Posts mit dem Label Dark Rock werden angezeigt. Alle Posts anzeigen
Posts mit dem Label Dark Rock werden angezeigt. Alle Posts anzeigen

Samstag, 1. September 2018

GHOST - "PREQUELLE" (2018)

GHOST - "PREQUELLE"
(Running time: 41:47 minutes; 10 songs)
("Loma Vista Recordings"; 2018; CD):
Hey guys, yes, here's my next dose'n'load aimed at and coming for you and this time it will be my record-review on the new GHOST full-length-album "PREQUELLE" released very recently this very year of 2018 via "LOMA VISTA RECORDINGS" on CD in a normal and in a digi-pak-version of which the latter one I call mine (but don't ask me 'bout any differences beside the packaging) and I would bet that there's also officially released vinyl of it floating around outta there and this pretty much also in various forms which here and now means various colours. This is my very first GHOST record and also more or less my first reallly proper 'meeting' with them after before "PREQUELLE" I always thought it would just be another overly hyped act but after a good friend of mine (also very trustworthy in all things musick) told me that they would beside all the hype in fact be very good band and also their newest record despise all the controversy surrounding it would be very strong I decided to finally give GHOST a try as well and also decided to start directly with their newest offering "PREQUELLE" and so now here we are. After this introduction please don't wait for any comparisions with their earlier work and just expect me to do my review solely on this very one here, GHOST's "PREQUELLE". What GHOST deliver us here on and with and via "PREQUELLE" is a damn fascinating and very independently done metallic mixture out of Rock and Gothic and this in a very 'freshly delviered' way with some very cool and very catchy Pop appeal to it all, yes, and this very open (how I liked and still like to call it) Pop appeal I mean in every sense and way positive even it is (for all what I understand) one of the if not the biggest point of criticism the majority of critics is or gets vocal about, hm, how I see it even without knowing GHOST so much before "PREQUELLE" they were anyhow never that much the band of and for all the 'metallic trueness warriors' outta there or at least I never perceived them that way and so I don't really understand the discussions I got and am aware of surrounding GHOST's "PREQUELLE" but who am I too judge, so to say… For all what I can say is that if you are looking out for a damn strong and very Fresh nicely metallic Gothic Rock cocktail full of a very own identity and strong and grapping ideas that combines easily and very charming flowingly Gothic ingredients and Gothic Rock marks with loads of melodic Hard/Heavy Rock impressions and a good amount of stunning Classic/Vinatge Rock ideas and wraps it all together with head-banging studded Heavy Metal leather as well as some good healthy doses of anthemic 1980's Stadium Rock impressions while all is marked by a gigantic 'catchy poppyness' (again, in all sense positive meant) and all interwoven by a tight and nicely intense atmosphere then you will find in and with GHOST's "PREQUELLE" pretty much exactly what you are looking and searching for. GHOST's "PREQUELLE" is heavily marked by a very atmospheric and intense aligned songwriting that's filled with grapping hooks and a very dynamic and rousing, exciting and very energetic approach to it all with a big bunch of strong arrangements and a great flowing nicely diverse rhythm structure work of the songs in general and stunning compositorial ideas so that it pretty much all shines with a strong 'freshness' and it's pretty much all showcasing a pretty own character as well as damn convincing quality. The very urgently and imprloringly delivered, very intense and top notch clear and clean vokillz really shine above all with their massive power, their many facets, and their very own tone and character. Then the very strong and highly diverse and the songs definitely massively enriching and marking fantastic and highly melodic while yet being all the time also pretty powerful guitars then dominate massively, while being backed up in an ultra-precise and also damn diverse way by the powerful rhythm section and 'some other instruments' (so to say, and to make it short and easy for me here) also perform their duties in a damn strong to great way. And in our day and age delivering two instrumentals on one album as a 'chart breaking band' like GHOST do/did here on "PREQUELLE" with "MIASMA" and "HELVETESFÖNSTER" is also a damn strong statement. Not all is gold, okay, for example I miss a bit of dirt and danger and GHOST's "PREQUELLE" is for my taste a bit too secure and there are a bit of too many too pathos-pregnant-balladesk songs on it but after all I guess that's which means the latter is just part of the deal known as Gothic and Gothic Rock and so at the end of the day I guess it's all good and fine especially after I am not that 100% into that target group, so to say. My personal favorites are "RATS", "FAITH", "SET THE LIGHT", the absolutely fantastic "MIASMA", the stunning "DANCE MACABRE", and "LIFE ETERNAL", yes, so maybe check this ones out first. Pretty interesting and cool lyrics, an absolutely drop-dead-gorgeous artwork, and a heavy smashing production sound then finally round GHOST's "PREQUELLE" very befittingly up. Well done, very well done.
(8,5 of 10 points)
http://ghost-official.com/ (-the link to the homepage of the band)





GHOST live @ the "DOWNLOAD FESTIVAL" in 2018, playing "GHOST CIRCLE" and the masterly "MIASMA".






