Posts mit dem Label Tribünal werden angezeigt. Alle Posts anzeigen
Posts mit dem Label Tribünal werden angezeigt. Alle Posts anzeigen

Mittwoch, 6. August 2014

TRIBÜNAL - "HELPLESS" (Meat-free, Drug-free, and God-free Crustcore from Hildesheim, Germany. /// D.I.Y. Tape and Digital Album release, 2014.)

TRIBÜNAL - "HELPLESS"
("D.I.Y."; Tape & Digital Album)
(Running time: Five songs in around eight minutes.)
(Collector facts: For all what I know this is a thru and thru "D.I.Y." release, and the physical copies come on Tape and this Tape edition is limited, so if you want it than better be in a hurry with ordering and buying it. - Ah, and why the fuck this very strong is still not on a label yet?!?)
(Information: The Digital Album release is up for downloading for just 1,00 Euro on their Bandcamp site, so I think you know what you should do.)
(Release date: 24th June 2014.)
(A big "THX!!!" goes out to Hildesheim to TRIBÜNAL for sending me the new album via E-Mail... and I am sometimes and especially currently a so damn forgetful and muddle-headed guy that I totally forgot to answer your precursor mail... because for sure I would have loved to have "HELPLESS" send to me on Tape... damn it... but anyhow "THX!!!" for sending it anyway my way, damn GREAT of you!!!)
Here it is, the newest release of the great TRIBÜNAL, the masters of raw and dirty, heavy and brutal, aggressive and fast raging pissed off Crustcore with a vegan, an atheistic, and a straight edge/drugfree approach and attitude to it, and we get five (brand-) new songs in around seven to eight minutes. The new songs are plain and simple nothing else than an all out war musical attack, furious and fast paced raging, hate filled and pissed off raw and primitive, dark and apocalyptic, incredible brutal and totally fucking heavy, and above all incredible tight and intense Crustcore from start to finish, a harsh and mercyless smash straight and right and direct into your face, leaving nothing but a splattered and cracked, a slashed and smashed bloody mess, carried out by noisy and heavy, dirty and drastically distorted, and above all sheer brutal and full throttle crushing guitars that are the most marking trademark of TRIBÜNALs musick, as well as deep and dry throated guttural shouted totally into the mic vomitted, heart and soul outpuking vokillz. The tight and precise and damn fast paced raging sometimes nearly blasting heavily D-Beat inspired rhythm section then backs and beefs and bulks it all up, giving the whole musick the right backbone, making the crushing musical beatings even more forceful and cogent. The whole atmosphere of the musick is ugly and, of course, brutal and distorted, pissed off and rebellious as fuck, and this on a very high level of intensity and with a lot of a full grip grapping potential. And the chaotic and harsh songwriting is really full of exactly this intensity and is also heavily filled with nice surprises and little bloody and deadly twists and turns (talking especially about the great snafu guitar solo work), so that nothing gets stale or lame and so that also even in this short running time really one hell of a lot stuff is happening, so that you should listen mindful to TRIBÜNAL and their "HELPLESS" material, to really enjoy and get it in its whole beauty, hm, or uglyness, right. Fans of Crustcore, D-Beat, and Raw Punk and Chaotic Hardcore with a sinister touch and an incredible brutal and ass-kicking approach and an authentic (and very sympathic) rebellious spirit will definitely love it, and I love it, too, and it is definitely the best TRIBÜNAL material to date, at least from my point of view. TRIBÜNAL, btw coming from Hildesheim/Germany what is pretty near to where I live and that was something I hadn't that much on my radar so far (if anyhow), are maybe best comparable to stuff and bands like (the cool) WARTHREAT from Down Under, but... to be honest all the way... latest by now today TRIBÜNAL simply are much better than the majority of all the comparable bands outta there today and I can only highly recommend it to you here and now, at least or especially in case you are into that kind of musick and comparable stuff. To the lyrics I can't really say that much and so I won't waste any words on this topic (even I think it should be some interesting stuff with that TRIBÜNAL is dealing in the songlyrics, for sure), but to what I can say something is definitely the great, very dirty and noisy, very raw and also very basic kept production/recording sound that's a perfect match to/with the songs/music of TRIBÜNAL. So, okay, that's it for this one, last words, repeating the most important conclusions: Best TRIBÜNAL material so far to date. Crustcore fans will love it. Highly recommended. Point and fact(s). So don't think twice but just go out and get it, best right now. Great stuff!!! Cheers. /// Andy
(9 of 10 points)
 
 

Sonntag, 9. März 2014

Record Reviews October 2013 - March 2014; Record Review Package Part Two: Dead End Street, Drifter, Halbstarke Jungs, Minoria Activa, Runnin' Riot, Shameless, The Shame, The Warriors, Tribünal, Various Artists.

Hey folks, what's up?!? You see, back again, and hey, just one week after the last post already a new one comes up, haha, seems like this blog here is really breathing new life again. Like I've said last week, it took me a week or so to finish a new post and bring it up here. If you ask why then it is very easy to answer to it: Work. I've started my new work this week on Monday and I simply had too much to do so far so that it wasn't possible for me to bring something new earlier up here. Okay, anyway, because here and now a new post is coming up. Again it's a record review post, a package post, too. And at least another one will follow also on this one here, simply because I have so many records that are desperately waiting to be finally reviewed by me for you up here and so I will do. This post will be of the same kind like the last one, which means that it will more or less deal mostly with releases that had been send to me via one way or another in this format or that format by the bands or labels who recorded and released it, after this at least one more record reviews post, also a package post, will follow in a week or so dealing mostly with all the releases that I bought over the last months. And now enough of the introducing small talk, right and straight and direct into the action. Ah, just one last thing: THANKS TO ALL THE BANDS & LABELS THAT KEPT ON AND KEEP ON SENDING ME THEIR MUSIC FOR REVIEWING IT, THANKS A LOT GUYS, THAT'S GREAT OF YOU!!! (PS: And sorry that it took so long in this case, but, okay, like already said before up here, this blog was dead for some months, that's it, and so it took far longer than usually.)


