best German Oi! albums in many years and will continue to be exactly this also for many years. They simply have what it takes and a special note that gives them a unique character of their very own that positions them far ahead of most of the rest. Great, great shit, that I can only highly recommend to anyone outta there. Oi! rules okay!!! (For more detailed informations click the link above to read the original complete review I've done of it.)
V.A. /// NOi!SE & RAZORS IN THE NIGHT & THE BROADSIDERS & SYDNEY DUCKS - "A BETTER TOMORROW - THE NEXT GENERATION OF U.S. Oi!"
"Longshot Music" & "Contra Records" / 7''
Here's one hell of a mighty 7'' that was released already very early in 2012 and right from this early phase of the year on it was clear to me that this would and will be a release that will be to find definitely in my top ten list of 2012, and here it is. American Oi! or U.S. Oi!, the new generation of it, at its damn fucking very, very best, all played by still pretty young bands (at least with all the reunited old timers of the scene), and by bands that all have a very strong and great unique character of their very own and play on a damn high level of quality. Check them out, leaded by the phenomenal THE BROADSIDERS (Souther Rock'n'Oi! Oi! Oi!), the great and a lot promising NOi!SE (finest Streetpunk fueled Oi!) and RAZORS IN THE NIGHT (new breed of U.S. American Oi! Core music), and by the fantastic (and at least for me:) newcomers of the SYDNEY DUCKS (Modpunkrock'n'Oi!), four bands from we which all will hopefully hear a lot more. The best of the best. Oi! Oi! Oi! (If you are interested in more detailed informations on this one check the original review of it by clicking on the link above.)
WOLFBRIGADE - "DAMNED"
"Southern Lord Records" / CD
One of the greatest albums of 2012- okay, obvious, if not I wouldn't list it here- and one of the best Crust albums in years and for sure also for years, and this also in days like our current ones in which Crustcore is very strong and present back on the map, and not only on my personal one. And this outstanding album also marked my first contact again with the almighty WOLFBRIGADE (former WOLFPACK) and their fascinating and grapping very unique style and sound somewhere between brutal and desparate Crustcore/D-Beat and sinister and aggressive Sverige Death Metal, with the main focus still remaining on the Crust side of things. This is a gloomy sinister outshining diamond of really extreme and especially brutal and first and foremost damn intense musick, highly recommended by me, and one of the very best albums of the year of 2012. (For detailed informations read with attention through the original review I've done on it some months ago, click the link above and you will find it up here.
BIOHAZARD - "REBORN IN DEFIANCE"
"Nuclear Blast Records" / CD
Yes, they are damn fucking back, the gods of the NYC, the godfathers of the big apple. Brooklyn, in your face, mothaf***a!!! Personally it was a suprise that they are really back, totally haven't them got on my radar anymore. But as suprised as I was, as pleased and enthusiastic I was as well. And how they are finally back made me even more enthusiastic and pleased me every far more. A great comeback (let us call it so) by BIOHAZARD. Finest Hardcore from the New York City in that unique typical BIOHAZARD way with also a lot of fresh ideas in it. Recommended, highly, more than great stuff!!! (For more detailed informations read the original article via clicking on the link above.)
PRO-PAIN - "STRAIGHT TO THE DOME"
"Raw Head Inc." & "Sunny Bastards" /CD
And here the next Hardcore silverbacks from the NYC with their new 2012 album up in my top ten (plus two) list of 2012, and no one else than the legendary PRO-PAIN are up now. After some years and two albums that weren't of the dwelt and known typical high PRO-PAIN quality and moved by far too much in a strange and too uniform type of nu schoolish thrashy Metal music stuff they are finally back as strong as they had it been before. They are back, harder, meaner, more pissed off, more aggressive, and more brutal than before. You think up to dates self proclaimed tough guy Hardcore bands would be heavy? Forget it! Check the new PRO-PAIN album promptly. (Read for more detailed informations the original review on it, for this just click the link above.)