Sonntag, 6. August 2017

DIABLO BLVD. - "FOLLOW THE DEADLIGHTS" (2015)

DIABLO BLVD. - "FOLLOW THE DEADLIGHTS"
(Running time: 51:28 minutes; 11 Songs)
("Nuclear Blast Records"; CD; 2015):
Hey guys, and yes, I am back again and right into the action up here. It was a very, oh boy, I mean a really very busy day and it's more or less just right now that for the first time today since getting up early in the morning I finally can sit down. Getting up early, taking my girfriend to the dentist-emergency-service, doing the weekly shopping for the pets, followed by doing the weekly shopping of food'n'stuff, lifting weights, then working at my house to gettimg it some better sooner than later day finally ready to finally doing my sort of hopefully "final" house-moving, yes, and then finally coming home and doing all the stuff to end the day in a proper way before finally sitting down and taking some deep breaths. My girlfriend's out of order today and I am now also sort of out of order so I turned down my friends when asked to go out for a drink or two and instead of this I think I'll rather finally do some up here again before I fall-a-sleep (probably sooner than later). So yes, what's coming now up here? Yes, a new record-review-post, on the 2015 full-length-album "FOLLOW THE DEADLIGHTS" by DIABLO BLVD. released via "NUCLEAR BLAST RECORDS". It's their third album (but the first one that came up to my ears) and for all what I know it's also still their newest, current one and so this alone would be more than enough of a reason to do a record-review on it even today in 2017. This is an album that totally took me by storm back then and that still rules ongoing supreme today and also it is still on my "heavy rotation" playlist for lifting weights so that I still listen to it regulary even two years after I got my hands on it for the first time; and that should tell already quite a bit of a story. Unknown to me before this one, the great and very unique style of music of DIABLO BLVD. just was right from the start sort of totally "my thing". A great mixture out of dark and sinister, sort of "gothy" Hard Rock or (how I like to call it) Dark Rock and radiating flickering, intense, dynamic, and very energetic Heavy Metal on a very high level of quality'n'charisma and with a very strong own identity. At first dark and creepy gleaming and then more and more and finally completly majestic in a sinsiter and apocalyptic yet bright and hypnotic radiating dark yet beautiful light exploding guitars with phenomenal leads, damn strong solos, and also just a total breath-taking rhythm(ic) work really is the shining and marking trademark of the music, beside the very full and clear/clean, yet hard and also especially elated vocals - and of course a very intense and skilled, tight yet diverse and varied songwriting through which DIABLO BLVD. really deliver a grapping and exciting ride from start to finish on this album. And then there's also still the inspired and strongly varying, massively heavy and yet still volatile'n'fluffy working rhythm section, lending the tracks their powerful and loadable backbone. And all is woven into an impenetrable close and thick and tight sinister atmosphere that's sort of a dark glooming crown on top of it all. Like already mentioned is the songwriting very, very strong and also nicely diverse, and so while DIABLO BLVD. deliver on "FOLLOW THE DEADLIGHTS" sheer truckloads of hooklines and sing-a-longs and while the almighty larger-than-lifes refrains surely are the climax' of every song DIABLO BLVD. also deliver amazing verse arrangements that are in no way inferior to the mentioned refrains. Also the strong grooving and rocking approach, that's marking the songs as strong as the thick sinister atmosphere and the great varying songwriting is a total trademark of DIABLO BLVD. and that for good; and that also is to say about their undeniable hit-potential that they showcase so often on "FOLLOW THE DEADLIGHTS". Absolutely outstanding stuff. This guys are also just high-skilled musicians, just to point that out. DIABLO BLVD. commute in a very independently way somewhere between DANZIG, THE 69 EYES, TYPE 0 NEGATIVE, THE CULT, and VOLBEAT (but much more authentic and honest and "just" more real than the last mentioned), and for any fans of dark Hard Rock/Heavy Metal I think DIABLO BLVD.'s "FOLLOW THE DEADLIGHTS" will be or better is just a close to perfect album, and so it's a highly, yes, highly recommended one. My personal favorites are "SAINT OF KILLERS" (the bonus track on my CD), "BEYOND THE VEIL", "SON OF CAIN" (a real über-hymn), "FOLLOW THE DEADLIGHTS", and "PEACE WON BY WAR"; so start your disovering-journey calmly with this songs and then expand your discovery with the not-less strong not mentioned songs. DIABLO BLVD. deliver on point and surely close to perfect, it will be exciting what will be up next from and also for them; and so long make sure to grab a copy of "FOLLOW THE DEADLIGHTS" in case you really still don't know this masterpiece-album. Yes, okay, that's it, I think I've said all and everything what there was to say so far and no, hm, yes, now I'll say good night and yes, of course for the final time again: Get your copy of DIABLO BLVD.'s "FOLLOW THE DEADLIGHTS" and enjoy it. Okay, now that's it really. Cheers and good night.
(9 of 10 points)
https://www.facebook.com/diabloboulevard (-the link to the facebook-site of the band)



DIABLO BLVD. - "SON OF CAIN" (2015, "FOLLOW THE DEADLIGHTS")