Donnerstag, 16. August 2018


(Running time: 57:33 minutes; 10 songs)
("Cruz del Sur"; 2018; CD):
Back on track and up here at work again, yes, and to kick this very one here and now off let me begin with just one word, okay, and so now here it comes: Wow!!! Yes, and with that said let us now start this very one here properly: Hey guys, oh yeahr, this very one here totally overwhelmed me and it massively conquered me and, yes, it continues to do so again and again and time after time. GATEKEEPER - hailing from (then) Edmonton and (now) Vancouver over there up from Canada - were total unknown strangers before their "EAST OF SUN" album to me and this very one here, GATEKEEPER's mentioned "EAST OF SUN", is their- for all what I know- proper full-length-debutalbum, and it was released still pretty recently this year via the mighty "CRUZ DEL SUR" record-label like already mentioned in this very year of 2018. I'll try to keep it... hm... again (?) shorter this time... at least a bit or so... and so now enough of the introducing and smalltalking stuff and finally right and direct and straight into the action, yes, and so now one more time again let's roll: This is absolutely brilliant and fantastic Epic Heavy Metal of the absolute masterly supreme kind with a strong own character and identity born and bred through old/early SAVATAGE, old glory MANOWAR, a good dose of MANILLA ROAD, and OMEN and raised by these giants to become a very independently, stand-alone, and high skilled battle scarred Epic Heavy/Power Metal bastard that would make Conan massively proud and that would be the perfect soundtrack for riding axe-swinging over the wide fields and through the hot jungles of Cimmeria. This almighty album kicks off with the phenomenal harsh slashing and deadly sharp cutting through and through on purest Speed Metal raised "THE BLADE OF CIMMERIA" filled with and marked by an impressively intense and heavily stunning, massively tension-building and really huge and despise the precise and fast cutting and raging character of it nicely diverse and multi-layered guitar work delivering everything destroying riffs and all heads off-cutting rhythmic arrangements and, standing above all, singing and screaming leads and intoxicating solos, hell yeahr, and also filled to the max with and marked by powerful and clean, clear, and very sharp and still pretty harsh sung lead vocals that are cultivating it all, while bonesmashing and harsh thundering drumming and a grim and evil sawing powerful bass back it all up in a stunning and massive way. After this absolutely overwhelming kick-off of the album the ingredients pretty much stay the same even the Speed Metal gets sort of omitted and the really larger than life and by a breathtaking and goosepimples-non-stopp-giving dramaturgy marked Epic Metal or Epic Heavy Metal really takes the all and everything commanding lead, yes, but the stunning, high-skilled, diverse and multi-layered, very atmospheric and intense, sharp cutting and harsh slashing and above all really singing and with fantastic melody lines excelling guitar work, the highly charismatic and very forceful and very imploringly and urgently delivered air-raid-siren vocals, the brutal smashing and stunning drumming, and the massively heavy sawing bass still make and mark the songs and the musick and this in all the fucking right ways and for all the damn right reasons. And above all GATEKEEPER's "EAST OF SUN" is marked by diverse and very rich, due to many differents facets and layers nicely and in a damn high-skilled way very multi-layered and sort of ever changing songwriting with tremendous amounts of massively tension building drama and an incredible amount of really exciting moments and grapping, rousing changes and twists and turns in it all that conquer and overwhelm all and everything in a damn stunning and drastic and massive way, yes, and it is incredible how huge and how 'gloriosuly grapping' the tension arcs of each and every single one of the songs (that are also very often brilliantly enriched with amazing acoustic sprinklings) are, yes, really damn bloody fucking fantastic. This is, to get this straight and say this clear and precise, an absolute and total supreme masterpiece and a really larger than life and an outstanding album and it is one of the very best ones in and for 2018 and this without a single doubt, yes, and I can only and clearly and calmly recommend this to everyone outta there who's into the described musick and if you are in this target-group and really should not have or even know it so far then you should really and by any means change this as damn soon as only anyhow possible and best promptly right now and instantly. Absolutely fantastic lyrics, an outstanding fucking gorgeous artwork, a clear and still heavy and sharp cutting production-sound as well as two brilliant and phenomenal cover-tunes of the omnipotent mastepieces that are OMEN's "DEATH RIDER" and SAVATAGE's "HALL OF THE MOUNTAIN KING" finally round the supreme masterpiece that is GATEKEEPER's "EAST OF SUN" finally and in a perfect way up. Epic Metal in perfection. Get this immortal beast of an album, just get it
(10 of 10 points) (-the link to the bandcamp site of the band)