STRONG ISLAND BOOTBOYS - "PITBULL BREED"
"Under Watchful Eyes" / 7''
Like 2011's release of old and before never released songs of the mighty FRONTLINE SOLDIERS also 2012 saw the release of a long forgotten old and never before released material by a short lived but anyhow a underground cult status relishing American Oi! or U.S. Oi! band from the NYC, the STRONG ISLAND BOOTBOYS and their old demo "PITBULL BREED", released as a 7'' in 2012 by the to me beside this anyhow unknown label "UNDER WATCHFUL EYES". And it's a damn great thing that this little gem finally got released. Battle scarred, militant, gladiatorial, and patriotic-unbowed, hard, heavy, brutal, and aggressive roaring American/U.S. Oi! the East Coast Style in the NYC spirit that was born and bred by almighty legends like OXBLOOD and FIRST STRIKE, with a some sort of roaring old school NYC HC flavor in the vein of WARZONE and old and early YDL in it, all done very angry, pissed off, fresh, authentic and sympathic, and also done with a nice own characteristic spicy SIB flavor to it. Sounds good? It is good! More than that! Get it, highly recommended to all the Oi! Skinhead and Oi! inspired/influenced Hardcore Bootboys. But don't ask me, if there are still any copies of it floating somewhere around, and don't ask me how much and where the hell they may do so. Oi! Oi! Oi! (Read the original review on it by me by clicking on the link above, if you are interested in a more detailed view on this great little gem.)
ONESTA - "THE AMERICAN DREAM"
"Core Tex" & "Mad Mob" / CD
Paris Hardcore by a gang of no prisoners taking and no compromises making HC roughnecks from the suburbs of the metropolis of hedonism, culture, and luxury, if you can believe the myth that encloses the city of Paris, hm, but I think the desolate and cold brutal picture that ONESTA draw is by far more near at how the reality really is procured for "us" ''normal'' folks over there. This is a great band with a great album that is highly recommended to you, the reader, especially if you like the good old NYHC and look for new stuff of that kind with a fresh own approach to it. Even more if you can also rely to some Rap/Hip Hop influences and by this kind of music inspired bass and rhythm work. Damn great album!!! (Read the original review, if you are interested in some more detailed informations on it, just click the link above to do so.)
RUNNING WILD - "SHADOWMAKER"
"SPV" & "Steamhammer" / CD
Here's the first of the both "Plus 2" albums that desperately needed to be listed here anyhow anyway, not as a somehow nomber eleven or then nomber twelve, but as a simply ''plus rate'' necessary addition to the usual Top Ten list of the year, in this case of the year 2012. And so here it is, and the rank is hold by no one else than the german Heavy Metal legends RUNNING WILD with their 2012 comeback album titled "SHADOWMAKER". A heavily discussed album, but- from my point of view- first and foremost a damn great album that prooves that it would be fucking good and cool shit if RUNNING WILD would come back as a proper full time band that releases regulary new albums again. Check it out, if you still didn't have so, and don't let yourself be too influenced by all the shittalkers outta there. (For a more detailed review on it click the link above and read it there.)
I AM REVENGE - "PIT JUSTICE"
"Swell Creek" / CD
The next of the both "Plus 2" or of the "Top 10 plus 2" albums of 2012, great Hardcore moshing down from the german city of Hamburg. Finest Beatdown Hardcore with a strong own very sinister approach that sets them apart from the by far too uniform rest of the up to date modern Beatdown Hardcore scenery around these days. A really great and outstanding album, that I can here and now again only highly recommend to all you roughnecked Hardcore silverbacks outta there reading this very blog. (For more detailed informations about this album read the original review article post on it that I've done some months ago the last year.)
That had been my "Top 10 plus 2" of the year of 2012. A pretty diverse list, I think so, but that's anyhow anyway not that important, at least not for me. From my point of view this personal list of me shows pretty good that 2012 was a very strong year and hopefully 2013 will be at least as good as 2012 was. Beside this here named albums that are to be found in this very list there had been of course even by far more great albums by great bands been released, by far more than I could name here. So open your eyes and ears for more outta there, read through the reviews on records of 2012 up here on this blog and on all the other blogs outta there, check other sites, zines, and mailorder lists to see and read and get an idea of what releases of 2012 you maybe could have missed out on so far. But wait, was this all what there is to tell about what was going on in the case named ''music'' in 2012? No, there's more, there's still more to say to and about it. Also especially the Underground of the D.I.Y. world brought a bunch of great new young strong and a lot promising new bands up to the light of the day, so let us have a look on some of them that I really need to mention here. So here we go one more time again...
Out of the Underground: "D.I.Y. or die!" - The new breed unleashed
Okay, so here and now we will have a closer look at some of the most mentionable Underground D.I.Y. bands outta there, at least in my book, that really impressed me heavily in 2012. I can and so I will just choose a few couple of bands and, of course, this very list is also just a through and through subjective list, because it's "my" list respectively a list done just by me. So, okay, that's it, enough of the introducing small talk, here are some bands that you should really have an eye and an ear on and this are bands that are from my point of view more than ready to take the next step and we will see what 2013 will bring for them. Band for band, one after another.
*** SUFFER THE PAIN - Blackened crusty Death Metal from the country of Sverige ***
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This was SUFFER THE PAIN, if you don't know them by now, then make sure to change this and check them out as soon as you can and best pretty promptly. Now to the next band, and a little bit around the globe, from Sverige to Brazil.