RECORD REVIEWS: OCTOBER 2013 - MARCH 2014; PT. II

DEAD END STREET - "DEAD END STREET"
("AGGROBEAT RECORDS" & HELLNATION"; 7'' EP)
(Released in the autumn of 2013.)
Cool shit, that the pretty young label (at least so my knowledge about it) "AGGROBEAT RECORDS" from the Netherlands send to me via mail, and so a big "THX!!!" goes out to the Netherlands, yes, for sending me this 7'' release of this italian Oi! roughnecks (beside a bunch of other records that will be also part of this review package here and now, so just stay tuned for more Oi! and Streetpunk to come right here, right now). DEAD END STREET were unknown to me before, but what shall I say, everyone makes mistakes. And it is good that this now finally is changed due to this little hard knocking Oi! Oi! Oi! boneshaker release. DEAD END STREET are from Italy and even they are still a pretty new band the guys in the band are all veterans to the Oi!, Punk, and Hardcore scenery. What once started as a fun band side project by former guys of PAYBACK and COLONNA INFAME soon became a proper full band going strong, and they already played shows together with for example ARGY BARGY, NABAT, and KLASSE KRIMINALE. And now here it is, their debut release, a 7'' vinyl EP released by "AGGROBEAT RECORDS" from the Netherlands and "HELLNATION" from Italy in cooperation. On this EP that comes with a pretty cool artwork by the guys from the shop "PSYCHO TATTOO" (who ever may know them...) delivers us four songs in around ten minutes, two songs on each side of the vinyl. And DEAD END STREET play a damn great sort of hard rockin' and dirty rollin' Oi! Oi! Oi! music with clear American Oi! influences and also even clear street raised Rock & Roll influences. Sharp, harsh, dry, yet damn catchy and melodic guitars, great powerful and also pretty melodic yet still hard and throaty enough charismatic vocals, hymnal arranged vocal lines, some strong back ups and really great refrain parts, as well as a powerful roaring and stomping rhythm section make the music of DEAD END STREET. On top energetic and grapping songwriting, and all done and delivered by skilled musicians, and you really here that they aren't around just since yesterday. Also cool lyrics, a gorgeous artwork, and a perfect matching production sound on top of it. If you love THE CORPS and you can't resist the almighty THE WRETCHED ONES and also love some good old THE BRUISERS then make sure to get a copy of this vinyl gem and make sure to have DEAD END STREET on your radar screen, but also keep in mind that thankfully DEAD END STREET are everything but a damn copy'n'paste band, just to point that out. Great stuff!!! Cheers & Oi! Oi! Oi! /// Andy
PS: Collectors facts = 320 copies had been pressed in black, and just 20 copies in orange, and then that's it, so make sure to be quick to finally get one of this to 340 pieces limited gem as soon as possible, in case you still don't have one.
(9 of 10 points)
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DRIFTER - "SEPARATE GRAVES"
("D.I.Y."; MP3-Online + Download-Release)
(Released 23th of July of 2013.)
(Download: http://drifter505.bandcamp.com/album/separate-graves /// Up for downloading as a name your price download.)
DRIFTER are a band that wrote me an e-mail a while ago, giving me a link to their Bandcamp site and asking me for reviewing their stuff. And so, there I went and here I go. Delivered like asked, maybe just a little bit later... For all what I do see up there on their Bandcamp site they released this album all the D.I.Y. way, and they are from Albuquerque, New Mexico/U.S.A. and they have also released their third (?) and anyhow new album just two months ago (review will follow). Ah, and for all what I know this is their second album, but I am not 100% sure about it, so don't nail me on that. But what I know is that they play some sort of Screamo and Post (Hard-) Core music, and if you now may think: "Fuck, Screamo, it's bullshit!!! And post what?!? Fuck it!!!" Then that's okay because it's your taste and opinion and who am I too judge, hm, but in the case of DRIFTER this thinking would be totally wrong, period. Here they do give us four songs in sort of around eleven to twelve minutes.  It's very energetic and dynamic, pretty intense and emotional music that reminds me of bands like the mighty TORCHBEARER, just for example, and they surely don't need to hind behind them. Also when I listen especially to the guitar parts bands like 454 BIG BLOCK and KALEL come to my mind, also in the playing together with the intense and pretty extreme hyterical scream and shout vocals with this suffering undertone. All is marked by nested arrangements and truckloads of silence/loudness-dynamics-playings, filled with the mentioned suffering lead vocals, crashing as well as playful guitars that mark the songs and the dynamics of them largely, and also with a stunning and totally precise rhythm section. With all that heavy, edged, and bulky guitar work that leaves no room for classic flowing stuff and the nested arrangements of the songs also fans of stuff like NEUROSIS will surely like DRIFTER a lot if they just give them a fair try and one or two good rounds. The sort of melancholic and maybe even depressing but anyhow intense and incredible devastate atmosphere just adds up to it all. That this guys are strong at songwriting and also really strong skilled musicians needs no further explanation. To the lyrics I can't say anything of worth and value and so I'll rather spare me every word more about it, but the (cover-) artwork is a nice one, and the production sound really shines. If you should have (still) any prejudices concerning Screamo (and Post Core stuff as well), hm, then you really should better make up your mind, and why not start to change this at least a bit right here with DRIFTER?!? Strong band, strong album. Cheers. /// Andy
(8 of 10 points)
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DRIFTER - "2014 DEMO"
("D.I.Y."; MP3-Online + Download-Release)
(Released at the 24th of January of 2014.)
(Download: http://drifter505.bandcamp.com/album/2014demo /// Up for downloading as a name your price download.)
And here's the for all what I know third DRIFTER release so far titled just short "2014 DEMO" and it was released just sort of two months ago in the January of this very year of 2014, for all what I would say also again straight up all the D.I.Y. way. Ah, and don't ask me if there are any physical copies of it floating around (and ask me this please also not in case of their before reviewed album). Not much changes to be noticed, no drastic changes to announce and describe. Just a steadying of the quality, style, standard, and also of the passion of their songs and musick, and so this little word ''just'' is really a truly big ''JUST'', if you get what I mean. They made it all even a little bit more intense and they irritate the borders of conventional songwriting and more or less usual dynamics of silence and loudness even a bit more than the last time, but still they manage to keep some sort of a flow in their songs and the writings of them, and the lead singer is really puking out his heart and soul through and with his hysterical and suffering screamings. This is clearly something of interest and value for fans of bands like TORCHBEARER as well as for those of stuff like NEUROSIS, and they tend even more into this whole Post (Hard-) Core direction than before, and this is a good move by them, if you ask me. I can only recommend this little album to you, again a strong release offered by DRIFTER, a band we should all have one or two eyes and ears on. That's it, I'll keep it short this time, the general description of their music how it seems and feels to me you find in the review before and the development of DRIFTER between this two albums I've described also enough, at least I do think so, yes, so that's it for this one here and now. Recommend album anyhow anyway. I just ask me, if all the labels outta there are deaf...!!! Cheers. /// Andy
(9 of 10 points)
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DRIFTER - "THERE IS NOTHING LEFT FOR ME HERE"
("D.I.Y."; MP3-Online + Download-Release)
(Released at the 18th of January of 2013.)
(Download: http://drifter505.bandcamp.com/album/there-is-nothing-left-for-me-here /// Up as a free official download.)
And after I reviewed already their second and third albums right before I will now also let their for what I know debut release become a part of this post and blog right here and now. This is pretty interesting, especially for getting an idea about the development of a band, in this case of DRIFTER, to have a closer look on their discographie in a row. Their style somewhere between Screamo and Post (Hard-) Core with all the above also already described trademarks, that are surely more or less sort of typical trademarks of that genre(s) or kind(s) of musick, so no need to repeat it all, just read the review on their "SEPARATE GRAVES" album above. But while they started to move more and more into the Post (Hard-) Core direction with their "SEPARATE GRAVES" album and especially with their this years demo here on their debut they are still far more grounded in Screamo and Emo as well, and the songwriting is partly not so much nested (like it is today) but in truth more of sort of distracted when it should have been nested, and such a crappy song like "COLD WOOD FLOORS" you won't find on their two follow up releases no matter how hard you search for it and how hard you want to find one. Don't get me wrong, "THERE IS NOTHING LEFT FOR ME HERE" is by no means a bad album and it will please especially Screamo (and Emo) fans in a total way, at least I guess so, but how good they really are and what they hold really in store they showed us all just later on with their so far two following releases. They got more tight, more precise, more focussed, and simply better since this one here, but after it is also still a nice shot, it's up for free, and also a nice little lesson in history you can also calmly give this one a shot without risking your ears, even I like them going more into that Post Core direction without a doubt a bit more. And especially all the Screamo (/Emo) kids will probably love this album. Ah, and also in this case don't you ask me if there are any physical copies of it floating (still?) somewhere around. Cheers. /// Andy
(7 of 10 points)
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HALBSTARKE JUNGS & THE WARRIROS - "SPLIT"
("AGGROBEAT RECORDS"; 12'' LP)
(Released during the autumn of 2013.)
(Collectors fact: Limited quantity to 525 copies.)
Here's the next that the great guys of "AGGROBEAT RECORDS" send to me for reviewing via mail. It's a teaming up split release with the young german Oi! band HALBSTARKE JUNGS occupying one side of the vinyl and the legendary Oi! warhorses from England of THE WARRIORS the other one. Two different covers, one to each side (I've chosen the one of the THE WARRIORS side, simply because I like it more, that's it), and the HALBSTARKE JUNGS do deliver four songs in all on their side of the vinyl, and if I understood it correct then they have rerecorded four songs of them this time in English, and- let me say so much already this early in this review- this was a really good move. THE WARRIORS then give us six songs on their side. This makes ten songs in total, and this ten songs run through in around thirty-five minutes of playing respectively running time of the vinyl. Okay, let us start with the HALBSTARKE JUNGS, the young german Oi! band running riot here on this split. They play a sound comparable to the KRAWALLBRÜDER before they totally turned to metallic Deutsch (which means: German) Rock, but sound more tight and more focussed and by far more through and through Oi! like the KRAWALLBRÜDER already back then. (I talk about the "IN DUBIO PRO REO" phase in the existence of the KRAWALLBRÜDER, just that you know it.) Hard and heavy and mercyless forward pushing angry and pissed off Oi! Oi! Oi! musick filled with harsh stunning pretty diverse guitars, a heavy buzzing bass, tight and hard stomping drumming, and pissed off pretty brutal vocals. The three rerecorded songs in English are really strong, but the original one of them in German is just not that much my cup of tea, but that's just a matter of personal taste because anyhow good done is that song as well. Nothing anyhow of or like changing the formula or so, but something really good, to point that out, and so I'll now keep it short. Don't know more by them so far, but this four songs made me really hungry for more. Good lyrics on top of it, and also a strong "Nazis fuck off!!!" good night white pride message as well. Thumbs up. Their artwork rocks as well (even I like the one of THE WARRIORS still a bit more), and the production sound just makes my thumbs go up. Really good stuff, and so they get well deserved eight out of ten points. Then come the old veterans of THE WARRIORS, that are today in Germany pretty often and this means by far too often labelled R.A.C., it's ridiculous, you know, I know, so anyhow. What shall I say here that wasn't said before on which place ever, even in an older review on one of their older split releases some years ago: This is Oi!, Old School England Oi!, stoic stomping, loud and proud, patriotic, rebellious, Working Class, outspoken, and pissed off as fuck. Hammering dry and harsh guitars, pulsating sawing bass, thunderous loud forward marching drums, broad back up chants and sing a longs, and those typical snotty smart and hard charismatic lead vocals on top of it. A sound of their own, and a sound and style that will anyhow please the gusto of all the ones in love with good old english as well as british Oi! like the (original) 4 SKINS, THE LAST RESORT, and the COCKNEY REJECTS, to name just them as examples, but also a sound and style that still offers surprises like for example the Offbeat rhythm and SKA licks of "KEEP IT REAL", a real hymn. All delivered via intense songwriting and by well-versed musicians, and all done with that for english and british musick typical stoic approach, great. On top of it strong outspoken lyrics (and in "WATCH YOU'RE BACK" they use some lyric lines that once had been also used by BETTER DEAD THAN RED in one of their nowadays already older songs, don't ask me what's the deal with that or the story behind it anyhow), great artwork, and beautifully earthy and warm production sound. We get also a nice done cover tune of the forever immortalized THE LAST RESORT classick "VIOLENCE IN OUR MINDS". They get eight out of ten points, too, and especially "KEEP IT REAL" totally rules and also shines with a great guitar work and in particular and especially the guitar solo is pure gold. This makes it in whole also eight out of ten points and I can only recommend it to every Oi! fan and Oi! addict outta there. Really a damn good split album, point and fact. Cheers & Oi! Oi! Oi! /// Andy
(8 of 10 points)
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MINORIA ACTIVA - "DONDE NADIE PERTENECE"
("D.I.Y."; full length release)
(Already a little bit older.)
(Record facts: Twenty one songs in sixty eight minutes of running time.)
A band from Argentina who wrote me and asked to write about them respectively to review their current album up here and who send me their album via mail at the beginning of this very year of 2014. Unfortunately I got my e-mail account hacked (- Really!!!) and due to this bullshit I've lost some mails and with this some informations. And one mail was the one by the band with all the informations about them and this album. So sorry that I can't give you a proper introduction to them, but bad luck striked. I only remember that this album is already a little bit older and is or was all self released the D.I.Y. way of doing such things like releasing an album, ah, and they are from Argentina, from Buenos Aires exactly. I hope I got it all right. Hm, and or but please don't ask me, for example, in which form and which way this album was released, or something else like this. Ah, and to/for the band two things: (1.) Sorry, that you had to wait for the review on your record a bit (and also sorry for that I failed to answer you, in parts due to the above mentioned bad luck, and in other parts due to me being sometimes a lazy bastard). (2.) Thanks for sending me your album that I probably would otherwise have never ever listened to. Okay, back to the topic, the review on MINORIA ACTIVA's "DONDE NADIE PERTENECE" album. This is a great and really strong album, some really interesting, diverse, multiple varying, and pretty much more or less always grapping album full of different heavy and also emotional music styles mixing Hardcore (Old and New School), thrashing Tribal Metal a la SEPULTURA and SOULFLY, Nu Metal a la ILL NINO, strong forward going exploding diverse and dynamic HC Punk like for example the RAIMUNDOS (from Brazil), and also even some Ethno Rock stuff into one great tasting and more than well flowing diverse and fresh, interesting and surprising cocktail of great Hardcore/Metal/Punk music, without any songwriting breaks, boring fills, or atificially tingle-tangle crap, all is done fresh, sympathic, authentic, and damn heavy and intense. Crushing guitars, full power vocals, damn loud gang shouts, and a thundering rhythm section, all wrapped up into strong songwriting, delivered by very skilled musicians, and all dressed up in a powerful production sound. A very stand-alone band that refuses to be compared to who else ever. That's how I like it. To every one especially into Hardcore, Metal, and also heavy HC Punk music I can simply only highly- and I mean really highly(!!!)- recommend this fucking strong damn great album, so simple is it, and so I will keep it short right now and pretty much end this review with this words. To the lyrics I can't basically say anything due to the language barrier, and to the proudtcion sound I've already said what there was to say. Ah, and the (cover-) artwork is just phenomenal, I simply love it (like the band and album, too). And I only can imagine how great this band must be live up on stage...Want some last words, some closing words? Get it!!! (From where the hell ever...) And best get it now, period. Hardcore!!! Fist!!! Cheers. /// Andy
(9 of 10 points)
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Update, something like six hours later, the same day:
RUNNIN' RIOT - "BOOTS & BALLADS"
("REBEL SOUND MUSIC"; LP)
(Released by the end of 2013.)
(Re-Edition facts: Originally released in 2009 on CD sees this album now it's second run on vinyl with this LP reedition. 500 copies at all: 200 black vinyl; 200 red vinyl; 100 white vinyl. The first time on vinyl it was limited to 300 copies, released by the Ireland based label of "PUNKERAMA" back then in 2011.)
Uh, I somehow really nearly forgot about this one. Lucky enough that I stumbled upon this mistake so soon, so that this album and the review on it still can become a part of this post of today. RUNNIN' RIOT from Belfast, now running riot ;-) for nearly twenty years, and it's good to see a band like this still around. Catchy, hymnal, melodic Oi! of the first class kind. Large, and I mean really large melodic guitar work with great anthemic arranged strong rocking and rolling riffing and even greater melodic leads and really singing solos, catchy as fuck but yet still with a sharp heavyness that comes more like a short warm slap to the face, not like a brutal hit with a cold concrete sledgehammer on the head, that's the biggest trademark of the music of RUNNIN' RIOT, together with the charismatic pretty hard yet still really and also somehow melodic sung lead vocals that are enriched by nice loud back up chantings. The rhythm section acts their part damn great, tight, precise, nicely varying and nicely relaxed, perfect. The songwriting is great, the songs totally filled with power and drive, full throttle energy and attitude without end, we get damn mighty and damn large sing a longs delivered for that hell a lot of other bands outta there would murder, here and there also some charming "CHISWICK" influences come into play when the guitar riffing starts to really shine, and that this veterans are really skilled musicians should be clear anyhow and is here by me just named for the record. Their bandname they carry not without a reason, so COCK SPARRER are surely an influence for them, like for legions of other bands as well. RUNNIN' RIOT manage anyhow to do their own thing and to be a really independent band of their own, maybe somewhere to be located between good old England Oi! like COCK SPARRER, some Pub Rock (obvious), and some good healthy doses of melodic American Oi!/Streetpunk like for example THE HARRINGTON SAINTS, YELLOW STITCHES, and some- if we look just at the guitar work- some PRESSURE POINT as well. Out of this they create their own thing, and I should say more precise: Their own great thing, point and fact. Cool and smart lyrics on top of it, a nice artwork as well, and a pure gold earthy and warm production sound, too. What shall I say or write more, if you should don't have it then it is now the time to change this. A great, a really great album, RUNNIN' RIOT rule okay... totally supreme... totally okay!!! Btw, we get eleven songs in around 42 minutes. Ah, I received this album via mail from Brett Hole of "BLACK HOLE RECORDS" for reviewing it (and so I finally did with this review here), and so: Thanks very much man. Cheers & Oi! Oi! Oi! /// Andy
(9 of 10 points)
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SHAMELESS - "GUILTY"
("REBEL SOUND" & "LAST ROCKERS"; Picture LP)
(Released somewhere between the late end of 2013 and the early beginning of 2014.)
(Record facts: Eleven songs, thrity-three minutes of running time.)
French Oi! is now up. A to me new band from our european neighbors with a album recorded in 2012 on picture vinyl, a beautiful designed piece, released via "REBEL SOUND" and "LAST ROCKERS". This album was sent to me by Brett Hole and "BLACK HOLE RECORDS", and thanks very much for it. I am usually not the biggest fan of Oi! from France and so I am anything but a expert concerning this specific genre/kind of (Oi!) music, but who cares, because what one should care about is this album because it is really a killer album. Pretty diverse and nicely varying melodic, catchy, and anthemic yet still pretty heavy and hard Oi! filled with a great walking and talking very present bass, heavy guitar riffs and large melodies and leads, a massive amount of hymnal polyphonic parts that invite us to sing a long to on and on, and great smoky and throaty, dry and hard yet somehow still melodic sung lead vocals, while the tight and old school styled stomping and marching drums come also nice into play and make it all round. I like this specific composition of the songs out of the mentioned single parts very much, and what I like even more is the fact that they know very well to nicely change their songs and songwriting all the time bit for bit here and there to keep it all fresh and grapping, not like they would do any extreme breaks or too drastic changes of and in their music, but they keep it all fresh and sort of surprising over the complete running time of this vinyl gem. And this is just great, even more because they know how to do it with keeping their music very old school (without becoming boring retro crap) and also sort of minimalistic. I really like it a lot. Since I am not that much of an expert concerning French Oi!, like already above mentioned, I can't really name you any bands to compare them with, to me they are a pretty fresh and independently band, even especially the leads are very french to me, even this now isn't making that much sense after all, maybe ;-) ... Good lyrics we get on top of it all (they sing in english, so that's no problem, especially after the clean vocals are very good to understand), as well as a dirty perfect production sound, and a just beautiful artwork. This album is highly, and I mean really and truly highly, recommended to you, great band, great album, period. Cheers & Oi! Oi! Oi! /// Andy
(9 of 10 points)
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THE SHAME - "TULSA OLD SCHOOL"
("AGGROBEAT RECORDS"; Mini-CD)
(Released at the 18th of November 2013.)
(Collectors fact: Released in a limited edition of 300 copies, so if you want one and in case you still don't have it then better make sure to be quick before all the limited ressources are sold out.)
(Musicnerds fact: THE SHAME are pretty much the first Oi! band ever that worked together with the Punk fanzine/magazine "PROFANE EXISTENCE". Not that it would anyhow matter to me or that I think it would be anyhow important, but some may see it different, why ever, and so just for the record I pointed that out...)
THE SHAME started out and kicked it all off in 2011, when the Punk and Hardcore veterans that make THE SHAME and that before played in such bands like ASSEMBLY OF GOD, BROTHER INFERIO, and BRING DOWN THE HAMMER teamed up again to make music, like friends that are able to play and create music may do sometimes. When they did so back in 2011 they decided that it was about time for them to go back to their roots, to go back to Oi! and to give it a proper run, and finally so a new American Oi! band was brought to life and it was named THE SHAME. They recorded a bunch of six songs promptly and released them on various in parts also pretty obscure and rare compilations like "Oi! This is Streetpunk" Vol. III and "VOi!ce of America" Vol. II, as well as also on their own EP titled "THE WORLD IS OURS", and this is or was the above mentioned cooparation with "PROFANE EXISTENCE" (fanzine/magazine and label). And it seems that they also released a full album titled "THE PLAN". Honestly: I know none of the mentioned releases and THE SHAME had been totally unknown to me before. Seems like they are still active, and to gain some attention and momentum outside the States and especially over here in old mother Europe they joined forces with the young up and coming "AGGROBEAT RECORDS" ("THX!!!" for sending this album to me) label from the Netherlands and released all their six first ever recorded and released songs and also three of their already mentioned "THE PLAN" album on this nine songs containing album titled "TULSA OLD SCHOOL". Ah, and they are from Tulsa, Oklahoma/U.S.A., to get this also straight. Okay, now you should know with who and what we deal here and now with in form of THE SHAME and their sort of new old album of the title of "TULSA OLD SCHOOL". One thing that I don't really get is that whole soccer thing going on here, keep in mind that it's an U.S. American Oi! band and since when soccer is over there a big thing... (But maybe I'm wrong about it, if so, sorry, me and my ignorance then I guess) ... seems a bit like a joke/cliché and not really that much authentic... But beside this, this here is a good proof for Oi! running wild and going strong in 2013/2014, and hopefully this will go on. Great mixture out of British Hooligan Oi! and hard stomping American Oi!, somewhere to be located between THE BUSINESS, PATRIOT, and STARS & STRIPES. Fuck yes, and how could you ever go wrong with something like this?!? Right, you simply can't, point and fact. Quick and very well flowing played, hard and yet damn catchy melodic delivered guitar playing, buzzing bass and stomping drums, great sing a longs, loud and proud back up chants, and very charismatic lead vocals that place somewhere between STARS & STRIPES and THE HARRINGTON SAINTS. Good songwriters, skilled musicians, it's all (t)here. I really like it. I mean, it's nothing new and nothing anyhow formula changing, hell no, but who cares, it's some damn good shit and that's what matters at the end. If THE SHAME are unknown to you and if you are an Oi! Oi! Oi! lover especially with a faible for American Oi! then make sure to get a copy of this one. Nice lyrics and nice artwork anyhow (about this whole soccer thing I've said enough already above), and a full throttle high energy production sound. Clearly recommended to you, so make sure to get your hands on it. Ah, and btw, this nine song album has a running time of around twenty-three minutes, just for the record. Cheers & Oi! Oi! Oi! /// Andy
(8 of 10 points)
(Copy the following link into your browser and then just go there: https://www.facebook.com/aggrobeat?fref=ts)