Freitag, 10. August 2018


(Running time: 68:25 minutes; 14 songs)
("No Remorse Records"; 2018; CD):
Hey guys, after my work day starts later this day I decided to try to come up with the next load for you already this morning (we will see if this will work out like planned) and this means here'n'now that here comes my record-review on the 2018 re-release of the HEAVY LOAD classick "STRONGER THAN EVIL" released via "NO REMORSE RECORDS" in a drop-dead-gorgeous and ultra-premium digi-pak-edition. HEAVY LOAD's "STRONGER THAN EVIL" was if I am now correct the 3rd full-length-album of this Heavy Metal Vikings from Sweden and was originally/primaly released in the October of 1983. I stumbled upon this release due to the gorgeous artwork that instantly draw my attention and finally led me to purchase it. HEAVY LOAD played a mixture out of Heavy Metal and (especially) Epic Metal with a strong battle-scarred spirit and a Conan & Cimmeria like vibe to it all and fueled by a often pretty strong and also pretty dark Hard Rock or Heavy Rock influence. The birth-date being in the 1980's and this also pretty early in this decade you surely regognize clearly but due to a nicely very own note'n'timbre and a pretty unique own tone of the guitars as well as of the nicely present and clearly to hear loud'n'proud strutting bass and a 'golden-hand' in arranging the vocal lines as well as the overall damn high quality of the musick HEAVY LOAD and especially here their "STRONGER THAN EVIL" absolutely holds its ground and remains damn relevant also today. This is also due to the very strong and also by today's standards still nicely fresh and especially damn alive-lively and asskicking songwriting that bridges a wide area of different approaches and directions from stunning and harsh power pumping, anthemic and fist-in-the-air Hard Rock/Heavy Rock slashers like "FREE" or especially the nearly divine "SATURDAY NIGHT" over escalating very intense drama-and-tension-rich highly emotional and atmospheric Epic Metal hymns like "STRONGER THAN EVIL" or "ROAR OF THE NORTH" to massively heavy hitting and hard onwards into battle stomping Heavy Metal thunderstrikes like "THE KING" or "SINGING SWORDS" and with "RUN WITH THE DEVIL" the album opens up with a prime example of the supreme Heavy Metal majesty HEAVY LOAD were able to create, and all is marked by intense and grapping and damn rousing songwriting that for damn sure still today in 2018 offers a lot of pure excitment for/to anyone into the described musick. All done by well-skilled musicians. Powerful clear sung and full lead vokillz, sharp cutting and harsh slashing guitars, a powerful bass, and thundering drums are the ingredients out of which HEAVY LOAD created their loud'n'proud and battle-scarred hymns of war. A big load of bonus tracks that really all totally conquer, a drop-dead-gorgeous and very 'nutritious' artwork, and a beautifully dirty and original 1980's production-sound as well as very strong lyrics then finally round it all up. Clearly recommended to anyone who's into Heavy Metal and Epic Metal as well as into heavy hitting and epic Hard Rock/Heavy Rock. Make sure to discover HEAVY LOAD's "STRONGER THAN EVIL", a really great masterpiece.
(9 of 10 points) (-the band @ the "Metal Archives")


Mittwoch, 8. August 2018


(Running time: 45:51 minutes; 11 songs)
("Spitfire Music"; 2018; CD):
Hey guys, yes, trust your eyes because here'n'now already the newest article/post is coming up here for you already (again) and this time it will be or respectively it is my record-review on the brandnew THE DEAD DAISIES full-length-album "BURN IT DOWN" released via "SPITFIRE MUSIC" very recently this year in 2018, hell yeahr, the 'supergrouped' Hard Rock Monsters from the States and the land Down Under are finally back again delivering us finally again one hell of a load of awesome and amazing through'n'through heavily by/with testosterone fueled, high octane, everything downtearing'n'demolishing, no prisoners taking, and no bullshit accepting, pure Hard Rock/Heavy Rock with any crappy 'fancy'n'trendy dingle-dangle' and this all  of the very damn highest grade of skills and qualities and with a very strong own timbre and note to it all that is here on full-length-album no. # four a bit more modern and with this also more slightly metallic than before. With incorporating a bit more of this modern metallic aspects into their very own sound'n'style THE DEAD DAISIES enrich and also cultivate their music even more than already before and so they also add a new and fresh facett to their music that's goes perfectly hand-in-hand with the strong Blues marks that for example and also especially shine very bright through in the phenomenal guitar work as well as with the stunning heavy fresh and organic/natural Rock & Roll grooves and the dustdry and boneshaking 'relentlessly' asskicking dirty Hard Rock Thunder pushing onwards without mercy. Any comparisions? Really? If you are into Hard Rock and you have missed out on THE DEAD DAISIES so far: Where the bloody hell did you spend your last years? A fresh, up to date, headsmashing heavy, absoultely alive/lively and totally stand-alone breed out of AC/DC, LYNYRD SKYNYRD, WHITESNAKE, THIN LIZZY, MOLLY HATCHET, and GUNS'N'ROSES should maybe tell you for the start quite a bit and the rest you should really finally discover by and for yourself, yes, and "BURN IT DOWN" is a perfect starting-point for doing so. Very independently and stand-alone, pretty diverse and multi-layered and especially very rich songwriting full of really, really high intensity and countless amounts of forceful pushing and punching high octane energy and really damn big dynamics that carry the songs forward and without any regrets down the dusty and dirty desert-highway that's massively studded with a lot of grapping curves, exciting variations of diverse and different paced sections, and grapping twists'n'turns all along the ride, hell yeahr, and all really excels with a very strong own and highly rousing character and with a all the time very hymnal and anthemic approach full of fresh and cool approaches and ideas, yes, that's how it should be done, point and fact. Here is really and truly anything'n'everything damn outstanding intense and so far away from anything only slightly boring or ordinary that it is nothing else and also and especially nothing less than sort of a pure nearly groundbreaking pleasure to listen to THE DEAD DAISIES' "BURN IT DOWN" time after time again and again. The smoky and crisp intoned, full and pretty heavy and yet all the time melodic and clean and just really outstanding sung lead vocals and the phenomenal and rich and really in all departments incredible excelling guitar work surely are the biggest trademarks of THE DEAD DAISIES and this also here on "BURN IT DOWN" but the loud and powerful mighty strutting bass playing and the very mighty and forceful thunderous punching drumming are in no way inferior. Strong'n'cool lyrics, a drop-dead-gorgeous artwork, a thundering production-sound, and a great "REVOLUTION" cover round it all up finally and perfectly up. Like the right before this one up here by me for you reviewed new BLACK STONE CHERRY masterpiece titled "FAMILY TREE" also the new THE DEAD DAISIES album "BURN IT DOWN" right here is also a damn fucking total masterpiece and it is not only another new milestone in the world of Rock & Roll, Rock and Hard Rock/Heavy Rock released this year in 2018 but also another one that will definitely end up very well-placed/well-ranked in my personal best of 2018 list and I'm pretty sure not only in my list. The whole album is definitely and absolutely purest platinum and so I spare me here'n'now any listening recommendations but instead of this I highly recommend THE DEAD DAISIES' "BURN IT DOWN" to you and by any means you should definitely make sure to get it and then play it damn fucking loud, again and again, period.
(10 of 10 points) (-the link to the homepage of the band)