*** SHADE OF MANKIND - Grinding crusty metalic musical Apocalypse from Brazil ***
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Like I've written the first proper album by SHADE OF MANKIND, "titled for now so long "VVE ARE THE PLAGUE", is about to be released in 2013, and then that is it for here and now, all what there is to say at this place about SHADE OF MANKIND. Now the next band is coming in, and this, yes, right now.
*** WORLD WAR IV - Thrashing Old School Hardcore from the Boston, MA/U.S.A. area ***
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More I can't tell you here and now about WORLD WAR IV, for some more detailed informations read my review on their demo, the link to it you find above, and check the links I have given in this review for more informations in general. Hopefully more of them will come soon. Now to the next band that impressed me heavily in 2012.
*** BITTER THOUGHTS - Chicago Style Hardcore the brutal way ***
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Hopefully more of BITTER THOUGHTS will come as soon as anyhow anyway possible. I will try to have an open eye and also an open ear on them, so when I notice something new then you will find it pretty sure promptly up here. Now to the next band.
*** CRUTCHES - Sverige Crustcore/D-Beat Tsunami from Malmö ***
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This brings us on to the next band out of the D.I.Y. Underground sector that you shouldn't have missed out on in 2012, so here we go, who'll be next... let us have a good look on it.
*** HARBRINGER - Hardcore from West Palm Beach, Florida/U.S.A. ***
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Okay, more isn't here and now to say about or to HARBRINGER, let us come to the next D.I.Y. Underground band that impressed me heavily and stayed or sticked in my head in 2012. Which is it? Let us see...
*** INSTINTO - Crustcore Apocalypse from Spain ***
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Okay, one more band I will name you, then I think I will cut it, not because there wouldn't be any other bands, no, hell not, the complete opposite, but because then I could go on and on and on and on forever. But okay, one last band is still up to come, so let us see who's up waiting in the pipeline.
*** MIND PLAGUE - Holy Terror Hardcore from Germany ***
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That's it for here and now, not that there wouldn't be not still enough great bands out of the D.I.Y. Underground that I could mention (again) up here at this place now, but then this would never finish and could and would go on forever. Check the record reviews on this blog or on fellow sites and blogs to get ideas what else you could have missed out on so far. Okay, next stuff.
Top 10 of classic albums that brightened up 2012 for me
In 2012 it weren't of course only new releases and/or new bands that definitely and truly pleased my gusto and brightened up my way through 2012. Albums that gave me a lot, albums that used to bring me on through the past year. I've thought about doing so and doing this right from the beginning of 2012 when I was about doing the year review on 2011 which took a little bit longer, like you already all may know. So this year I was about doing this finally and so I do now, a list of top ten classics that really brightened up the days and weeks of 2012 for me. Of personal classics of me, myself and I, of course, so keep in mind, that this is again a through and through subjective list. Ah, and it's pretty surely for a lot of folks not that politically correct in some parts, but who cares, at least (again) not me. And I also don't care that it will probably for another big bunch of folks outta there too diverse in the range of music, but, hey, it's my taste in music and I love music and to listen to a lot of it and of different styles and various forms. So if you have problems with it, with being not kept true to any scene and the music of it you've didicated your whole being down here to then that's not my problem and not my fault. And, btw, classics mean that this are classics for me, so it doesn't matter for me and here and now what others think about it and it alo don't matters how old the records are, if five years, ten years, fifteen years, twenty years, what ever. I made a bunch of notices over the whole year to deliver here a proper list, and yes, I know, making notices about how often, how frequently and about in which situations and about the songs that cheered me up the most is at least a little bit nerdy, but okay, what shall I say, hm, better I just stand for this portion of nerdyness ;-) ... So here we go, here comes my top ten classics list of 2012, but don't wonder, I will keep this pretty short (or at least I will try to do so), even you won't find of any of the records here any reviews up here by me, but this is just meant as a extra bonus gimmick and so it will stay pretty short anyhow anyway.
BRUCE SPRINGSTEEN - "BORN IN THE U.S.A."
"Columbia" / "Sony Music"
CD & LP
1984
(U.S.A.)