TRIBÜNAL - "ALL HOPE IS LOST"
("D.I.Y."; Tape & MP3-Online + Download-Release)
(Released at the 30th of November of 2013.)
(Collectors fact: First edition on black tape is already sold out, second edition on white tape will be out soon respectively should already be out. The tapes include a download for free link as well.)
Yes, they are back, one of the rawest and most brutal bands that I discovered over the last years, TRIBÜNAL, the god free, drug free, and meat free D-Beat/Crustcore beast from Germany. After I reviewed last year there "F.T.W." slasher they wrote me at the end of the last year an e-mail and the rest is history, and anyhow here's my review on their newest album, titled "ALL HOPE IS LOST", released all the D.I.Y. way (again), and released on Tape as well as in form of a MP3 Download for a name your price pick up on their Bandcamp site. (The Tapes cost 3,00 Euros.) All in all they give us this time five new songs in around seven minutes of playing respectively running time. And this five new songs a are all out attack of raw, noisy, brutal, fast, loud, shredding, ripping, and crushing D-Beat/Crustcore musick for fans of the likes of DISGUST, for example. Brutal shredding guitars, sick and furious guttural shouted dry throated vocals, heavy sawing bass, and harsh hammering drumming non stopp, short and angry, pissed off and outraging short exploding song eruptions dominate the scenery.. Power, energy, dynamic, attitude, aggression, and brutal intensity without an end all the time. This is truly nothing else but a raw and intense as fuck D-Beat/Crustcore massacre that you will love if you are into this kind of musick. I am now waiting just for a proper full length of that quality of TRIBÜNAL and then I am really happy. Untill then I can only recommend this one to you. And then that's it, short little album, short little review on it. Cheers. /// Andy
(8 of 10 points)
(Copy the following link into your browser and then just go there: http://tribunal-dtakt.bandcamp.com/album/all-hope-is-lost)

VARIOUS ARTISTS - "Oi! MADE IN INDONESIA"
("AGGROBEAT RECORDS"; CD)
(Released at the 18th of November of the year 2013.)
(Record Facts: 25 songs in 74 minutes.)
A new sampler completly dedicated to the Indonesian Oi! scene, released by "AGGROBEAT RECORDS" who also send it to me via E-Mail. Thanks for this guys. This sampler offers us twenty-five songs in a total running time of seventy-four minutes. The title should best be enriched by Streetpunk and Punkrock, SKA and Hardcore because it is not only "Oi! MADE IN INDONESIA" but Streetpunk, Punkrock, SKA, and Hardcore as well that's featured on this disc, too. I am totally not familiar with the Oi!/HC/Streetpunk/SKA/Punk(rock) scenery of Indonesia and I feared to get some straight up bullshit stuff to listen to that "scores" with nothing than its exotic bonus. Hm, but I definitely was wrong with that aspectation. Because this is proper music dressed into a proper production sound. Surely, twenty five songs by thirteen bands (expect of one all bands are delivering two songs to this compilation), there simply can't be only gold, but most stuff really rocks and rules. My personal afvorites are for example the FULL TIME SKINHEADS (sort of the indonesian STAGE BOTTLES, musicwise and lyricwise, and also politically on the same page like they proof with their SKA/Oi! anthem "RED INDONESIAN SKINHEAD"), SPIRIT OF Oi! (melodic sing a long and dance to Oi! Oi! Oi! Punk), MOONSTOMP (brutal Hardcore stompers, and not to be confused with the larger than life American Oi! legends), the STA-PREST BOYS (heavy hitting Brickwall Oi!, CONDEMNED 84 as well as the GLORY BOYS are surely no strangers to them), SKINLANDER (fast paced pogo Oi! Punk), THE NAG NAG NAG (great female fronted and strong rocking Oi! of the catchy and melodic kind... slightly comparable to DEADLINE... before they turned into a ridiculous farce), and DOM65 (powerful and very well-versed Skinhead Rock & Roll), but check the bands out for and by yourself, you may see it different or so. A good comp anyhow that you can calmly grab a copy of if you find it. Ah, after it is a compilation I won't say anything about the lyrics, not to talk about politics or what bullshit the hell may else ever. The Old School "SKINHEAD ANTHEMS" styled artwork rules, and all bands deliver their songs in a pretty and surprisingly strong production sound. Good comp, so check it out. Or better get it anyhow anyway promptly. Cheers & Oi! /// Andy
(8 of 10 points)
(Copy the following link into your browser and then just go there: https://www.facebook.com/aggrobeat?fref=ts)