(Running time: 52:54 minutes; 13 songs)
("Mascot Records"; 2018; CD):
Hey guys, yes, already the next record-review is here and now aimed at you, yes, and this sort of like again after one more too sweaty and too heated night… hot time, summer in the city, I guess… and here and now you get my record-review on the (brand)new BLACK STONE CHERRY full-length-album titled "FAMILY TREE" released still sort of pretty recently this year in 2018 via "MASCOT RECORDS" on a beautiful desgined digi-pak CD (and pretty much also on LP I would guess). I discovered them sort of just last year or two years ago or so with their phenomenal 2016 full-length-album masterpiece "KENTUCKY" and so I was more than only a bit curious when I finally got aware of that "FAMILY TREE" was released and, oh hell yeahr, that huge curiosity of me, myself, and I was far more than justified because with "FAMILY TREE" BLACK STONE CHERRY in 2018 absolutely remained on the fantastic and incredible high level of skills and qualities they have reached and conquered with "KENTUCKY" and they even enriched and varied it all even more. Compared to/with "KENTUCKY" the first impression that you get from/of "FAMILY TREE" is that it's far more colourful and that it shines in a by far more warm(er) light (at least that was my first impression) and this first impression only grows stronger when you then finally listening to it. A real monster, a true beast of an album with a very huge own identity, filled with huge and big valuable loads of nutrious fresh ideas and that's massively bubbling over with life. The Classic Rock and/or Vintage Rock influences grew very big this time and are massively enriched with very strong (also sometimes tribalistic arranged) Soul marks and cultivated with very strong and damn cool and very present Gospel inspired (or so it seems to me) passages that give the songs and the whole album not only a very special and damn own and unique character and identity but also a pretty different and with that also a very colourful and soulful timbre and all is melted together by phenomenal songwriting full of exciting twists and turns and filled with tons of ironclad-like grapping moments and filled with very diverse arrangements and an in general highly multi-layered and multi-facetted compositorial approach of writing and delivering songs with a very 'rousing mind-set' and filled to the maximum with high octane energy and marked by very strong and alive-lively dynamics as well as the incredible huge ability to write and create with each and every song a through'n'through damn hymn and each as exciting, grapping, rousing, touching, and interesting as the other, oh boy, fantastic, and all done'n'delivered by masterly skilled musicians (as well as songwriters). All is marked by highly charismatic lead vocals, highly diverse and really bright and loud singing guitars, a warm and yet perwful and loud walkin'n'talkin' bass, really powerful punching drumming, and all is enriched by very intense and atmospheric backing choirs and brilliant keyboard and organ parts, various horns, and a breath-taking percussion section. It's just absolutely larger than life and damn groundbreaking and just a damn rich and a highly diverse total masterpiece of an album, one of the strongest of and in and for 2018 for sure, with a totally unique character so that any band comparisions are at the end of the day sort of nonsense, yes, but if you really need some other names then you can loosely find BLACK STONE CHERRY's "FAMILY TREE"  standing on a very independently position somewhere between LYNYRD SKYNYRD, the BLUES PILLS, BRUCE SPRINGSTEEN, and BRAND NEW SIN as well as we all probably won't get an album like "FAMILY TREE" that soon again with bringing Alterantive/Modern Rock and Classic/Vintage Rock so perfectly and easy flowing together so that fans of for example NICKELBACK will love it as well as also fans of for example LED ZEPPELIN will also love it anyhow, too. Nothing but an incredible fantastic and an absoultely outstanding album, an amazing one, yes, that's it what BLACK STONE CHERRY's "FAMILY TREE" is and all is then at the end of the day made round by great lyrics, a gorgeous artwork, and a perfect warm and earthy production-sound. This is 'highliest' recommended to any fan of true and real and just amazing and outstanding Rock/Rock &  Roll music outta there and if you are in that target-group you should know what you have to do by now and right now, point and fact.
(10 of 10 points) (-the link to the homepage of the band)



