Freitag, 13. Oktober 2017


(Running time: 41:04 minutes; 11 songs)
("Century Media Records"; 2017; CD):
Hey folks, back on track again. A little bit 'exhausted' after today again new ink was 'integrated' into my body, yes, but all is (more than) fine. And look, we are also finally back in 2017, review-wise, like promised/announced. So, okay, here we now have the current 2017 release of/by the legendary BODY COUNT titled "BLOODLUST" and released via (the german based) "CENTURY MEDIA RECORDS". My last encounter with them... whoooaaa... it's decades ago and was and still is named "BORN DEAD", a true classick. The first two BODY COUNT albums were and are absolutely killer records in my book and of pretty huge importance for/to me and my personal 'development'. Don't ask me why I lost them then out of sight, and even the precursor album, hm, I think titled "MANSLAUGHTER" or so and released one or two or so years ago, sort of, totally flew under my radar. And then 2017 hit the scene and I listened to almighty "THIS IS WHY WE RIDE" and "NO LIVES MATTER" via YouTube for the first time and then... fuck it... then it was damn fucking clear that I definitely would need to call this Album finally my own again. And so I did. And fuck this damn bloody world but how great BODY COUNT's "BLOODLUST" is, what a monster of an album, yes, absolutely a masterpiece, and this lyric- and musicwise. This is one hell of a great and fantastic Crossover fusion out of Hardcore, (Thrash) Metal, Hardcore Punk, and Rap, melted together in a total devastating and in every sense and way more than "just" relevant Crossover Metal cocktail that takes no prisoners and knows no regrets. ICE-T and 'his crew' are back, and perhaps sort of better than ever. Crushing and smashing and yet still very diverse and soul- and playful guitars really shine on the whole album, no matter if in (pretty organic) grooving and catchy anthems like the larger-than-life "THIS IS WHY WE RIDE" or in incredible shredding and sawing purest through and through SLAYER-esque sledgehammer Thrash Metal slashers like the breathtaking "RAINING IN BLOOD/POSTMORTEM 2017" or in fantastic harsh yet hymnal as fuck and often Beatdown fueled beasts of songs like "THE SKI MASK WAY", "NO LIVES MATTER", "BLOODLUST", or "BLACK HOODIE" or in an sort of epic killer song like the mighty opener "CIVIL WAR" featuring MEGADETH mastermind Dave Mustaine, all is done high skilled, incredible intense, very diverse and multi-layered as hell, soul- and playful, yes, and still it's all the time beefy and bulky, bonesmashing and headcracking on one hell of a demolishing level.  Beside the totally blasting guitars the fantastic and so incredible unique and charismatic lead (Rap) vocals delivered by ICE-T and nicely backed up by very strong co-vocal(ist)s and broad and fat widescreen gang back up chants are the next biggest marking trademark of BODY COUNT's "BLOODLUST", and for all the right reasons. The totally precise, versatile, and massive to the point played and delivering rhythm section then is the final puzzle-piece rounding "BLOODLUST" in an impressive way up. The songwriting is not only incredible intense and done in a high skilled way, but also very fresh and just damn strong, and that this fine gentlemen know how to play should be clear anyway anyhow. The lyrics are very strong and outspoken, political, critical, and socially aware, yes, and all on a very high level of quality, I love it. ICE-T and BODY COUNT in best form, in absolute best form, and this lyricwise and musicwise, point and fact. A very sinister artwork, that's a perfect match to/for/with the very tight dark, angry, pissed off, militant, gladiatorial, and intense atmosphere of "BLOODLUST", and a full and heavy first class production sound then round the complete package finally up. My personal favorites are "THIS IS WHY WE RIDE" (my absolute favorite), "NO LIVES MATTER", "BLOODLUST", "BLACK HOODIE", "CIVIL WAR" (featuring MEGADETH's Dave Mustaine), "THE SKI MASK WAY", "ALL LOVE IS LOST" (featuring SOULFLY's & the CAVALERA CONSPIRACY's very own Max Cavalera himself), and "RAINING IN BLOOD/POSTMORTEM 2017", so maybe check out this songs first - but in all honesty, nearly every song is a total killer, and only "GOD. PLEASE BELIEVE ME" isn't really kicking me, hm, but maybe that's just me. So, yes, any fan of Hardcore (Punk), (Thrash) Metal, Rap (Metal), and Crossover (Hardcore/Metal) should get his/her/their hands on BODYCOUNT's "BLOODLUST" because this is for sure one of this year's highlights for all of you, and with saying this I mean for all of us. And so, yes, enough words had been spent, for sure, so go out and (finally) get it as soon as possible. Damn fucking great!!!
(9,5 of 10 points) (-the link to the homepage of the band, do and check it out)