Yeahr, 2012 was really the year of "THE BOSS" with his new album leading my this year's top ten (plus two) list clearly and unrivaled and with one of his biggest classics, if not his biggest classic at all, leading the classics top ten by me up here as well. I love this record, no matter if the CD version or the LP version I have, the last one is a original pressing from 1984, and no, with just had been three years old in 1984 I must be honest that I didn't buy it back then, but my mother did for her and she gave it to me some years back, THANKS mom!!! I love this album, it's so powerful, full of authentic and sympathic attitude, through and through Working Class, honest and true, critical but no whiny lefty crap bullshit by some Hippie Yuppie idiots dreaming about world peace and global unity. Honest and true Rock'n'Roll with a strong leftist as well as surely progressive patriotic Working Class background and with great lyrics, from critical to personal issue being dealt with it on a very high level, and that the music is incredible high skilled, fantastic diverse and just sheer amazing stuff I just say for the record. And it had been especially "I'M ON FIRE" (goosepimples erotic atmosphere at its best), "I'M GOING DOWN" (amazing Rock'n'Roll with great rhythm and groove and dirty attitude to it), "BORN IN THE U.S.A." (the rolemodel of a undyable classic, and brilliant lyrics), "GLORY DAYS" (pure lust for life) and the two personally for me groundbreakers "DANCING IN THE DARK" (the lyrics deliver strongly how I felt in certain parts in my life before I finally took the spark and enlightened the fire again in 2012, and the phenomenal music is just incredible and damn emotional, heartfelt), and "NO SURRENDER" (musicwise a very punky song where you can get that THE CLASH were everything but strangers to BRUCE SPRINGSTEEN, and the lyrics exactly deliver my view on life straight from the heart, it's amazing). A phenomenal album, unrivaled as ever!!!
DISCIPLINE - "SAINTS & SINNERS"
"I Scream Records"
CD
2002
(Netherlands)
One of the best Oi! bands ever to come, and this since somewhere around the mid to late 1990's. Don't know what was going through the head of Joost de Graaf some years ago... but no, this isn't the topic here. I think with this album DISCIPLINE really became pretty big, and this for very good reasons, all headlined by the infamous larger than life Hooligan anthem "EVERYWHERE WE GO", and also this for good reasons, and all of this damn justified. Also looking on this album from today one must say: "Awesome!!!" Since then not so much more stuff that would had been anyway better was released, and if so only by few bands. This album brings back a lot of very good memories of a amazing time to my mind, and this beside the still outstanding music and the great, strong, powerful, and gladiatorial battle scarred lyrics make a real classic out of this one for me and still today one of the very best albums ever. Love it, and it's damn important to me. Done also a review on it back then for the first print issue of the "MANSLAUGHTER FANZINE BAD HARZBURG" out of which years later this blog was brought to life, funny nostalgic thing, just to be written here by the way as a side-notice.
ACROSS THE HUDSON - "OUR SIDE OF THE STORY"
"Pure Impact Records"
CD
2000
(U.S.A.)
First album because of which some guys will possibly start to overheat their P.C. mood... calm down you fucks and get a real life beside your T.V. screen, could help to cure your most worst pains... Great American Oi!/R.A.C. band with a very unique stand-alone style and sound and a great attitude and a strong and proud message. All very patriotic and anti-communist, conservative and anti-liberal, but no race-stuff, and all done a very high level of lyrical work, just damn great. Musicwise very self-contained, somewhere between American Oi!, rocking and rolling R.A.C. and BRUCE SPRINGSTEEN written, arranged, and played by, if I am now not going totally wrong, former members of the legendary and controversial because patriotic New Jersey Hardcore band TEARS OF FRUSTRATION. Love this album now for more than a decade ago and its lost none of its importance to me, and even if some are now shocked and some would have never believed it, but with a lot of their lyrics they speak me straight out of the heart. They are telling their side of the story, and it sounds pretty equal to our or at least my part of the story...
BULLDOG SPIRIT - "BULLDOG SPIRIT"
"Brutus Records" (a.k.a. "The Mafia of Oi!")
CD & LP
2003
(Australia)
A powerful swing of a crowbar straight in your face lashing out directly from the continent down under, BULLDOG SPIRIT, finest Australian Oi! Core at its very best that still today blews the very most of the rest, no matter from where on earth, easily from the battlefield in the blink of an eye. Keeping in mind that this band sings against worthless Junky scum, for capital punishment as the only justified treatment of child molesters and dares to do a cover of the lifechanging classic "DROP THE BOMB" by the almighty STARS & STRIPES and that this all would give them best chances to be diffamed as neo fascists over here in Germany where they easily would be labelled as being greyzone, and this shows how fucked up living in Germany in a subcultural sense is this days. I don't need to tell you about how ridiculous this is. And I can't tell you enough how much Germany with all its worthless coward scumbags sucks...!!! Beside this, one or two words more, about stuff being more important. This is one of the albums that I own as CD as well as LP and this is a album that I really love heavily, a perfect mixture out of brickwall Oi! the american as well as the english kind and of Old School Hardcore, especially the stuff to be located somewhere in New York as well as the stuff to be located somewhere in Boston, with a clear Skinhead background to it all. Mercyless, no prisoners taking, dirty and raw, rough and tough, heavy, brutal, aggressive, and forceful, yet catchy, melodic, and anthemic as fuck. For Hardcore silverbacks as well as Oi! roughnecks highly recommended. They released some years ago a follow up release, I think it was "AIN'T NO ANGEL" titled, but I still don't have it, simply because I couldn't find it anywhere over here, and today unfortunately BULLDOG SPIRIT seem to be not active or even not existing anymore. This sucks!!! Also brings this album great memories of great times back to my head, and primarly I've done a review on it in the second print issue of my "MANSLAUGHTER FANZINE BAD HARZBURG" out of which then many years later this very blog was created by me, just as a nostalgic trivia fact.