(Running time: 47:20 minutes; 13 songs)
("Prospect Park"; 2018; CD):
Hey guys, yes, due to this incredible hot weather… god damn it, I'm sweating my inner organs out, day by day a bit more, I swear… I don't see a chance to sleep anytime soon this night… not that this would be any different to all the nights over the last weeks… and after this weather steals day by day also a lot of my energy and so I haven't done again far less up here the last days then I wanted I thought, yes, I'll now get at least this one here finish'n'ready done and bring this up as a late night post and so without any further ramblings here we go finally one more time again: Here and now you get my anyhow already too far long overdue record-review on the (brand)new FIVE FINGER DEATH PUNCH full-length-album "AND JUSTICE FOR NONE" released pretty to very recently via "PROSPECT PARK" in this year of 2018 on CD and also on limited CD (as well as on vinyl, too) but after I so far still only own the regular-CD-version my record-review here'n'now will be or better is solely on this one. I will spare me any words about all this… hm... hype'n'farce'n'stuff that's sort of always surrounding FIVE FINGER DEATH PUNCH, yes, I like their musick, their songs and albums, so more and some less like mostly always, and live they totally convinced me and this is all I have to say and you need to know right here and right now. Their precursor release "GOT YOUR SIX" was still sort of okay but at the end of the day simply too dull, too constructed, too predictable, too forced-hard, and simply too flat and too one-dimensional, too boring to really be grapping for more than a few spins and this macho-like rebel-attitude simply too crappy delivered and too superficial done and too unauthentic embossed to be to anyone who's older than eighteen a serious 'thing'. In my book their by far weakest release to date. So I wasn't really that excited when I finally saw "AND JUSTICE FOR NONE" in my local media-store but due to a very 'consumer-friendly' price I finally anyway took it with me anyhow even without having that huge expectations. But, yes, the 'things' thankfully and finally changed again with FIVE FINGER DEATH PUNCH's "AND JUSTICE FOR NONE", hell yeahr, because the guys created finally again a really good and a damn strong album that's very emotional, melodic, anthemic/hymnal, and in a sort of very often symphonic-melancholic way very heartfelt and soulful and this for all the right reasons and it's finally and thankfully again pretty to in parts also very multi-facetted and variation(s)-rich marked by strong and exciting and especially all in all really pretty grapping songwriting that takes you on an intense ride with a bulldozer-like onwards plowing pick-up-truck down a dirty and dusty highway through some desolate landscapes but with a bright and powerful shining red-flaming sun finally again dawning at the horizon with huge and honest emotions shaking you all the ride again and again, all pushed forwards by fantastic multi-facetted and really larger-than-life vokillz, brilliant done and very diverse guitar playing, and a stunning and heavy rhythm section, all driven forwards by very skilled musicians and songwriters in the driver-seat(s), yes, and so expect a very strong bastard-child born and bred in nearly equal parts by PANTERA, BRAND NEW SIN, and NICKELBACK, yes, some great cover-versions and suprisingly strong lyrics, a drop-dead-gorgeous artwork, and a broad and fat widescreen production-sound then round it all nicely up, yes, and I have clearly to say that I am really in love especially with the sort of more 'balladesk' tracks and so I would and do recommend you especially "SHAM PAIN", "BLOODY", "WHEN THE SEASONS CHANGE", "STUCK IN MY HEAD", and "WILL THE SUN EVER RISE" to you and also the more harder and harsher and heavier hitting "TOP OF THE WORLD" and "ROCK BOTTOM" really conquer massively and I have also to say that you won't find a real weaker or truly weak song on this album, yes, just that you know it. Okay, that's it, FIVE FINGER DEATH PUNCH seem to be finally back on track again with "AND JUSTICE FOR NONE" and I can calmly and how-ever clearly recommend it to you, yes, and then that's it for now again.
(8 of 10 points) (-the link to the homepage of the band)


Freitag, 3. August 2018



(Running time: 27:47 minutes; 13 songs)
("Victory Records"; CD):

(V.)      "DAY OF TRUTH"
(IX.)     "THRIVE"
(X.)      "DEVIL'S KISS"

Hey guys, yes, here it finally comes and this by still far sooner than (at least) the last two posts of/in this posting-series named the "CLASSICK(S) OF THE MONTH" and of course am I talking here and now about the "JULY 2018" edition and this is a tribute to one of the greatest albums and bands outta there and a true classick in my book: RINGWORM's "JUSTICE REPLACED BY REVENGE", released via "VICTORY RECORDS" back then in 2005 on CD (pretty sure on LP as well). And, just in case, if you ever wanted to know how authentic and honest pure hatred and heartfelt disgust for this godforsaken world would sound like, hell yeahr, don't look any further, yes, because here's your perfect answer, yes, here's the perfect definition. So, okay, now let us have a more precise and detailed look at RINGWORM and especially at their almighty masterpiece "JUSTICE REPLACED BY REVENGE".

RINGWORM were formed'n'founded back then in 1990 in Cleveland, Ohio/U.S.A. by their singer/vocalist (or better vokillist) James Bulloch (nicknamed "The Human Furnace"...) and their guitarist Frank Novinec (nicknamed "3 Gun"...) who should later on leave RINGWORM and then one day finally join TERROR and in 1991 they released their self-titled demo that should finally/eventually lead to their first record-deal with "INCISION RECORDS" via which in 1993 their full-length-debut "THE PROMISE" was released. But soon after this RINGWORM decided to went seperate ways before reuiniting in 1995 to playing finally some long awaited live shows over here in Europe before then finally in 1998 reuniting in a proper way again and still being very active also today. They hailed from Cleveland, like already mentioned above, and this in combination with the fact that they, that RINGWORM played'n'play nothing else and especially nothing less than damn fucking Hardcore should already tell you what RINGWORM deliver us, yes, exactly: Clevocore and this means at the end of the day harsh and devastating Metallic Hardcore of that very unique and special kind better known as the almighty Holy Terror Hardcore, oh yes, and RINGWORM own a very strongly leading role in the world of Hardcore in general and when it comes to Holy Terror Hardcore in particular they are only second to the almighty godfathers INTEGRITY themselves that are also known as the inventors of Holy Terror Hardcore. Devastating and crushing, blackened and thrashing Metal ingredients melted perfectly and fluently together with atomizing and brutal Hardcore and this in an 'accentuating-way' so that the Metal marks are always there in sort of an 'enriching-manner' but the Hardcore elements always strongly and clearly lead the way and to show you a first way to understand Clevocore and/or Holy Terror Hardcore you throw THE EXPLOTED, EXODUS, VENOM, POSSESSED, CELTIC FROST, DISCHARGE, NUCLEAR ASSAULT, and MOTÖRHEAD into the mix with diabolical and sinister and damn black and harsh aggressive Hardcore and you should have a pretty good first impression of what Clevocore and/or Holy Terror Hardcore at its very core was/is and on what/which especially INTEGRITY and RINGWORM ongoingly develop and build and create their very unique and massively enriched and cultivated very own style'n'sound. And RINGWORM's "JUSTICE REPLACED BY REVENGE" is only further proof for this what I've said so far here and now, yes, and here's why…