Okay folks, that's it for now for this one. I will try to bring up the next record reviews package post again latest next weekend what means latest next sunday... but anyhow as soon as possible. We will see if I will be able to bring it up earlier this coming week but I'm not so sure about it so better don't wait for it untill next weekend or so and so maybe untill latest next sunday.
If anything little will come up between this two record reviews package posts I don't know by now but I've planned nothing like this, so don't wait for something else.
The next record reviews post or also posts will concentrate on all the physical releases that I bought and got over the last month and it will focuss on different artists like from SUFFER THE PAIN over DISCHARGER and BACKTRACK to A TRAITOR LIKE JUDAS, and from UGLY KID JOE over PRO-PAIN and CALIBAN to PHILIP H. ANSELMO & THE ILLEGALS as well as from KROKUS to SCHILLER. So you see, a lot of albums dawning at the horizon to come up here and with this also a lot of different genres and kinds of music.
Okay, that's it, thanks for your time and interest, thanks for reading this reviews. Hopefully you've enjoyed it and maybe you've stumbled upon a band or record that you didn't know of so far and you now feel the need to change this. Anyhow, more soon up here, so stay tuned.
Cheers & Oi! Oi! Oi! /// Andy

Samstag, 31. August 2013

Record Reviews August 2013: "Reviewpackage" feat. ABRASIVE WHEELS, CRACKS & SCARS, HATEBREED, HEAVY EYES, PATRIOT, REVILERS, RUST, SHADE OF MANKIND, TERROR, THE GUV'NORS, TRIBÜNAL, VARIOUS ARTISTS, VIOLENT ARREST, WHITE FLAG DOWN

Hey folks, right at the moment which means at the third of August 2013 I started working on what is planned to be the package post of Record Reviews in and for August. Maybe the part one of all in all two or even more to come up posts of this kind this month after a pretty big load of records is up to be reviewed this month, but maybe also the solely Record Reviews post for this very month, we will see how I decide to handle it in the end. (After this post comes up at the last day of August you may have already came by yourself to the conclusion that I decided to put all record reviews in just one post which means this one here so don't think a second record reviews post of/for August 2013 will come up following this one today/tonight.) I've settled a few records together, again and of course, covering a wide distance of music from Oi! and Streetpunk (this time pretty present again, in contrast to the last time) over Punkrock to Hardcore and then onwards on to Crustcore and ending with totally apocalyptic and sinister Grindcore, from physical releases to MP3-Download/Online-Releases. And this time all the records are pretty new ones with basically all of them being from 2013 and some of them being released just very recently or are even so far unreleased and anyhow you will find a lot of stuff finally again here in the dephts of this very post. We will see if more records of which and what kind ever will add up to the list of and for this package post so far, and if maybe some Metal or something else totally different or totally obscure will be added up to it (and no, it wasn't added up), we will see. I can't tell it right now, but what I can surely tell is that after this post I will start to lay the final cuts on the posts of the first theme days finally to come up here first, before I will do anything else up here on and with this very blog again. Okay, anyway, I think for this time it is enough of the introducing small talk and so before we finally start with the record reviews I just wanted to say a very, very big "THANK YOU GUYS, YOU ARE GREAT!!!" to all the great people out there of bands and labels who send me their stuff in for reviewing it, and with this post I deliver what you asked me for, the reviews on your records, and maybe you can even also relate to and agree on what I think and write here and now about and to your releases (after the fact that only sending me something don't guarantees a good rating), but anyhow again THX to you guys!!! Okay, and now that's it, so here we go, let the games begin which means let the record reviews start:

ABRASIVE WHEELS - "SKUM"
("REBEL SOUND RECORDS" & "BLACKHOLE RECORDS"; LP)
(Buy it for example right over @ http://blackholerecs.com/)
(THANX very much to the "BLACKHOLE RECORDS" guys for suprisingly sending me this album in its complete promo MP3 version, very cool move by you, so THANX really a lot for it.):
Old Punk veterans ABRASIVE WHEELS finally make their return in 2013 with their more or less ''new'' and "SKUM" titled album, being released via "REBEL SOUND RECORDS" and "BLACKHOLE RECORDS" on LP. This album is their comeback album after something like 25 years of nothing and was released via "CRASHED OUT RECORDS" originally already in 2009 but just on CD and now in 2013 it is released on LP and this for the forst time ever on vinyl. It was released in July in this in different various colours coming vinyl edition, and if I understood it right and correct then also brandnew material by ABRASIVE WHEELS is something any fan can expect to come... and this means surely sooner than in 25 years... ;-) Okay, honestly ABRASIVE WHEELS had been pretty unknown to me before. I can remember that I once got an album of them from a good friend of mine and I used to listen to it back then for sure, but, hm, it was a different time back then, something like over an decade away now, to say it so, and I simply drank by far too many back then, haha, so I can't really recall any memory to my mind, haha... ;-) So let us say this is pretty much my first real time with them, with ABRASIVE WHEELS, so let us start it again: First of all, here we have a really great artwork. Then we get really good music. Punkrock, sometimes of the harder kind, sometimes enriched with big loads of glamy Rock & Roll and Hard Rock with some slightly Heavy Metal-esque flirtings in it, and also pretty often with good healthy doses of Oi! Oi! Oi! music in it all. Sounds like a pretty good mixture, right? It does. Right! It's all done very hymnal composed, especially the mid paced rockin' and rollin' Hard Rock inspired songs like for example the mighty "SOLDIERS PRAYER" shows it perfectly, with big and catchy refrains that cheerfully invite you to sing a long to and with them being the centre point of the songs in most cases, with very melodic yet still pretty powerful sung catchy styled charismatic lead vocals, very strong and really cool guitar work lines, and especially the leads and solos really shine out in most of the cases, and with a very precise and tight to the point played strong and hard rocking rhythm section consisting out of bass and drums, not to foget the full throttle back up chantings, and very cool suprises we get also pretty often like for example the Offbeat SKA licks and Oi! chants in the heavy cracking straight and fast forward Oi!/Streetpunk slasher "JONNY LAW". It's all done in a well-versed and skilled way, the arrangements of the songs are mostly fresh but at least always good and better, the pace of the songs is changed clever, from song to song as well as in the single running songs, the songwriting is strong and done pretty grapping. Skilled musicians and songwriters are surely here at work, and that's always good. It's all done very catchy and melodic as well as pretty strong rocking and rolling in the most cases of the here given songs, so if that's how you like your Punkrock than you will surely celebrate this album heavily, and this then also surely for good reasons. I would like it even more if they would have added more heavyness and a stronger pissed off attitude here and there, but that's just a matter of my personal taste and don't takes away anything of the quality of "SKUM" in whole. It reminds me somehow of the "PUNK JUNKIES" album of G.B.H., but more ''softer'' (not meant negative here and now) and by far more catchy and melodic and sing a long orientated than this very album, but maybe you can say that you can find ABARSIVE WHEELS somewhere between G.B.H. (especially to or in that "PUNK JUNKIES" era) and OXYMORON, maybe, but that's not working out really because they surely do their very own thing here, but take it just as a loose starting point in case you don't know them already by now. We get at all twelve songs in around fortythree minutes, and strong lyrics, a great production sound and the already mentioned totally thumbs up artwork. All in all I can only recommend this to any Punkrocker and Punkrock fan outta there. So go and test it, or better: Go and get it, period. Cheers & Oi! Oi! Oi!
(8 of 10 points)
(https://www.facebook.com/#!/abrasivewheelsofficial?fref=ts)
(https://www.facebook.com/#!/pages/Abrasive-wheels/92224010051?fref=ts)
(https://www.facebook.com/blackholerecs)

HATEBREED - "THE DIVINITY OF PURPOSE"
("NUCLEAR BLAST RECORDS"; CD)
(Released in 2013, my copy is a copy of the limited version that features one bonus track and comes in a damn great designed digi artwork package.)
(Go and shop it for example right and direct  here: http://www.nuclearblast.de/de/, just click yourself through to the mailorder/catalouge section of the site, but you should be able to buy it more or less anywhere.):
Fuck it, yesss, finally I have it, the new HATEBREED album titled "THE DIVINITY OF PURPOSE" and released via "NUCLEAR BLAST RECORDS", and it seems that this very label sneeks more and more out of the strictly to Metal limited and also into the more and more open for Hardcore department with signing great acts like AGNOSTIC FRONT and now also HATEBREED, just to name this two pretty much most prominent ones. And don't forget that SUICIDAL TENDENCIES and also PRO-PAIN once were signed to the band roster of "NUCLEAR BLAST RECORDS". Anyhow, back to the topic, the new HATEBREED album "THE DIVINITY OF PURPOSE". Okay, HATEBREED and me, myself, and I... that wasn't a love right from the start. Their first releases had been okay stuff but nothing I could really celebrate enthusiastically, their early stuff had been from my point of view a nice but anything but good or necessary EARTH CRISIS rip off (I'm talking about their "SATISFACTION IS THE DEATH OF DESIRE" album, for example) and when then the big and bigger and still bigger becoming hype used to set in and start I simply couldn't understand it by any means (I'm talking about their "PERSERVERANCE" album), and it took all the years untill finally "THE RISE OF BRUTALITY" was released when they started to conquer also me. And now today in 2013 with many years down the road they release with "THE DIVINITY OF PURPOSE" their in my book so far clearly damn fucking best album to date and conquer me in a totally overwhelming and supreme way and also they release with it one of the very, very best albums for 2013 for sure as well, so expect this to be found way up high in my this years top ten album list by the end of this year up here on this very blog. This is totally hymnal and anthemic to the core everything down crushing metallic and brutal forward milling and squalling bulldozer Hardcore filled with truck loads of ultra heavy and devastating brutal guitar riffs and great anthemic melodic guitar leads as well as embossing solos, backed up by bulky and beefy massive bass and cracking drum work, enriched by loud and broad and fat gang shouts, and crowned by one of the most charismatic lead singing voices in todays and yesterdays and probabaly as well as hopefully also tomorrows Hardcore and Metal scenery. Greatly skilled musicians that are even better songwriters deliver the songs in a shining way full of intensity and energy and dynamics, filled with grapping arrangements, full throttle moshing and down beating grooves, great diverse pace and rhythm work, and all done heavily sing a long compatible and incredible hymnal and anthemic with the larger than life refrains being clearly a big center point of the songs what gives them their incredible hymnal character. We get also amazing upbuilding and personal lyrics, a truly shining great artwork, and one of the most heavy and harsh bombing production sounds heard so far this year. My personal favorites are without a doubt "HONOR NEVER DIES", "BEFORE THE FIGHT ENDS YOU", "INDIVISIBLE", "DEAD MAN BREATHING", "THE DIVINITY OF PURPOSE" and "BOUNDLESS (TIME TO MUDER IT)", but don't expect the other not mentioned songs to be anything but awesome. Nothing left to say but GET IT and thanks for this album to the HATEBREED guys. Outstanding!!! HARDCORE!!! FIST!!!
(10 of 10 points)
(PS: After HATEBREED pretty much cultivated a style of their very own over all the years and became with this certain style a big role model for legions of countless other bands today outta there I will spare me any words about comparing them with this and with that band(s), because this would just be a stupid and ridiculous farce without any sensemaking weight.)
(https://www.facebook.com/hatebreed?fref=ts)
(https://www.facebook.com/#!/nuclearblasteurope?fref=ts)
(https://www.facebook.com/#!/nuclearblastusa?fref=ts)