BRUTAL ATTACK - "BATTLE ANTHEM"
"Svea Musik"
CD
1996
(England)
And now in some to many heads it will go like "Nazi! Nazi! Nazi!" but who cares, at least I really don't care. BRUTAL ATTACK had always been a favorite band of mine, their utter garbage NS/WP world view is bullshit for/to me as well as their Blood & Honour alliances, but that's nothing of my concern. Always BRUTAL ATTACK had been a mighty and great band and so they are still today and I like them even more and think that they are even better than their bigger brothers in SKREWDRIVER. SKREWDRIVER, anyhow a mighty band despite their bullshit political agenda. Anyhow, this is maybe not the most prominent album in the history of BRUTAL ATTACK, but it's pretty much one of my absolute favorites of them and also personally for me their most important album, not at least because it was back then pretty much exactly this very one here with which I started listening to them. Great rocking music here with a nice varying of pace and rhythms, aggressive and unbroken strong, unbowed attitude, lyrics that surely strengthen you up heavily, especially the larger than life "THE QUEST", and delivered in a first class way. If you like good old british WP/NS R.A.C. music than trust me and grab a copy of this one, you won't regret it. Fantastic album!!! (There had been two versions of this album, I have the one of "SVEA MUSIK" from Sweden, but also the german label "PRÜHSES LISTE" released a version of it, but don't ask me about any differences, which or what ever, because I have no idea about it.)
GRAVE DIGGER - "MASTERPIECES"
"Gun Records"
CD
2002
(Germany)
Old School Teutonic Heavy Metal legends with a best of album from 2002 on their old label "GUN RECORDS" that is to be bought for a low price today and features a bunch of their classics from their albums from "HEAVY METAL BREAKDOWN" to "EXCALIBUR", and especially "HEAVY METAL BREAKDOWN", "SYMPHONY OF DEATH" (first and foremost this one, of course) and "HEART OF DARKNESS" are of groundbreaking importance for me. A very unique and characteristic style and sound, a great band, and a best of album that is for sure still too short but is more than justififed and highly recommended to everyone (still) fascinated by good old powerful Heavy Metal (from Germany), and a band that knows to brighten up my days for now two decades or something so like this. "HEAVY METAL BREAKDOWN", baby!!!
THUNDERHEAD - "CLASSIC KILLERS LIVE!"
"Gun Records"
CD
1994
(Germany)
A classic and somehow pretty much forgotten band from Germany with, I think so, partially also roots in the United States of America. A band that was back then not the smallest one around and their "KILLING WITH STYLE" album is by any means truly a great classic, and so is this live albums of/by them. Somewhere between Hard Rock and Heavy Metal, Old School and rough and tough as fuck, somewhere between MOTÖRHEAD and SKID ROW with some ARMORED SAINT to it all, maybe... Also delivering a pretty nice variety of different types of songs, from straight forward Heavy Metal headbangers over bluesy Hard Rock hymns to powerful emotional ballads they knew and gave it all to us. I really love this live album by the band and songs like "YOUNG & USELESS" (especially this one, hehe), "YOU DON'T KEEP ME SATISFIED", "HOUSE OF SWALLOW", "WHIPS & CHAINS", "MOVIN' ON", "OVERLOAD", "THE DARKER SIDE OF YESTERDAY", "TAKE IT TO THE HIGHWAY", and "FACE TO LACE" had been personal hymns of me for a long time, haha, oh yeahr, baby!!! Good old hard rockin' Heavy Metal or maybe heavy metallic Har Rock (who cares) that still today comes off as fresh, strong, and powerful as back then. Still cheers me up every time I take a listen to it, and this for good and justified reasons, because it's simply amazing and great, period.
PANTERA - "VULGAR DISPLAY OF POWER"
"ATCO Records" / "Atlantic Recording Corporation"
CD
1992
(U.S.A.)