..."JUSTICE REPLACED BY REVENGE" is marked by a massive straight forward pushing 'onslaughtering' approach of über-harsh and ultra-heavy done'n'delivered and arranged'n'composed songwriting that's under or maybe better beneath the straight'n'harsh'n'direct axe-swinging surface despise or in contrast of/to the fast paced, straight ahead thundering, slaying and thrashing, blackened and also Punk fueled direction of the songs incredible multi-facetted and diverse and highly atmospheric and above all incredible and breath-taking intense and that delivers from start to finish absolutely rich and all the time amazingly stunning, crushing and absolutely atomizing songs that totally kill non stopp and this without taking prisoners and/but instead of this only collecting trophies and that's one hell of an intense, exciting, and grapping ride all along the dusty and by bloody cadavers marked road. Hyper-aggressive screamed and shouted lead vocals, skull-cracking and bone-smashing über-brutal and ultra-intense guitar work, yes, and a bombing rhythm section are the rich'n'nutrious ingredients with which RINGWORM craft their truly apocalyptic anthems and this on a fucking damn high level of skills and quality and with an absoultely unique and stand-alone character. Any first-listening-recommendations? Ha, forget it, , yes, because all songs are purest platinum and, yes, absolutely timeless and today as fantastic, as intense, and as relevant as 13 years ago, if not even more. Thoughtful and thought-provoking, and very good lyrics, a gorgeous artwork, and a battle-scarred harsh and heavy production-sound then finally round RINGWORM's "JUSTICE REPLACED BY REVENGE" perfectly up. Anyone into really and truly honest, heartfelt, and authentic really intense, heavy, harsh, extreme, aggressive, and nicely clichée-free musick and surely especially with a faible for slaying Hardcore and also thrashing Metal with a real and true sinister, nihilistic, and apocalyptic mind-set definitely and desperately needs to know and hail RINGWORM and also needs to have and own RINGWORM's "JUSTICE REPLACED BY REVENGE" and this very one here is nothing but one of my all time favorites, point and fact. Enough said, yes, you should know what to do anyhow anyway, period. HARDCORE!!! FIST!!!

RINGWORM - "JUSTICE REPLACED BY REVENGE" (2005, "JUSTICE REPLACED BY REVENGE") (-the link to the bandcamp site of the band)
PS: I've always thought that RINGWORM would be already featured up here, by the way as well as also ALL OUT WAR, yes, but, hm, it seems that not... maybe I really need to check all the older posts again... because I really could'n'would swear that in cases of both bands I already had them up here… we'll see, maybe, some dayor so.

Montag, 30. Juli 2018



(Running time: 49:08 minutes; 13 songs)
("Victory Records"; CD):

(04.) "RESIST"

Oh boy, is this very one here and now long, long overdue, god damn it, I sort of honestly nearly forgot about the still pending "CLASSICK OF THE MONTH" post in its "JUNE 2018" edition, yes, no other "story" behind it or what the hell else ever and so today there's no need for any further-going secundary smalltalk as an introduction here and now, yes, and so just let's go - better late than never, I guess.

This month I have something… okay... I have again something damn great for you. We will stay like the last past three months before this very one here also in the world of (1990's) Hardcore musick and this time we will take a trip to New York and to be more precise to Newburgh, New York and I or we or how-ever will pay and give respect and honour via this tribute to a back then and of course still today to/for me very special and important band  and this band is none other than the almighty ALL OUT WAR and here and now it will be all about their outstanding chunk of pure hatred titled "FOR THOSE WHO WERE CRUCIFIED" from back then in 1998, yes, released via the then damn mighty "VICTORY RECORDS" on CD as well as on LP. (I have the CD version and so all here and now will be about this very one.) Back then in the glorious 1990's 'things' were getting heavier and harder and simply more and more devastating in Hardcore with a lot of bands back then starting massively to incorporate more and more and/or maybe (just) more prominent than before more or less 'style-foreign elements' from for example Crust and Grind but also Rap/Hip Hop and also especially Metal into their style'n'sound with for example 'stuff' like Holy Terror Hardcore, Metallic Hardcore, more and more metalized NYHC, new School Straight Edge Hardcore and then some day also first real proper Metalcore like we know it today all too well appearing stronger and stronger and time after time more often and again  even more often on the scene and latest from the middle of the 1990's this all happened far more frequently again and again, especially (or at least) in my 'retrospective-percepetion' with sort of experiencing this development first-hand and discovering a huge load of great bands and records back then that should have and still have a pretty lifechanging as well as, so it seems, a lifelong-lasting impact on me, yes, and ALL OUT WAR surely were one of this bands and to me also one of the most prominent and most important ones, too. I discovered them in 1997 via their mighty full-length-debut-album "TRUTH IN THE AGE OF LIES" that was back then released via the (then active, don't know right now if they are still around) german label "GAIN GROUND RECORDS" and they conquered me heavily and "TRUTH IN THE AGE OF LIES" is (also) still today pretty frequently put on heavy rotation here in the Manslaughter Headquarters. Then in 1998 ALL OUT WAR released their second full-length-album "FOR THOSE WHO WERE CRUCIFIED" and this time then they conquered me in an absolutely overwhelming way and personally for/to me it is definitely the most important release of all by ALL OUT WAR and this without a single doubt. It was even more heavy, hate-filled, harsh, forceful, devastating, and simply even more compelling and conquering and in total even more greater than the already damn great debut. Some songs of the debut they also rerecorded and reused on "FOR THOSE WHO WERE CRUCIFIED" and this 'newly-done-versions' add only further proof to what I've said right before. What is really fantastic is the fact that ALL OUT WAR's "FOR THOSE WHO WERE CRUCIFIED" is still today as strong, as harsh, as fresh, as alive-lively, and as relevant as back then in 1998. And this should tell you already a lot if not even more. ALL OUT WAR are still around and still active, formed in 1991 and still going strong today. Now in and with the next chapter of this article let us have a look a bit more precise on their musick.