HEAVY EYES - "CHAINS OF LOVE"
("D.I.Y."; MP3-Download-/Online-Release)
(Download it over for a name your price deal @ http://heavyeyeshc.bandcamp.com/):
Here's a to me totally new Hardcore band from Hungary straight out from the cold hard concrete of the streets of Budapest. A band that I got aware of one more time due to the great work of the cool guys behind the amazing "HARDBOILED WEBZINE" site (http://www.hardboiledzine.com/ - you can also find a for free download link of this demo on the site, just click here to go there: http://www.hardboiledzine.com/2013/06/demo-daze-heavy-eyes-iron-chains.html, I don't know but I pretty much think that this is a somehow by the band authorized DL link, but don't know it anyhow for sure, I'm just guessing here and now...), thanx one more time again folks for all the bands that I have discovered due to you and your inspirational work. HEAVY EYES are pretty much one of the if not even the first ever Hardcore bands from Hungary that I ever got aware of. And what shall I say, it's a good release, this for all what I know D.I.Y. way done demo release titled "CHAINS OF LOVE", released for all what I know as a MP3-Download release online but I am pretty sure that it should be also released in a physical format, which one ever this may be. The "CHAINS OF LOVE" demo gives us four songs in about twelve minutes. And this four songs in twelve minutes are pretty heavy and very groovy Hardcore with some especially rhythmic Rap/Hip Hop influences thrown into the mix, and a lot of stunning and crushing, grooving and cracking guitar riffing, a tight in time and to the point played rhythm section, some fat crew back ups, and... yes, and really terrible lead vocals. Not only that English isn't really the favorite language of the lead singer, so it seems, but also simply the quality of the lead singing really needs to be improved a lot, from power to style to delivery of the singing/the vocals. I hope they fix this in the future, because the lead singing really spoils some also bigger portions of this release. Okay, anyhow, we also get nice grooves and cool somehow pretty much old schoolish mosh parts and fast raging up tempo assaults as well, some nice suprises like the LIFE OF AGONY inspired refrain of the title track "CHAINS OF LOVE" are also content of the mix that HEAVY EYES deliver. To the lyrics I can't say really anything with worth and so I better spare me every word more about it, but the production sound is really heavy and hard, thumbs up, and the (cover-) artwork totally rules. So, okay, please do everything that your lead singer takes care of improving his skills and delivery, and beside this just work on focussed on what you do and already did, then the next time it will get even better and maybe turn out to be a real bombing hitter. So we have here a good record that I would say every fan of bands like ONESTA and stuff like this should check out promptly. HARDCORE!!! FIST!!!
(7 of 10 points)
(https://www.facebook.com/heavyeyeshc)

MADDOG SURRENDER - "MADDOG SURRENDER"
("SKINFLINT MUSIC" & "MFS PRODUCTIONS"; CD/LP)
(Buy it for example straight over @ http://shop.skinflintmusic.com/)
(Many "THANX!!!" to "SKINFLINT MUSIC" for sending me the complete promo MP3-Version of this by me long awaited new masterpiece by the (al-) mighty MADDOG SURRENDER, fucking great of you, so again: "THANX!!!" a lot.):
Fuck it, hell yeahrrr, MADDOG SURRENDER are finally really back for more and this they underline with the release of a new full length album that will be put out in a cooperation way between "SKINFLINT MUSIC" and "MFS PRODUCTIONS" and I think this pretty soon from now on by the end of August or the beginning of September, if I now recall it right and correct. I don't know for sure which release format will be choosen, CD and LP or both are well possible. So keep your eyes open and check for example the link above to go direct to the shop of "SKINFLINT MUSIC" and buy it direct there from the original source. So okay, after this straight into that record we're talking about - the new self-titled MADDOG SURRENDER album -respectively the review on it by me. After something like five years of waiting for a new sign of live by/of MADDOG SURRENDER they give us ten brandnew own songs in around twenty-nine minutes total running time. And you can expect them to stay true to their style, sound, and attitude, but that they have also developed and enriched their style and sound with new and fresh ideas. They play a mostly mid paced and always heavy and brutal stomping American Oi! with some nice clear British Oi! influences in it and they got rid of basically all the Streetpunk flirtings of the past (but that had been anyhow only very few ones and also ones of the good and not of the bad and sucking kind and way), and they became even more heavier and harder than before... and also even better than before. Hard hitting and harsh delivered heavy and brutal, yet nicely catchy and melodic guitar work, great shining and nicely diverse brutal and intense lead vocals, good portions of loud shouted gang back ups, a heavy crunshing and rumbling sawing bass playing and forceful and tight stomping drums are the ingredients that surely make the music of MADDOG SURRENDER, boncracking heavy mostly mid paced songs that anyhow still offer enough variations and even more intensity lead the way, and a lot of great hymnal sing a long and anthemic guitar leads with here and there some swedish marks as well as overall high quality arrangements  really let it all shine bright in a rusty and dirty street raised way. The guys behind MADDOG SURRENDER are around in this band for many years since 1999 now (even surely there had been changes of some of the bandmembers here and there anyway and also even surely they improved definitely over all the years) and so they know how to play their instruments and to write songs and both in a very skilled way. So if you love (American/U.S.) Oi! music somewhere between THE WRETCHED ONES and THE 86'ED on the one side and THE 4 SKINS and CONDEMNED 84 on the other side and then take this imagination and add some few Sverige Oi! impressions to it and one hell of a truckload of an very own identity and character, yes, and if you then like the imagination and the impressions that you get from out of this then you should surely wait for this album and buy it like basically every Oi! fan outta there should do because otherwise you would miss one of the best shots of 2013 for sure, period. This album will pretty sure make it into my top ten list for 2013, point and fact. Ah, and on top of it we also get nicely diverse rough lyrics, a dirty and earthy yet pretty heavy and just great production sound, and a great (cover-) artwork (yes, I love English Bulldogs), so you see, this is the complete package. Highly recommended and so just get it as soon as it will be released, and this is a damn fucking order, no discussions. Cheers & Oi!Oi! Oi!
(10 of 10 points)
(https://www.facebook.com/maddogsurrender?fref=ts)
(https://www.facebook.com/#!/SkinflintMusic?fref=ts)

PATRIOT - "THE SPIRIT OF REBELLION"
("RANDALE RECORDS"; CD)
(Released already last year in 2012, the long awaited comeback of this roughnecked American Oi! veterans; released also on LP as well as on CD.)
(Buy it for example over @ http://www.randale-records.de/news/news.php; just go to the shop area of the site.):
Hell yeahrrr, they are really back, the almighty PATRIOT, damn it, finally, they are really and truly back, great!!! I waited for this for a long, long while. Honestly, for many years I would have never expected this album, a new PATRIOT album, to ever come to the light of day, and then it was finally announced some years ago... and then bad luck striked and music and all this stuff became very unimportant (to say it with this maybe not all so perfect fitting word) for Eddie Bastard, singer and frontman and (if I am now not going into the totally wrong direction) last founding member of PATRIOT, and so again some years came and passed (by) without anything ever happen. But then, in 2012, finally PATRIOT did it and released their new album titled "THE SPIRIT OF REBELLION" via the german record label "RANDALE RECORDS", damn it, finally, yessssss!!! I got aware of it at the very end of 2012 and was all about: "I need to have this!!!" But then due to many reasons, mostly monetary ones, it took again a half year and finally my beloved girfriend made it to a present from her to me at my birthday this June, hell yeahrrr, and since then it is on heavy rotation without end. Oh, how I love it that PATRIOT are really finally back!!! One of my all time absolute favorite bands ever!!! (And I am talking not only about Oi! or Punkrock music, point and fact.) I was totally curious about and because of this album, and not at least because of the very long time of a decade or so between the precusror album "WE, THE PEOPLE" and this very new one "THE SPIRIT OF REBELLION". I was also thinking a little bit something like: "Did they keep the standard of them?!?" and stuff'n'things like this, and I was also curious how they would develop their style this time again, like they did developed their style from album to album on and on always a little bit also in the past, developed and pretty much improved and advanced. And you know what, both questions I can easily and calmly answer with "Yes, they did!" and this for all in all at least all the new thirteen song reasons we get here delivered from them. And so, like you all my already have guessed, we get thirteen songs, twelve brandnew and one back in 2010 new recorded version of their all time classic "AMERICAN CREW" (this time titled "AMERICAN CREW 2010" as its the 2010 version of this song), at all and this in around thirtyseven minutes at all, and this album was released on LP as well as on CD, and I have and review the CD version. And like I already wrote, they developed again quite a bit, and also they advanced and improved their sound and style, all with keeping their way up far high standard of the quality of their music. First of all it's clear to say that they raised up the pace of the songs and that they moved quite a bit away from their old mid paced American Oi! style, and also they became quite a bit more aggro and serious than before, so that hard partying sing a long drinking songs aren't really to be found in that form here on "THE SPIRIT OF REBELLION". But PATRIOT, even Eddie Bastard is the only remaining original and founding member, are too clever to create a just monolithic angry and pissed off album, and so they change quite well between different paces, rhythm arrangements, and also moods of the songs, so that they keep it all really damn fresh and grapping and with some cool suprises like for example the SKA Offbeat guitar licking and rhythm arrangement during the verses of "HATE CITY (A BABYLON MY OWN)" or the great bass lead line you can find in "LOCKDOWN" they keep it not only fresh and  make it also not only grapping, but create also damn interesting songs and with this a damn interesting album that demands for many good reasons your attention and time to be gladly discovered in its whole beauty and quality. The songwriting is, like you may can think already by yourself, damn great and even more than this, and the musicians are all very skilled and that Eddie Bastard owns one of the most charismatic voices in Oi!/Streetpunk/Punkrock/etc. pp. as a lead singer should be known anyhow. The album is beside Eddie Bastards voice dominated by the great diverse and tight, precise and to the point played guitars, that offer great forceful and pushing riffs and great rhythms, as well as totally high class and thumbs up leads, melody lines and solos, as well as it is dominated by the great and very present, really shining bass playing. Full throttle back up chants, and also powerful and fast and always totally precise drumming then round it all up and make this album complete; and this means also that they make it to the complete package. Ah, and by the way, ''at least'' damn great changing between pissed off fast paced raging up tempo tracks, angry mid paced heavy stompers, and great melodic and catchy sing a long Oi! anthems and hymns we get non stopp here on this very one from PATRIOT. My personal favorites are the totally sing a long hymn "SEE YOU IN HELL", the great arranged "HATE CITY (A BABYLON MY OWN)", the great nicely by the shining bass dominated "LOCKDOWN", the smasher "TEARS OF THE DAMNED", the angry and pissed off title track "THE SPIRIT OF REBELLION", the melodic and just hymnal "A DIAMOND IN THE ROUGH" and it's also the most happy partying song to dance hard and happy to on here, the heavy mid paced cracking stomper "EVIL EYE", and also their new recorded old classic "AMERICAN CREW 2010", but also the not mentioned songs really shine and are pure platinum and purest gold songs. To this all we get very strong lyrics, covering a wide disatnce of topics from songs and lyrics dealing with personal issues to critical and then openly political songs, and also some way of life words are to be heard on this one. And all on that typical high standard that the lyrics of Eddie Bastard and PATRIOT had more or less always been.  Also a very cool artwork we get (beside the cover art, but maybe it's just me not liking it...), and a great dirty, yet heavy production sound. This album is a must have and so just go and get it as soon as possible in case that you still don't have it. Finest Oi! Oi! Oi! music from the U.S.A. that will make you go nuts in your boots. If I would have it got already in 2012 it would have surely climbed way up high in my top ten album list cracking at least into the top five for sure. Great to have you back PATRIOT and hopefully more will come in the future. Awesome!!! Get it!!! Cheers & Oi! Oi! Oi!
(PS: That PATRIOT play a style of their own should be clear, so sorry for the fact that no band names to compare them were given by me, this is just greatest and finest American Oi!, hell yeahrrr!!!)
(10 of 10 points)
(https://www.facebook.com/patriotoi?fref=ts)
(https://www.facebook.com/pages/RandaleshopRandale-Records/213545295368031?fref=ts)