No need to say much to or about it, the band, the album, should be known (and loved) by anyone who's around for a while now and loves to listen to heavy music since the 1990's now already, and also no need to say what this band in general and what this album in particular once meant and still means to me. By any means not only a but THE classic, point and fact!!! Back then latest with this album PANTERA created something really new and totally something of their very own. And still today it's so fresh and strong and beats the rest and everyone who dares to steps up, who dares to say he would be a rival, everyone who dares to announce he would be the one to carry on their legacy, simply everyone and everything, period. Never stopped listen to PANTERA by now, and I think I never will, the best of the best, still the real deal, the greatest of the greatest!!! And, after it lost nothing of its tragic character up to this present day: R.I.P. Dimebag!!!
STUCK MOJO - "RISING"
"Century Media"
CD
1998
(U.S.A.)
Like PANTERA a for me totally important and outstanding great band, even not exactly on the same level as PANTERA but, face it, there only stand solely PANTERA and noone and nothing else. But personally for me STUCK MOJO aren't coming that far behind them. Back then the "RISING" album marked a huge step forward for STUCK MOJO, even "SNAPPIN' NECKS" and "PIGWALK" had been and still are fucking awesome, especially the lifechanging "PIGWALK" masterpiece, but "RISING" was in every context heavily advanced, adding, for example, Southern Rock and Country marks to the bastard STUCK MOJO style and sound out of Hardcore, Metal, Rap/Hip Hop, and outspoken, militant, battle-scarred, by any means not politically correct lyrics, as well as becoming more diverse and even more skilled than before as well. Phenomenal album!!! And that they got support by the WCW back then with this one makes it even more amazing as well as it's making it fucking cult in every positive sense of it. Still today STUCK MOJO are on heavy rotation with their classics, and in 2012 it was especially their "RISING" album here that lifted me up and helped me heavily over the pain when lifting up heavy weights in the gym. Still fucking awesome!!!
WHITE ZOMBIE - "ASTRO CREEP 2000: SONGS OF LOVE, DESTRUCTION AND OTHER SYNTHETIC DELUSIONS OF THE ELECTRIC HEAD"
"Geffen Records Inc."
CD
1995
(U.S.A.)
Forget about ROB ZOMBIE and all his kiddy pleasing trendy Horror Goth pseudo-Industrial stuff of today, forget about it all at least for a while now, because here is where the greatness is to be found, in the almighty WHITE ZOMBIE and their second album "ASTRO CREEP 2000: ..." released in 1995 on a major label, with righteous justification, back then when the music business was still pretty fucking big, a sick yet totally entertaining fantastic masterpiece of an album, as distorting as well as joyful as ever. Industrial Metal/Rock full of twisted ideas and sick arrangements, yet damn catchy and hymnal, and so don't wonder that "SUPERCHARGER HEAVEN" was back then really chosen as the soundtrack of a commercial for Wrangler Jeans (or something like this). Truly something very special and a grapping, interesting, and still today fascinating complete package from the artwork, the music, the design, the lyrics, to whole the art and approach. Unique, charismatic, independent, skilled, thoughtful, heartfelt, honest, and still fucking awesome. It was this year finally again on heavy rotation on/in my stereo and I discovered finally again how great it was, is, and will remain to be. This is real, forget about the happy go lucky kiddy bullshit of today, this here is was and is the real deal, point and fact, and period.
So, now not much left of ''the musick 'n stuff'' of 2012 is to tell, just in short something to my personal best concert experiences in 2012 and then this chapter will now be pretty much done and will be about to be closed. (Yes, don't think that I wouldn't try to go to concerts that interest me as often as I somehow can, and most I don't just try to do so but do so. Don't get a wrong impression just because I haven't done a ''Gig Report(s)'' up here for a long, long while now. Just can't find the motivation to do one, that's it.)
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My Top 5 concerts in 2012
I will definitely keep this short and ''notice-like'', to do this was more sort of a spontaneous decision and I'vd done no preparation of it before, and so I can't name the precise dates of all the concerts, so you have to stick with the informations I can and will give you here and now.
DROPKICK MURPHYS
(+ ''special guest'' = the BOUNCING SOULS)
27. of January 2012, Hanover, "AWD-Hall"
It was a fantastic concert, made the ticket as one of the christmas gifts for Jane in 2011 and sort of a month later we jumped in my car and hitted the road to Hanover, and I can remember how cold it was, a damn cold Winter night by any means. And even the BOUNCING SOLUS really and truly had been a incredible let-down, then the DROKICK MURPHYS enetered the stage and they conquered and ruled supreme. A great diverse set, a fantastic enthusiastic and nicely mixed through audience, enthusiastic mood everywhere in the hall, great live sound quality, brilliant stage performance, and just a great fun time. Before we then drove back we ate some delicious vegan snacks and then onward we went back home with a big bunch of great memories in our heads. Fantastic, simply a fantastic concert and a fantastic evening and night!!! Can't wait for the next time: "Let's go Murphy's!!!"