ALL OUT WAR played harsh Metallic Hardcore or Metalcore and developed especially already with their first proper full-lengths they should become sort of godfathers of Metalcore that should be continously on the rise latest from the late-middle/late 1990's on with more and more Hardcore bands discovering and incorporating especially Thrash Metal, the then current New School Thrash Metal, and Death Metal into their musick forming a strong own scene with bands like for example EARTH CRISIS, TURMOIL, DAMNATION A.D., DISRESPECT, SWORN ENEMY, HATEBREED, and DAY OF SUFFERING beside ALL OUT WAR leading the pack back then. Each of this bands or more or less each of this bands had back then a pretty distinguishable style'n'sound and this also was (and still is) valid also and especially for ALL OUT WAR and their "FOR THOSE WHO WERE CRUCIFIED" is only (further) proof of/for this. Melting a lot of different Hardcore and Metal elements incredibel liquid'n'fluent(ly) together and creating one hell of a devastating thunderstorm of prime Metalcore that also not shies away from some Sludge influences. The Metal on here was and is even more prominent than on a lot of current Metalcore releases and also often more present on here than the Hardcore parts - even the Hardcore roots run anyhow very deep. Especially the guitar work is filled with very fresh Metal riffs throughout the whole album and also the drumming showcases a lot of brilliant done Metal styled moments full of a quick snare drum work directly from the Metal department around the block. In general expect devastating guitars, razor spitting harsh and highly aggressive vokillz, and a every and any opposition into the dust crushing rhythm section as well as loud gang back-ups and all melted together by very intense and grapping, rousing and exciting everything killing songwriting and all done'n'delivered by very (high) skilled musicians and all in an excellent way. This was and still is and probably will always be and remain a very rich and intense masterpiece of a groundbreaking and lifechanging album that anyone into really heavy (and metallic) Hardcore, Metalcore, and surely also a lot to everyone into Thrash Metal and probably also some into Death Metal should desperately and definitely call their very own and it was and still is a damn characteristic and pretty unique album in sound'n'style and a true legendary masterpiece of an album and if you really don't own or even know it you should by any means change this as soon as finally possible. Very outspoken and damn strong lyrics, a fantastic artwork, and a heavy bombing production-sound round it all finally up, yes, and the final song is a damn great medley of cover-tunes that also wait to be finally discovered by you. Enough said, get it and then play it loud!!! ALL OUT WAR's "FOR THOSE WHO WERE CRUCIFIED", truly a real timeless classick. HARDCORE!!! FIST!!!

Okay, that's it for now, yes, expect the next "CLASSICK OF THE MONTH" article, the "JULY 2018" edition, to come up here early next month in August of 2018, yes, because for today this will be all and tomorrow on Tuesday and also on Wednesday I will be in Munich, yes, visiting a good friend and hailing the almighty JUDAS PRIEST tomorrow live on stage and so from Wednesday or Thursday this week on you can or you should expect new stuff up here. And now, yes, a have a nice summer-evening.

ALL OUT WAR - "APOCALYPTIC TERROR" (1998, "FOR THOSE WHO WERE CRUCIFIED") (-the link to the facebook site of the band)

Sonntag, 29. Juli 2018


(Running time: 38:07 minutes; 9 songs)
("Eat Metal Records"; 2017; CD):
Hey guys, yes, next dose finally incoming for you and this means that the next and newest record-review by me is now aimed at you and this time it is on the so far still current and newest WRATHBLADE full-length-album "GOD OF THE DEEP UNLEASHED" released via the very sympathic "EAT METAL RECORDS" on CD already last year of 2017 by the end of it and just by some few other record-reviews that I've read round that time and due to the fantastic artwork and bandlogo I was right from the get-go instantly damn curious on/for it also without knowing the precursor release of/by WRATHBLADE or the band in general anyway earlier, yes, but I just got it two months ago because I found it nowhere earlier here in good old Germany (maybe I just checked the wrong sources... for sure) and anyhow I finally need to figure out how this whole PayPal stuff works… So, anyhow and anyway and however, yes, because I finally got it and so now here we finally are and so let's go: For all what I know or for all what I think to know WRATHBLADE hail also like their label "EAT METAL RECORDS" from Greece and "GOD OF THE DEEP UNLEASHED" is their second full-length-album and this is Heavy Metal, yes, Heavy fuckin' Metal, oh yes, and, to be more precise, this is Epic Metal and really strong Epic Metal - or, how I like to call it due to atmosphere and spirit and attitude of this certain musick, Conan Metal or Cimmerian Metal, yes, and some (one more time again) really damn strong one, point and fact. And it is also very fresh and also pretty to very unique Epic Metal with a lot of very good and very own ideas. The backbone of WRATHBLADE's "GOD OF THE DEEP UNLEASHED" is surely by the almighty MANILLA ROAD inspired Epic Metal enriched by (even) more Heavy Metal and also Power Metal focussed stunning heavyness so that everyone who likes/loves for example the fantastic VISIGOTH will also very strongly hail the mighty WRATHBLADE and their "GOD OF THE DEEP UNLEASHED", yes, and WRATHBLADE take it even further with incorporating ingredients and impressions that are (music-wise) withdrawn from Thrash Metal and even some Death Metal without any stylistic incongruities and cultivate their very own musick even more with it. This all tells you maybe already that the songwriting is pretty to very diverse and multi-layered and filled with many different facets when we look at all the 'compositorial-arrangements' and thank the gods it's all melted nicely fluently together so that no breaks are to be recognized here on WRATHBLADE's "GOD OF THE DEEP UNLEASHED" and turning this all into a really and truly surprisingly fresh and especially exciting as well as grapping ride from start to finish. To me the biggest trademark of WRATHBLADE here on "GOD OF THE DEEP UNLEASHED" are the absolutely amazing and phenomenal and above all very unique'n'original full, powerful, and very often and especially very intense in a 'sacred-imploringly' way done and delivered vokillz that shine incredible bright and colourful and that are also done truly highly charismatic and in a damn unique way. Then all is made full'n'round by very harsh hitting and nicely diverse and skillful guitars and a stunningly heavy rhythm section. A gorgeous artwork, pretty interesting and/or thoughtful lyrics, and a heavy and yet very earthy production-sound finally complete the package. If they just give us the next time sort of a real hit, yes, then WRATHBLADE will surely score the absolute jackpot. Highly and clearly and calmly recommended to any fan of really great Epic Metal.
(9 of 10 points) (-the link to the facebook site of the band)