PLAN OF ATTACK - "BRISBANE Oi!"
("LONGSHOT MUSIC", "REBEL SOUND", "PUG MUSIC", "PIRATES PRESS" & "BLACKHOLE RECORDS"; 7'')
(Buy it for example over @ http://blackholerecs.com/)
(THANX very, very much you cool guys @ "BLACKHOLE RECORDS" for sending me this album via E-Mail as the complete promotional MP3-Release, yes, that's really great of you, so once again just THX very much for doing this.):
Australia Oi! is fucking back!!! Not only are R*U*S*T back and this even better than before, but also the mighty PLAN OF ATTACK are finally back with a new little album and this is this very one here, the "BRISBANE Oi!" titled new 7'' vinyl single of the boys, released as a corporation affair between the above mentioned labels. ("BLACKHOLE RECORDS" aren't listed on the backcover, but after they send me this little album I would say that they have also acted their part in releasing this one, because why they should send it to me if not, I mean... you see where I'm going.) So, okay, what to expect from the new PLAN OF ATTACK vinyl single 7'' album: Three songs, titled "STICK TO YOUR GUNS" on side a and "USED TO BE WANNA BE" and "ALL THE LESSONS" on side b, in around seven minutes of harsh and brutal Australia Brickwall Oi! of the heaviest and damn forceful kind. They play it rough and tough and pissed off as fuck, damn heavy and powerful smashing into your face, honest and authentic brutal crushing and forceful stomping, all packed into nice grapping songwriting with tons of power, force, energy, and 100% honest and real attitude as well as nice fresh ideas (like the somehow Country-esque slide guitar styled guitar lead of "ALL THE LESSONS"), all done incredible massive and bulky, heavy and beefy by skilled musicians that deliver it in a on all levels just great and if not even more than this way. The "BRISBANE Oi!" by or of PLAN OF ATTACK is build with grumpy heavy and hard throaty sung powerful lead vocals that are backed up by massive loud and proud crew shout back ups, and incredible tight and heavy, dry and dirty, rough and tough as nails and fresh kept guitar work, and a stunning and shredding precise to the point played rhythm section. It's all garnished with a nice natural groove work and the sing a long potential is incredible high, the refrains are larger than life and the whole arrangements of the songs are pure gold, and the charismatic delivery of the lead singer really shines out bright. Ah, and don't make no mistakes, this is no Streetpunk and no Streetrock Oi! Rock thing like many of their australian short cropped mates have going on (like THE CORPS, THUG, and R*U*S*T for example), this is also in no way anyhow some Hardcore thing, no, this is thru and thru pure Oi! Oi! Oi! music and this of the best kind. Comparable to their australian mates of BULLDOG SPIRIT but without the Hardcore in it, and all in all and even more PLAN OF ATTACK have all what it takes to be the australian answer to the mighty RAZORBLADE, and you know what, they are at least as mighty as they are and they do it all their very own style and way, and for this up with the thumbs and this very high in the air. We get also cool battle scarred way of life lyrics, a great production sound, and a cool first class artwork (yes, I simply love brass knuckle art, yeahrrr), so this is really the complete package. Any Oi! fans outta there should really grab one of this babies because if not than they surely could easily miss one of the best releases of 2013, point and fact. Cheers & Oi! Oi! Oi!
(10 of 10 points)
(https://www.facebook.com/pages/Plan-of-attack-Brisbane-Oi/219741224717207)
(https://www.facebook.com/blackholerecs)

R*U*S*T- "ROUGH, READY & RAZORED"
("LONGSHOT MUSIC", "REBEL SOUND", "PUG MUSIC", "PIRATES PRESS" & "BLACKHOLE RECORDS"; 7'')
(Buy it for example over @ http://blackholerecs.com/)
(THANX very much all you guys in "BLACKHOLE RECORDS" for sending this album as an MP3-Release to me, fucking cool and even more great of you, so THX very much again):
After I've taken notice again of the Australian Oi! machine of the name of R*U*S*T after listened to the "MESS WITH THE BEST... DIE LIKE THE REST" four way split (the review on it is part of this very post here as well, so just read on) I have to say that it's just great that I also received their new 7'' via E-Mail by "BLACKHOLE RECORDS" (the label isn't listed for what reasons ever on the backcover but after they send me this album I would say that they have also participated in releasing it) because I am really gotten damn hungry for more of that R*U*S*T stuff to come, hell yeahr, and here it already is, next new R*U*S*T material, oh hell yeahrrr, that's just great. If all in life would work out like this... ;-) So, okay, R*U*S*T seem to be definitely back with two brandnew releases, the mentioned four way split and this single, both on vinyl, and what we get here underlines it even more that they are definitely back on the attack again. Four brandnew songs R*U*S*T give us on this vinyl disc, namely "THE CURSE OF ROCK & ROLL" and "A SHADOW ON THE PIER" on side a as well as "SHE'S GOT SOMETHING TO SELL" and "BOOTS & BUCKLES" on side b, and all four songs are true killers. Their by dirty Hard Rock and noizy heavy Rock & Roll influenced Oi! Streetrock they surely play also today on this one, but how they do it, just fucking damn great, period. Today on this album they play it even more tight and heavy than before, and even more Rock & Roll and Hard Rock and, of course, (Heavy) Metal than before, just listen to the heavy bombers also filled with double pedal drumming of the titles "THE CURSE OF ROCK & ROLL" and "SHE'S GOT SOMETHING TO SELL" and you will know what I mean. Combine MOTÖRHEAD, ROSE TATTOO, AC/DC, and a little bit of AIRBOURNE on the one side, and THE BROADSIDERS, THUG, THE BRIDGEBURNERS, and maybe some THE TRADITIONALS and THE ANTI-HEROS on the other side, mix it all through, and then add especially heavy doses of THE CORPS and also of MURDERER'S ROW to it, don't forget to add a srong own characteristic identity, yes, and then you should have a pretty good idea of what R*U*S*T are giving to us here. And they deliver it in a damn great way, intense and grapping, amazing songwriting and highly skilled musicians that know what they have to do and what they do and how they have to do it, and they do it great, if not even more than this, and the delivery is done by heavy and strong rocking nicely diverse and pretty brutal guitar work, snotty yet heavy and pissed off grumpy Rock & Roll styled lead vocals, rumbling pounding drums and a stunning bass work. And, like already said, it all they do damn great skilled, thumbs up. On top of it we get a bunch of cool streetcharmed Rock & Roll lyrics, a dirty yet heavy perfect to the music fitting production sound, and a first class and very cool artwork. I don't know what to say more, maybe just that especially fans of bands like THE CORPS, THUG, THE BROADSIDERS, THE BRIDGEBURNERS, and MUDERER'S ROW really have to test R*U*S*T out promptly, as well as fans of MOTÖRHEAD and ROSE TATTOO that are at least only a very little bit open minded will surely find something to rock the fuck out to here with R*U*S*T and their new little vinyl baby, ah, and of course I can also say that I can only highly and calmly recommend this great little album to you out there. Great stuff!!! If they keep this high quality up over the distance of a complete long player we can and should prepare ourselves for one hell of an outstanding album to come for us, definitely, period. I would just love to see and especially hear them going even more into that Hard Rock/Heavy Metal department the way they do it already, because they do it fucking great and it suits them perfectly and from my point of view it would be even more consequent and even better, but that's just my personal perception and nothing that important anyhow. Now just get this single and fucking enjoy it, because it definitely is a damn fucking great release. Cheers & Oi! Oi! Oi!
(9 of 10 points)
(https://www.facebook.com/rustpunk)
(https://www.facebook.com/blackholerecs)

SHADE OF MANKIND - "NO MORE HEROES" & "NATURA HUMANA ABRAXAS (FIRST MOVEMENT)"
("D.I.Y."; MP3-Donwload-Online-Releases)
Download "NO MORE HEROES" over @ http://shadeofmankind.bandcamp.com/album/no-more-heroes-mobs-cover and download "NATURA HUMANA ABRAXAS (FIRST MOVEMENT)" over @ http://shadeofmankind.bandcamp.com/track/natura-humana-abraxas-first-movement):
SHADE OF MANKIND from Brazil are back again. While they are still in the recording process of their full length debut album "VVE ARE THE PLAGUE" they give us two new songs as free downloads with the aim to heaten us up even more for their full length debut album to be finally released (as if this up-heating would be necessary in any way...), and hopefully this will be still in 2013 and if I could wish it for me then better sooner than later. This here are two single songs, the MOBS cover "NO MORE HEROES" which is so far unrelased and their own new one "NATURA HUMANA ABRAXAS (FIRST MOVEMENT)" that was so far released  on a to me totally unknown and obscure underground compilation with the title "UNDERGROUND AS PAMPAS VOL. II", and so there are also two single download codes, each one to each song. The only thing that confuses me is the fact that the two tracks, that had been released already in May and in April 2013 (but I just got aware of them recently), had been recorded and all done by Roderick Hellion respectively Roderick Deimos (how he calls himself today) himself in a solo way, but I always thought that SHADE OF MANKIND had become a proper band these days with playing live shows and all this stuff... who knows... at least not me... So, okay, back to what I know: First comes now "NO MORE HEROES", the MOBS cover, done in the way of SHADE OF MANKIND. The original one is unknown to me, band and song, but if I got it right then it's some Japanese Hardcore that is now transformed into Brazilian Audio Violence (that's how SHADE OF MANKIND name their very style by themselves these days and this for good reasons so that it is surely a very good description of what they are delivering and doing). Straight forward pushing and storming incredible hard and heavy programmed drums are the backbone of this up tempo paced fast and straight forward devastating mercyless Hardcore slasher, the bass is rumbling in a evil mood in the back while the crushing brutal sawing and shredding guitars drive it all forward without taking any prisoners. The vocals are heavily distorted throaty and guttural grunts and screamed shoutings done in or with a pretty spoken word styled approach to it, a little bit weird and at first you have to become familiar with it, definitely, but then it totally sticks to your head and surely convinces you. This is straight and fast forward up tempo mercyless and no prisoners taking heavy and brutal Hardcore done by SHADE OF MANKIND and I really like what I can hear here. I can't compare it to/with the original of this very song, but what I hear here I really like. To the lyrics I can't say anything, but the recording sound conquers and the little cover that comes in the download with the song totally rocks. I can only recommend it to you, if you are into extreme musick, so go and get it.
(8 of 10 points)
Then here and now comes the second new song that they have released on their Bandcamp site, "NATURA HUMANA ABRAXAS (FIRST MOVEMENT)", brought to us after a short intense intro speech taken from an japanese election speech (on Bandcamp they give us a translation into english) and then it crushes forward. This is easily and surely one of the best songs of or by SHADE OF MANKIND so far, at least in my book. Heavy and especially brutal and aggressive noisy and dirty Hardcore with some slight and few Crust and Grind impressions in it and a Holy Terror backbone delivered by great charismatic brutal screamed shouted lead vocals, totally crushing and crispy guitars, pissed off roaring bass, and high energy heavy hitting powerful drumming or drum programming. This song is pure force and sheer intensity. Don't know what I should now write more after the song runs in shortly under two minutes, but any fan of brutal and no prisoners taking dark and sinister Hardcore with a apocalyptic Holy Terror backbground and some (very) few Crust and Grind influences really needs to know this one and will surely enjoy it as much as I do, definitely. So this is highly recommended and I can only say get it and go rampage on it. Very good lyrics in a anarchistic spirit (no, I don't mean that bullshit stale Anarchy ideology of certain circles out there, I mean the idea of an enlighted and self-contained life in freedom behind it all, not that stale and dumb perversion that the named ideology made out of it once), a great crushing recording sound, and a very cool coverart to it we get as well. Nothing left to say, this is a damn great song you really should have to know if you are into the described musick, period.
(9 of 10 points)
(http://shadeofmankind.bandcamp.com/ - check it for more releases of the band)
(https://www.facebook.com/shadeofmankind -  get in contact with Roderick Deimos and SHADE OF MANKIND)