THE SKATOONS
(+ PLATZVERWEIS and another one band more)
March 2012, Goslar, "B6"
A great concert, for sure, a great band up on stage, SKA and SKA-Punk from out of the speakers and in the ears, very good people all around, and a wild dancing and skanking euphoric and enthusiastic crowd, all of this made out of this one hell of a night, just great. Also the sympathic PLATZVERWEIS, a really good Punk/Oi! band from my home area, played a great set this night. Also another band used to hit the stage, but don't ask me more, just remember that it was pretty much bullshit garbage so no more words about it. Anyhow, a really great concert night. And a concert night that once again made me think a little bit about why SKA still electrifies me like hell when it's played live at a concert, and why it now for many years absolutely don't happens anymore at home in my stereo for years, hm, I don't know it...
LIGHT YOUR ANCHOR
(+ three other bands)
June 2012, Salzgitter, "Forellenstube"
I think this concert took place some day in the June of 2012, and we saw basically three good bands beside the great LIGHT YOUR ANCHOR, but unfortunately I have no clou about the other names of the other bands, sorry, I lost the flyer and haven't heard of the bands before, as well as I am, honestly, too lazy to search for possible informations online at Google. Anyhow, it was a great concert with a hell of a lot cool people attendend it, and Jane an I had with a bunch of good guys really a lot of fun and enjoyed this concert very much, also musicwise, and there especially the damn great LIGHT YOUR ANCHOR took us by storm. Really a very strong concert evening.
PLATZVERWEIS
(+ the LAZY BASTARDS, and IN FORM)
September 2012, Goslar, "B6"
This was the I think 9. anniversary jubilee concert of the local Punkrockers PLATZVERWEIS, and I think they also used it as the release gig for their then newest album. Anyhow, we saw a great gig by the PLATZVERWEIS guys, some nice but too stupid chavvy stage performance by the guys of IN FORM (this is Oi!/Punk, not a stupid Aprés Ski affair, you redundant dickheads), and an amazing gig by the LAZY BASTARDS, and the concert really was just a great party. I would have expected some more guys in the audience and in general a bigger audience, but that's the old problem if you don't play Metal here in Goslar...
ILLDISPOSED
(+ SOULLINE, McGALLIGOG, EXCREMENT, NOSPHERATU)
11. of May 2012, Goslar, "B6"
...and this leads us to the ranked no. # fifth concert of 2012, the last years concert of ILLDISPOSED. Metal, especially Death Metal, of course, had been the order of the day this evening. And it was incredible crowded this night. Jane and I went there and met as we thought a lot of good guys and friends. We missed out on the first local support, EXCREMENT, think this wasn't really anyhow a missed out on affair at all. Hm, even I think it's a band of former pupils of me, but I don't know for sure. But what I know for sure, of course, I also don't care that much for it at all, haha. We came there when NOSPHERATU already played their show, and as usual we could have easily also missed out on them. McGALLIGO, I think, were next, interesting band, but couldn't name a good fitting description of their style and sound. But it's heavier Metal for sure. Of SOULLINE I have no memories, anyway, ILLDSIPOSED had been the reason to go there and they totally conquered supreme, great gig as usual by them, thumbs up guys. Even I think they emanated a even more intense and heavy antisocial Hooligan or maybe better Rowdy/Bully Boozer spirit than ever before, hehe. This was really a great concert, especially (if not solely) due to the performance of the mighty ILLDISPOSED, even Jane couldn't really rely to it all, hehe, and a lot of good guys that we met this evening, cool night. Great modern Death Metal from Denmark, check them out when they are somewhere near you.
Okay, so much to my personal top five concerts of 2012, now just some words to some ''subcultural trends'' that had been sluiced by what was going on in the year of 2012.
Okay, now onwards directly to the mentioned positive and negative things that came to my attention in or maybe better during the last year known as 2012, so, okay, yes, so here we go.
Positive and negative trends in 2012 (at least some...)