Mittwoch, 25. Juli 2018


(Running time: 43:25 minutes; 12 songs)
("Relapse Records"; 2017; CD):
Hey folks, yes, next load'n'dose is already aimed and is now being fired @ you and here'n'now this means that my record-review on the still current full-length-album of/by no one else than the almighty THE OBSESSED is leaving the barrel for you. It's titled "SACRED" and was released via the great "RELAPSE RECORDS" (on CD and it wouldn't make me wonder if not also on LP) and this already in 2017. Last year I somehow always missed out on it... why ever, don't ask me any questions… but in my vacation-week this March of 2018 in Amsterdam I finally got my hands on it and took it with me - and this was definitely long, long overdue how I should soon came to realize it. And, yes, you know the story, sometimes life gets in the way of certain things and so it took me again… hm... 'some time' before I now finally come/came to doing this record-review on it and finally bringing it up. But anyway and anyhow and it don't matter if a 2017 or a 2018 release and so now, yes, let's roll: THE OBSESSED were formed back then already in 1979 with their first demo dating back from 1980 and here and now with "SACRED" we have their 4th official full-length-album and the first since "THE CHURCH WITHIN" from 1994, okay, I won't retell their very moving and changeable history over the last 39 years here and now simply because this would definitely demand a proper own tribute post to do them justice anyhow'n'anyway and so just let me state that THE OBSESSED definitely were and still are godfathers of Doom Metal and Doom Rock as well as Stoner Rock and Stoner Metal even they maybe themselves never sort of really used or maybe even never really liked that term(s) to sort of describe themselves, yes, and what I always especially liked and loved and still do so @ THE OBSESSED is the fact that THE OBSESSED always did their completly own and unique thing and maybe term(s) like Doom (Rock/Metal) or Stoner (Rock/Metal) truly never weren't and still aren't of that proper use to sort of describe THE OBSESSED in a proper and just way because they always had tons of, hm, let us name it: good old and Punk(rock) fueled Rock & Roll in their musick and they totally own their absoultely independent(ly) and unique position in the world of Doom (Rock/Metal) and Stoner (Rock/Metal) and standing proud, tall, and strong on this their very, very own position like also for example BLACK SABBATH, SAINT VITUS, and CANDLEMASS did and/or do so, too, yes, and THE OBSESSED's "SACRED" is sort of another manifest of/for this thesis and proof of/for it, oh hell yeahr, and so expect absolutely authentic and honest, heartfelt and also damn sympathic and boneshaking delivered dustdry and heavily 'punky' dirty rocking and grooving high energy and highly dynamic, nasty and snotty high octane and full throttle Rock & Roll with a totally no prisoners taking mindset, varying the pace of the songs and the rhythmic architecture as well as the playful arrangements and the in general breathtaking multi-layered soulful compositorial work of the songs very smart and skilled and smooth and this all the time and keeping it all so incredible fresh and damn  exciting and grapping, yes, so some really, really fantastic songwriting is a massive trademark of THE OBSESSED's "SACRED" and is in its very unique approach and with this amazing powerful and clichée-free and just totally dustdry unique 'desert-sand' tone only a further proof for the total autonomy of THE OBSESSED in the cosmos of Rock and Metal musick, yes, no matter if you now like to call it Doom or Stoner or how the hell else ever, ah, and really anthemic hymns that make you instantly clench your fists and fling them into the air and sing-a-long to THE OBSESSED created and placed also en masse here on "SACRED". Ah, and that THE OBSESSED here on "SACRED" do/did with the larger than life "IT'S ONLY MONEY" a phenomenal THIN LIZZY cover-tune should tell you also already quite a (bigger) bit. And so expect tons of high skilled and very independently and sheer full force dirty guitars, absolutely fantastic and charismatic vocals, a powerful gruff bass, and loud thundering drums that will make you take to highway full-throttle and with full-volume instantly. Thought-provoking and very strong'n'good lyrics, a true beauty of a gorgeous artwork, and a perfect snotty and heavy production-sound then round this absolute masterpiece perfectly up. Any favorites I won't name you because it simply wouldn't make that much sense after this album is completly on the same highest levels of skills and quality, oh yes, even "BE THE NIGHT", "PUNK CRUSHER", "COLD BLOOD", "STRANGER THINGS", "HAYWIRE", "SODDEN JACKAL", and "IT'S ONLY MONEY" probably have to spend the very most time here on heavy-duty rotation, if they want to do so or not, yes, I simply don't let them any other chance or choice. Okay, I think I've said already by far enough, yes, and so I will right now and right here close this very record-review and I can only very clearly recommend THE OBSESSED's "SACRED" to any of you into real and honest and authentic hard hitting metallic and punky Rock & Roll and to any of you into this target-group that why the bloody hell ever still really don't have or maybe even don't know it here's my clear and precise advice: Get it finally as soon as possible and best finally right now, period.
(10 of 10 points) (-the link to the homepage of the band)