TERROR - "LIVE BY THE CODE"
("CENTURY MEDIA RECORDS"; CD)
(Released in 2013, this is the brandnew album by this living Hardcore legends from Los Angeles, California, U.S.A.)
(Buy it just for example over @ http://www.centurymedia.com/; just visit the store section of the site, but you should get it anyhow pretty much anywhere.):
This is an amazing album, the new TERROR album titled "LIVE BY THE CODE". I loved (and still love) this band since I first listened to their "LOWEST OF THE LOW" debut release many years now ago and my love of or for or to them never ever faded away over the years, instead of this it used to grow on and on and on over the years, due to the incredible high quality of the releases of the band. And now it pretty much reached a sort of its climax for so long, with the new album "LIVE BY THE CODE". Heard of its very release date and with a happy go lucky handicapped smile on my lips I went totally precise in date and time to the record dealer of my trust and bought it promptly. Jumped in my car to drive back home, put the disc in my carstereo, pumped up the volume, and full throttle and pumped up to the max I drove back home. And right from this moment on which means right from the start TERROR conquered me in a totalitarian way with their new born child of the name "LIVE BY THE CODE". I loved TERROR right from the start when they took Old School Hardcore (from my point of view always clearly influenced from NYHC and Boston HC in the case of TERROR) and simply muscled and tightened it up and added something like a hard to describe X-Factor of their very own to it and made it fresh and so turned it into their very own New Old School Hardcore L.A. Style. When back then they also started to add fresh made and then fresh kept good old Bay Area Thrash Metal influences to it to make it all even more shine I enthusiastically cheered up to this, and so I did too when they added great and strong more present melody lines to their music, sound and style, and so from "LOWEST OF THE LOW" and "ONE WITH THE UNDERDOGS" over "ALWAYS THE HARD WAY" to "THE DAMNED, THE SHAMED" and from their on over "KEEPERS OF THE FAITH" to now "LIVE BY THE CODE" they always knew to come up with fresh and grapping new material, and today maybe even more than ever before. This is just amazing Hardcore of the finest and highest quality, full of intensity and energy non stopp, filled with grapping and clever songwriting, fresh rhythm arrangements, and just great and you with them taking changes of the pace and rhythmic arrangements, no matter if you look at each song as a single one or if you take a look on the album as a whole ''concept''. We get again a advanced and improved album by them, don't ask my how they did get it done, with adding fresh stuff in healthy portions to their formula, and this means this time a more hymnal approach than they did before as well as it means that they stick to their style and keep it true and that they also keep up the damn high quality and even improve it. This is Hardcore by any means and pretty sure a phenomenal definition and an impressive statement of what Hardcore can be today in 2013. Metallic, rough, brutal, aggressive, devastating, moshing, and tough as nails, as well as hymnal and anthemic and with this catchy and pretty melodic in its very own way at the same time, filled with blasting all out attack going diverse, intense, and skilled guitar work, a clearly every opposition atomizing perfect and tight brutal and heavy rhythm section, loud and fat broad crew back up gang shouts, and above all and it all crowning this totally harsh and charismatic lead vokillz, and all wrapped up together by great songwriting. My total personal favorites are without a single doubt "I'M ONLY STRONGER" (total killer anthem), "INVASION", "LIVE BY THE CODE", "THE MOST HIGH", "COLD TRUTH", "HARD LESSONS", and "THE GOOD DIE YOUNG". Total killer tracks. But make here no mistake, because the not mentioned tracks are also total smashers, definitely. To compare TERROR with any other bands would be total non sense, because they should be known today pretty well and also because they became a role model for countless other bands out there today, and so I spare me every word about any other bands to compare them with. We get also totally great lyrics, a sheer brilliant artwork with a clear positive message carried on its pages, and also a bombing fat production sound. So, what shall I say here and now more, this album is clearly one of the very best albums of and for 2013 and so by any means just get your hands on a copy of it. Amazing!!! HARDCORE!!! FIST!!!
(10 of 10 points)
(https://www.facebook.com/#!/terrorhardcore?fref=ts)
(https://www.facebook.com/#!/centurymedia?fref=ts)

TRIBÜNAL - "F.T.W."
("D.I.Y."; MP3-Download/Onlinerelease & 3'' CD-R)
(Download it for free and/or buy it in its 3'' CD-R physical format over @ http://tribunal-dtakt.bandcamp.com/album/ftw)
(THANX very much to TRIBÜNAL for sending it me via E-Mail for free and to catch with this my attention, a nice and cool move by you, so again: THANX very much for it.):
Now comes something sinister and brutal, something damn heavy and incredible doomy, "F.T.W." styled devastating dark D-Beat Crustcore by TRIBÜNAL, a for all what I understood (I hope it's a correct understanding) a one man band that started finally back then in April 2013 after several times of thinking about doing so. And it's good that it finally came to happen. TRIBÜNAL is meat free, god free, and drug free, so let us say it's vegan, straight edge, and atheistic, and it's also self proclaimed primitive and raw. All good and fine, if you ask me, but just add brutal and heavy, hard and aggressive, sinister and devastating, rough and tough to it, yes, and the picture will get even more clear, precise and better. And you shouldn't forget about the very high level of intensity that TRIBÜNAL do offer to us the listeners with this very one here. Heavy distorted harsh sawing and brutal shredding sinister guitar work, raw and noisy, aggressive and dirty, backed up by massive and stunning raging rhythm section going without mercy and without regrets to work, and brutal and pissed off yet somewhat suffering sounding pretty charismatic throaty shouted lead vocals, and all songs done in a mostly uncompromising pretty fast paced way of a heavy raging D-Beat Crust assault. And from my point of view there's also a slight Old School Death Metal influence to be noticed, but with the Crustcore and D-Beat taking clearly the lead. This is a raw and primitive, heavy and dark, brutal and noisy bastard out of DISGUST, EXTREME NOISE TERROR, and HELLHAMMER and POSSESSED and it will really please your gusto if you are into that kind of raw, evil, and heavy stuff. TRIBÜNAL are already a really damn good band with a nice pretty strong own character already, and a no prisoners taking approach as well as an straight and direct attitude of that kind. To the lyrics I can't say anything, but they seem to be very pissed off and straight to the point/face outspoken. The raw and thundering recording sound of this "F.T.W." titled demo is pure gold, and the (cover-) artwork is just a cool shot. I can only recommend this release to any fan of dark, heavy, apocalyptic, and brutal music, and I am really looking forward for more of TRIBÜNAL to come and this hopefully pretty soon.
(8 of 10 points)
(http://tribunal-dtakt.bandcamp.com/)

V.A. - R*U*S*T, THE GUV'NORS, REVILERS, CRACKS & SCARS - "MESS WITH THE BEST... DIE LIKE THE REST" 4 - WAY SPLIT RELEASE
("BLACKHOLE RECORDS" & "PUG MUSIC" & "AGGROBEAT"; Double 7'')
(Buy it for example over @ http://blackholerecs.com/)
(A extra big "THANX!!!" goes out the cool guys in and of "BLACKHOLE RECORDS" who used to send me this album here as a complete promotional MP3 album, really great of you, so again "THANX!!!" hell a lot for doing so guys.):
Oi! Oi! Oi! Streetrock & Roll is the order of the fucking day right now right here!!! Oi! from Australia, from Denmark, the U.S.A. and fucking Germoney of course. This is an all out Oi! attack and to say and get this straight right from the start I fucking love this little gem of an album, point and fact. It will make it maybe or propably into my this year's top ten list because it runs and runs on heavy rotation through my speakers since I received it quite some time ago. It's a 4 way split release featuring the australian Oi! Streetrock & Roll roughnecks in R*U*S*T, the danish dynamite Oi! Punk'n'Rockers of THE GUV'NORS, the amazing U.S. American Oi! silverbacks in the REVILERS, and the silverbacked german Oi! newcomers of CRACKS & SCARS. This will be released or is already released as a double 7'' vinyl release (surely in a limited way and in various different forms, but don't ask me more about it here and now). It all is kicked off by Australia's finest of R*U*S*T. I did a review of their earlier release back then in 2011 and it is the last release of them that I know of. (Here you can find the mentioned review of mine on their "LEAN MEAN STREET MACHINE" album: http://manslaughterthuglife.blogspot.de/2011/02/oi-oi-aussie-rock-roll.html. And for sure to this four way split double 7'' release they released these days also a new 7'' of their own and my review on it is also part of this review pacakge and you may have already read it.) And they surely convinced me back then and so they do it also today. And also a bit more than they already did so back then. Hard forward driven strong rockin' and rollin' australian Oi! PunkRock heavily dominated by the really damn tight and strong, dustdry and boneshaking heavy, earthy and dirty, harsh and forceful guitar work that shows some cool portions of diversity and leads the path of the great fresh kept rhythm arrangements and the energetic and dynamic pace work, really great. Imagine a mixture out of AC/DC and ROSE TATTOO with a MOTÖRHEAD impact and it all hardly on Oi! in the way of heavy pushing mid paced American Oi! maybe like the awesome THE BROADSIDERS and the also brilliant THE BRIDGEBURNERS and the damn cool MUDERER'S ROW, and then you may get an pretty good idea of what R*U*S*T are all about, and fans of the almighty THE CORPS will also find what they are looking for. Beside the great guitar work we also get charismatic snotty lead vocals, nice backing ups, and a very beefy and straight and save to the point played powerful rhythm section. The two new songs of R*U*S*T on this one here, "EX GIRLFRIENDS" and "SUICIDE SUNDAYS" really rule and rock even more. Great, period. Lyricwise we get some funny and cool snotty streetcharmed wisdom about relations and how to spend your weekends right... Also the two songs come in a great, dirty and earthy yet very heavy and harsh production sound. Perfect match. R*U*S*T do take 9 out of 10 points home with them. After R*U*S*T we turn our heads to good old mother europe because it's time for some danish dynamite, because THE GUV'NORS are up next. Strong rockin' street raised Oi! Punk Rock & Roll is now the order of the day. (I've done back then a review on what's for my knowledge their so far last full length album and the review you can find here: http://manslaughterthuglife.blogspot.de/2010/08/red-white-danish-dynamite.html.) What shall I say, Sleaze Rock and Oi! Punk mixed with good old Punkrock noize really fit together if it's all done by the right guys, like in the case of THE GUV'NORS. Mix COCK SPARRER and THE BUSINESS with GUNS'N'ROSES and NASHVILLE PUSSY, add some THE HELLACOPTERS and the BACKYARD BABIES to it, and make it all round and tasteful with the some very few portions of THE RAMONES and THE DICTATORS, and you know where to start your journey with THE GUV'NORS. Great diverse and heavy yet catchy and melodic as fuck guitar work, damn charismatic great sung fresh and snotty lead vocals, nice back up chants, and a great precise and tight forceful rhythm section at work, all mixed together by fresh and cool songwriting and done by skilled musicians, and don't forget the harmonica a.k.a. mouthorgan. Great stuff and very unique anyhow, just great!!! Also cool lyrics and a great production sound on top of this two songs. Thumbs up!!! And also THE GUV'NORS take 9 out of 10 points back home with them. And this more than well deserved. Then the second 7'' comes into play, al least I do think so, after I have it as an MP3-Album, like above mentioned. But anyhow up next is American Oi! from the United States of America from out of the Boston, MA area (at least I think so), and up next are the amazing the REVILERS. This band had always been somehow under my radar so far, always knew about them, somewhere here a old demo or so of them is lying around (a demo that I liked very much) and I think last year or maybe already two years ago they released a full length that should be pretty good and better and I was always heavily interested in them but somehow a real proper contact with their mentioned album never ever came to happen, why ever. Anyhow, now that I know their two songs on this one here, titled "DON'T TELL ME" and "8 SECOND SOCIETY", I think even more that it's about time to change this finally. They give us great strongly by heavy rockin' and pretty heavy played, yet catchy melodic lead lines offering guitars dominated American Oi! with a good dosed 1977 Punkrock impact including a nice "CHISWICK"/very early SKREWDRIVER feeling when it's about the forceful forward pushing guitars (but far improved than the mentioned band back then), and they give us all this on a damn fucking high level of quality and with a very own note on top of it. Great guitars, very heavy forceful sung lead vocals, loud crew back ups, and a great powerful rhythm section, all thrown into the mix with great songwriting, energy and dynamic non stopp, delivered by skilled musicians with the right real attitude in a very smpathic way. Mix THE TEMPLARS with some ADOLF AND THE PISS ARTISTS and THE ANTI-HEROS, add some very early SKREWDRIVER to it, here and there some STARS & STRIPES portions and round it all up with a very high quality and an very own characteristic, not at least due to the perfect guitar work and the amazing lead singer. Great the stiff middle finger showing authentic rebellious lyrics and a perfect matching clear yet very powerful and nicely warm and earthy production sound comes to it all on top of it. Amazing stuff!!! I really need more of/by/from this band, point and fact!!! The REVILERS do take 10 from 10 possible points with them, and this by far more than only well deserved, period. After the REVILERS the final band and probably or better surely also the final side of this four way split program comes, and this time we go to Germany with CRACKS & SCARS coming now for all of us. I was really curious to finally listen to this band after I've heard that former members of the amazing GUTS & GLORY would be playing now under the banner of CRACKS & SCARS. And after GUTS & GLORY had been from my point of view definitely the best (and by far way too shortlived) Oi! band to come from Germany in the last decade my expectations had been very high. I know maybe this is unfair because who the fuck am I to expect something like this and who said that they would still play in that department... but that's just how it is/was, so that's it. Did they dissapoint me? No. Period. They give us also two songs, titled "GOIN' NOWHERE" and "LIGHT AND DARKNESS", and they play a style and sound comparable to what they have done under the banner of GUTS & GLORY. So expect great and better than this Old School yet fresh kept real Oi! without any retro bullshit but with a lot of own and fresh and new ideas what gives them their own identity. Mix COCK SPARRER and COCKNEY REJECTS with BONECRUSHER and OXYMORON and you should have a pretty good idea of what CRACKS & SCARS are all about. Powerful and very catchy great guitar work, a incredible strong lead singer with a very own style of singing somewhere between Roger Miret and Raybo with some Sucker portions in it as well and all done in his very own way with a great own charisma, a rumbling cool bass at work, and very precise and tight yet also nice diverse drumming. Skilled musicians are this more or less veteran ones anyhow and they even know more to write fantastic songs. While "GOIN' NOWHERE" is a little bit too hectic here and there "LIGHT AND DARKNESS" is a true and pure anthem and shines even more, a perfect done Oi! Oi! Oi! sing a long hymn. Cool and good, authentic and sympathic underdog lyrics and a strong production sound they offer us also as well. Maybe they just didn't need to change their bandname, but that's something they surely will know better and that's also anything but anyhow only slightly important. All in all they take 9 out of 10 points with them. So all in all we get four bands and each offers us two songs what makes eight songs at all that run for about twenty minutes, to give you also some cold hard facts here and now. I think I've written all what there was to write, and so I think I can calmly now finally close this very review with this words here now. Just two last things: The artwork is fantastic; and if you are into Oi! and Streetpunk and Streetrock & Roll and Punkrock music in general you simply have to call this double 7'' release here your very own, so don't wait just get it, point and fact. Cheers & Oi! Oi! Oi! - Ah, and the final outcome then is now...
(9,5 of 10 points)
(https://www.facebook.com/blackholerecs)