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First of to the good things or positive trends that I got aware of in 2012. Even this is maybe a little bit hard, after I am really fed up with this whole scene or subculture posse stuff, and this also already for a long while now, but this is some sort of topic when the negative things or trends are on the screen, so now some words to the positive stuff. First of I think it is a nice move that a lot and also more and more of labels start to add some digital download code to their by them released vinyl albums what is, so I think really great shit, you have the gems on vinyl at home but can put them easily on your MP3-Player (I guess to use a thing like this is today already somehow Old School again, right, in a world of iPhones, smart phones, and all this technical jingle jangle stuff) or on a CD or just on your hard-disk, so that you can listen to it all the time at all the places you want to do so, and it at also means that your vinyl gems stay fit and healthy, no matter how often you listen to them, so that you can enjoy them for really a long, long, a damn long while and this is, at least in my book, really a great thing. The same is to say when labels and/or bands put the CD version of their albums as a addition to their LP releases, that's something that I cheer up to even by far more. Another very positive trend or how-ever you may like to call it is from my point of view without a doubt the tendency that many especially D.I.Y. Underground bands release their stuff on their Bandcamp sites or where-ever else to make sure, that as much as anyhow possible interested listeners can get their hands on it, even just in a digital form or version, but who and why should anyone bitch around because ofit. I think this is more than just good, period. And I can't understand anyone, who bitches around because of the opportunities and possibilities that the so called new medias offer especially for young D.I.Y. bands around. Even more I can't understand self-proclaimed underground elitists preaching such bullshit. I mean, did you really think that in the 1980's it was all better for the bands with spreading a bunch of tapes in their local scene and sending them overseas to a handfull of die hard fans and hoping the best that somehow due to what-ever and who-ever the word about them would be spreading out around the globe...?!? Do you really think so, I mean, come on... At least I really don't think so, point and fact. Also something that came up as a positive thing in my eyes clearly and without a doubt is a very strong diverse Newcomer D.I.Y. Underground from Crustcore to Metal and Grindcore, from Hardcore and Oi! to Punkrock and Streetpunk, and this with bands that came from like you may can say it all across and all around the globe. A short and surely uncomplete and also of course subjective list I already gave you above, so check the there mentioned and listened bands out, but make sure that this will just be the starting point for you, because there are much more bands outta there that popped up in 2012 that you surely should damn fucking know about it.
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Now we come to some prominent subcultural scene news stuff that happened in 2012 and here comes now the presentation of the ''scene nutjob of the year of 2012'' up here on your very blog, your dear "MANSLAUGHTER THUG LIFE" named blog.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiQbTdQFiLidWgoQFZEkLFdljV4X1b87aduDoupjKbhFkWfW2r1D65AiDnniokfoTsteHq4pGl6bLrtGh60bbPLytW3Ijmp-sFYGrhAftVVbH1ujuribcAu-WOPStx872JJ_Exk77zMW8/s400/...because+it+does..png)
Scene Nutjob of the year of 2012
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNjDKiqGkNKERqUhQ4CbR403jRPOPtzNqPiT8Zc6RePkU40nfJKpA5s34AMluhnaS5LROFDFI8BSlbQKDVoe4lLq0WXTBpxXGZTLzMN4ji1hDakKSSd-VII0o4NFr0uoNOmyzdqiBc2Dw/s200/Harley+Flanagan.jpg)
...because before we go on to the last chapter of this review on 2012 one last music and scene related stuff, and it's a bitter thing or affair or posse, but something that truly needed or needs to be mentioned here, at least I feel so, even it's some total fucked up mess, but anyhow, and so I'll do mention it now.
Scene-related scumbag(s) of the year 2012
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0hOuWcm33G2ufcV2GRgTGuHBcchRoPUn_HF-uitQJk4x83njDVADuuNUt8VgPZ9HT0fCExkiKCNtyfMBEQazRGmTKgR4b0Ayz8S9ib_-Xv9zkgjERneHp3Zn571N9cy3cjHr_EnI1snc/s200/Asshole.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhX43188lbcKs5ilQSmNFWfuRWxrrWFmQsZ5KVXV_AcyM6IWuIkdYhD6miIuwc1Uo3fqnbeh8TB8OkVuafxTp9rZUIKLHXK8_MhfKb2Shed8zo4u9jjYZ_Fq0aEK3RVer38LSPpUXxBmxg/s200/Klaus+Michael+Hicker...+die+you+scum!!!.jpg)
That's it for now with chapter two, now to chapter three, and so what 2012 held otherwise all in store to make it at least from my point of view a good year, beside a personal development and a lot of damn great music. Let us see, here we go!!!
Like usual 2012 was not only a year consisting out of personal and msuical/scene-related/subculture-concentrated stuff, there had been even also far, far more. And this "far, far more stuff" will be in the center of interest and attention in the next chapter, the following Chapter III dealing with ''the best of the rest" of 2012 beside personal and musical stuff. Read the next entry a.k.a. post, then you will know what else was important and mentionable in 2012 from my point of view.
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