THE OBSESSED - "BE THE NIGHT"/// live \\\ (2017, "SACRED")


(Running time: 58:12 minutes; 10 songs)
("Steamhammer"/"SPV"; 2018; CD):
Oh boy, is this little piece here'n'now now already long, long overdue, yes, for a really damn pretty long while now already anyhow'n'anyway but, okay, finally here it is, yes, my record-review on the new AXEL RUDI PELL full-length-album "KNIGHTS CALL" released at the 23rd of March of 2018 via "STEAMHAMMER"/"SPV" on CD and LP, yes, and it is in sort of 30 years of the band's existence now already the 17th album released by AXEL RUDI PELL in sort of in a 'straight row'. Two years ago in 2016 AXEL RUDI PELL released "GAME OF SINS" and conquered me pretty much completly with it and so I was more than very happy and damn curious when I finally got "KNIGHTS CALL" in my mailbox the day it was finally released and, yes, again AXEL RUDI PELL conquered me massively and this time in 2018 even more than with the fantastic "GAME OF SINS" back then in 2016. (I did my review on it up here last year in August of 2017, so why not read it as well.) On and with "KNIGHTS CALL" AXEL RUDI PELL deliver us again a huge dose of this/their very unique style of heavily by crispy and cutting Heavy Metal fueled hard hitting, sharp whipping, heavy thundering and yet at the same time and especially and above all absolutely majestic, melodic, symphonic, and hymnal Hard Rock (or Heavy Rock) with a strong epic note to it all and that's still breathing here'n'there a fresh and very independently delivered and whirring and scenting RAINBOW vibe and this bred on huge doses of a nutritious honest and authentic Heavy Metal diet and all enriched and/or cultivated with that typical and very unique 'totally own' AXEL RUDI PELL identity that especially shines through, and this very bright and clear, in that special and unique guitar tone, vibe, and playing and in the rich and multi-facetted as well as multi-layered arranged and composed songwriting with that certain unique vibe that grants AXEL RUDI PELL's songs also and maybe especially even more on "KNIGHTS CALL" a very own chracter, note, and dynamic as well as a surely larger than life and epic identity, yes, and so any sort of 'further-going' comparisions to/with any other bands/artists would be and simply are nonsense and so I will spare me anything like this here and now. What is also total nonsense is the bullshit talking of 'If you know one AXEL RUDI PELL album you know them all.' because just by looking at "GAME OF SINS" from 2016 and "KNIGHTS CALL" in 2018 the differences are pretty clear, take for example just the much stronger focus on fresh and very alive-lively done impressions of 1970's Vintage Rock or Classic Rock and the very strong and present Hammond-Organ here on "KNIGHTS CALL" or that far more playful arrangements of the songs here on "KNIGHTS CALL" in contrast to the much more straight ahead metallic onwards rocking and herad-banging approach of "GAME OF SINS" to name just this two or three pretty obvious differences between just this two albums. Also, just by the way, a specific and own 'musical-character' and sticking true to/with it is not the same as repeating your own work again and again, yes, and I always thought that would be clear to anyone anyhow… or shoul be, at least. Beside this expect with AXEL RUDI PELL's "KNIGHTS CALL" an album that's nothing less'n'but incredible rich on/in facets and heavily diverse and filled with great and multi-layered rhythmic arrangements and stunning varying pace work and much, much more, yes, and all really, really fresh and alive-lively done and delivered and full of exciting and grapping twists and turns all along the ride from start to finish and that's packed to the max with huge and honest emotions that blissfully shower you in goosepimples again and again withpout end or stop, oh hell yeahr, very diverse and masterly skillfull on all levels. Brilliant and highly rousing guitar work delivering fantastic riffs and in general absolutely larger than life and massively forceful rhythm arrangements as well as absolutely breathtaking leads and truly majestic-masterly solos absoultely to the max and all with a fantastic epic approach to it all, yes, surely the biggest trademark again here on and with AXEL RUDI PELL's "KINIGHTS CALL". The fantastic and highly skilled and charismatic lead vocals surely are next to be named, as well as here on and with "KNIGHTS CALL" especially the fantastic Hammond-Organ. The punch- and powerful bass and the smashing drumming then only back it all massively up and this in a damn fantastic way, yeahr, and all pushed onwards by very forceful galloping rhythmic accentuations. Strong and thoughtful as well as interesting lyrics and a pure gorgeous beauty of an artwork, and a truly heavy bombing hard and clear widescreen production-sound then finally round it all up. AXEL RUDI PELL delivered with "KNIGHTS CALL" not only one of the very strongest albums in their already 30 years spanning career but also one of the clear highlights of and in and for 2018 and this without the slightest single doubt and so to any Hard Rock and Heavy Metal fan out there I can only calmly, clearly, and enthusiatically recommend this fantastic and brilliant, masterly album, yes, and so if you are into the above mentioned target-group and really still don't have or even know AXEL RUDI PELL's "KNIGHTS CALL", why the damn fucking bloody hell ever, you should change this finally as soon as possible, point and fact.
(10 of 10 points) (-the link to the homepage of the band)