VIOLENT ARREST - "DISTORTED VIEW"
("D.I.Y."; MP3-Download-/Onlinerelease)
(Download it for a price of seven british pounds over @ http://violentarrest.bandcamp.com/album/distorted-view)
(If all the announcements are true then it will be released by "BOSS TUNEAGE" in the- near- future of this very year of 2013, but don't ask me if on vinyl or on CD or maybe even via both physical formats.):
Here's a new release by a legendary or at least semilegendary Hardcore band from out of the underground dephts of the U.K. and that was pretty which means in this case totally unknown to me before and that is around for quite some years now with releases out via labels like "GRAVE MISTAKE" and "DERANGED RECORDS" for example and that consists out of members that before VIOLENT ARREST had been active in bands like RIPCORD, SPITE and the amazing HERSEY and this very one here is already their sixth release as VIOLENT ARREST, so you can easily and clearly talk about U.K. Hardcore silverbacks and veterans. And maybe you have now already also a very good idea of what you get here, if not maybe I can help ya out: Old School Hardcore with Oi! and Punk influences and filled with tons of hate and rage and a through and through antisocial and anti-establishment rebellious attitude. This is heavy and brutal and harsh Hardcore for fans of bands like NEGATIVE APPROACH to bands like BLITZ as well, and so expect tons of harsh guitar shreddings, brutal vocals and broad shoutings all yet somewhat hymnal and sing a long friendly arranged, and a stunning and boneshaking rhythm section consequent at work. It's all done pretty fresh and with a very huge dose of energy and dynamics, and the aggression is also very high and it all makes this a entertaining ride through a rough and tough pissed of stormy heavy raging Hardcore sea. Eight songs in about eleven minutes, short cutted and to the point played Old School Hardcore Punk songs. Nothing new, for sure, but incredible exploding fresh, of course, and really fucking heavy and harsh delivered in a brutal and aggressive as well as rough and tough as nails way. Good stuff, damn sure, even I would have loved some longer lasting assaults and some more new approaches to it all, because here and there it's pretty stale, okay, but that's just a matter of my personal taste. Rebellious lyrics, nice artwork, and a fat and loud blasting production sound. Anyhow, check it out, get the download or wait for the physical release or get them both if you are into above described music and/or above named bands, and this should be interesting for Hardcore roughnecks, Oi! hard knocks (no matter if Skinheads or Hooligans or what ever), and Punkrockers with a faible for a more heavy style as well. Test it, or just get it anyhow anyway promptly. HARDCORE!!! FIST!!!
(7 of 10 points)
(http://www.myspace.com/vapunk - Yes, they still have a MySpace site, if that's today not also already Old School then I don't know it, haha ;-) ...)

WHITE FLAG DOWN - "NEVER SURRENDER / OUTLAW"
("SKINFLINT MUSIC"; 12'' LP)
(Buy it for example directly over @ http://shop.skinflintmusic.com/)
(THANX very much for the great guys who run "SKINFLINT MUSIC" for sending this album totally for free to me, great of you and THANX very much once again.):
This album was sent to me by the great guys in/of "SKINFLINT MUSIC", it is about to be released repectively if and when you read this it was released by the very end of July 2013, if I am now not totally wrong with this, and it will be or is out in various strictly limited black and white vinyl versions. So far I have it "just" as the official promotional MP3-Download-Version, as it was nicely sent to me in this form. Okay, WHITE FLAG DOWN are a L.A. Punkrock or maybe better L.A. Streetpunk band with a, so my impression, clear "CLOCKWORK ORANGE" theme and attitude, hm, so let us talk of L.A. Clockwork Streetpunk. The band was totally unknown to/for me before this very one here, and it's a good thing that this finally changed. About the past and history of this band I simply know nothing, but okay, not that important to me right here and now, it's by far more important that I know this album, their newest one. It's titled "NEVER SURRENDER / OUTLAW" and seems to me to be some sort of a compilation of two previous shorter running EP albums of them with two new exclusive bonus tracks added to this album. Anyhow, and after WHITE FLAG DOWN had been unknown to me before all the stuff featured on this one here is new and fresh for me. WHITE FLAG DOWN play pretty tough rockin' Streetpunk with strong guitar runs as the perhaps most marking element, guitar runs that consist out of nice riffing attacks, great rocking organic naturally grooves that also show some "CHISWICK"/early SKREWDRIVER influences (just listen, as an example, to "ROCK & ROLL"), fresh leads and some cool solos as well as some nice suprises and fresh outcomes are shown here and there (listen for example just to the amazing "MALCONTENT KILLING MACHINE" and its strong metallic bulldozer middle section and you'll know very good what I mean). Add to this snotty "I don't give a fuck!" styled lead vocals, and a damn tight and heavy rockin' and cool rollin' rhythm section, yes, and your fresh and good tasting Streetpunk cocktail is finished and waiting to be rocking out of your speakers loud'n'proud. Nice varying rhythms and nice varying paced songs, all not too heavily so that there are no holes in the flowing songs and the also very well flowing album as a whole, if you got what I want to say with that... if not: It's meant in a positive way. Take U.S. Oi!/Streetpunk maybe somewhere between the BRASSKNUCKLE BOYS and FIRST OFFENSE, CL1 and DIRTY WATER, add to this a big dose of good old Rock & Roll and some early SKREWDRIVER impressions, keep in mind the own character of WHITE FLAG DOWN and that they copy'n'paste no one and then you should have a pretty good idea where to start with of what this L.A. Clockwork Streetpunk roughnecks hold in store for you and me and us. They aren't inventing anything new but who cares for that, because what they do they do damn fucking good. I just would wish that they would deliver it all maybe a little bit harder and the refrains could be here and there still a little bit more anthemic, but this are anything but major problems. And so I can calmly recommend it to all the Oi!, Streetpunk and Punkrock lovers outta there. So go and get it!!! Cheers & Oi! Oi! Oi!
(8 of 10 points)
(https://www.facebook.com/#!/whiteflagdown?fref=ts)
(https://www.facebook.com/#!/SkinflintMusic?fref=ts)

Okay, that had been all the reviews on records/releases for this one so far. Currently I can't tell you when the next record reviews will come up, maybe at the end of September (but surely and definitely not earlier than this) but maybe just some day in October or even just at the end of October, I don't know it by now and so I can't tell anything about it. This is mostly because I will finally first get the first theme days done and up here, FINALLY, and just then when this is done I will start working on new record reviews. And after such a big and long post consisting out of several more or less detailed reviews on quite many records like this very post here really takes its time to get it done I really can't tell you when I will or better when I will be able to bring the next record reviews post up here. That's the main reason. A second reason is simply the fact that currently I don't have that much records in the pipeline waiting to be reviewed. The reasons for this are easily named:
(01.) I don't have that much time and mind for music right at the moment with a lot of trouble and even more and also really big changes going on (once again) in my life so that really a lot is in the making on various fronts so that music and dealing with it currently is, sadly enough, not that important on my to do - lists and my take care of  - lists these days.
(02.) At the moment right now I also can't spare that much money to go and shop music, what's pretty sad and sucks but it's just how I announced it some months back in one of the retrospection on 2012 posts and so even it sucks drastically (because there are a lot of releases out and a lot of new 2013 releases are released or will be released because of which I am truly strongly curious) I won't cry and bitch around because of it, because that's just how it is, yes, and then that's it, so simple is it.
So currently there are three records that will be definitely featured in the next record reviews post, the fucking strong new 7'' of THE ENEMY titled "LIE TO ME" (strong Oi!/Streetpunk tunes; THANX very much to "BLACKHOLE RECORDS" for sending it me), as well as the "DEMO 2013" by UNDER THE CHURCH (young Sverige Death Metal lunatics firing their hard hitting and hot old school cannons) and the "MALESTORM" titled album by the Stoner/Doom/Sludge hellhounds of IRON & STONE (a really strong and charismatic band and album a friend of mine has pointed me to). I am pretty sure that some more releases will add to this short list over the next one or two months, just wait and see. Now that's all for now, THANX very much for your time and interest. We will read us again, your dear Manslaughter Andy.