Montag, 9. Oktober 2017


(Running time: 33:47 minutes; 15 songs)
("Nuclear Blast Records"; 2016; CD):
Okay, after August turned out to be sort of an un-official Rock/Hard Rock/Heavy Metal/Metal month up here and in September only came one post/review up here, also Blues/Rock, and the two posts/reviews of this current month, October, so far were also Rock and Metal I really felt like it's time to bring some violence back up here, finally again, and before finally more Oi!, Punkrock, Hardcore, and Streetpunk albums (beside also some great Death Metal and Death Core stuff + also a big bunch of reviews on current releases that I so far used to hold back... because last month was anyhow planned to be at least a bit more active up here then... anyway...) will come up here, review-wise, we will now have a close look on and some even closer listens in(to) the so far still current album of the godfathers of Crust/Crustcore/D-Beat and I am talking 'bout DISCHARGE's "END OF DAYS" from 2016 released via the german "NUCLEAR BLAST RECORDS" label. I love Crust/Crustcore/D-Beat, once it was sort of one of my most favorite music styles outta there (and I still simply "just" love it), after I grew into it through my (strong-ongoing) love-love-relationship with (especially british) Hardcore Punk like for example THE EXPLOITED, G.B.H., CHAOS U.K. or THE VARUKERS; and from this heroes and legends the step to DISCHARGE, as my first Crust/Crustcore/D-Beat band ever, was (and still is) a very close and short one. So when last year "END OF DAYS" was (finally) released it was pretty clear for me that I definitely would need to have DISCHARGE newest offspring in my collection. Yes, and so I did. And now we have 2017 and finally we sit here, yes, right now I am writing this review, a bit later or sort of you will (finally be able to) read it; so, yes, now more than enough of the introducing smalltalk and now finally straight into the action, yes, and so here we go: DISCHARGE are back and they fire out of all barrels, "END OF DAYS" kicks off with the über-hit "NEW WORLD ORDER" followed by the evil slasher "RAPED AND PILLAGED" and the two harsh Crust/Crustcore/D-Beat sledgehammers "END OF DAYS" (a.k.a. the title-track) and "THE BROKEN LAW" and both tracks conquer in a supreme and total way  with stunning energy and pissed off honest aggression as well as catchy lead guitars and huge sing-a-long potential. A great start for the "END OF DAYS". DISCHARGE surely don't invent anything new with "END OF DAYS" but who could or would or should have expected this, come on, because I mean Crust/Crustcore/D-Beat is sort of a pretty strict defined sub-genre of Hardcore and Punk and DISCHARGE pretty much sort of invented it all, so yes, but we all could expect that DISCHARGE deliver and deliver the goods and that they succeed in breathing "ongoingly" new life, fresh air, and pure energy into this beloved intense kind of musick - and so they do/did with "END OF DAYS". Dustdry shredding and bonecracking heavy guitars push the songs "mercylessly" forward, pure energy and harsh raging dynamics, all the time delivering skullsmashing riffs and grooves and all sort of without end but also shine with great "up-freshing" leads and very strong solos, hell yeah', the guitars really hammer the songs into our heads and are definitely a very strong trademark of DISCHARGE's "END OF DAYS"; and this for all the right reasons. The pissed off and powerful shouted and yet surprisingly and "refreshingly" very clear and clean delivered vokillz then are the next strong trademark of this slashing album, very charismatic and forceful and delivering also great sing-a-long parts that really shine in this brutal musick cocktail. The ass-tight rhythm section, damn precise and incredible to the point played, then adds the mighty punch that's definitely needed to really push this kind of musick forward and trust me, oh hell yeahr, when I say that there are no prisoners being taken. Any fan of THE EXPLOITED, TOTAL CHAOS, DISCHARGE, DISGUST, SKIT SYSTEM, GENOCIDE SS, etc. pp. definitely will love "END OF DAYS", point and fact, and MOTÖRHEAD and THE HOOKERS fans who are also into very heavy Punk should also give it a good round. The songwriting is very strong, offering nice little-big twists and turns along the ride and shining with some cool fesh ideas like for example a pretty strong focus on melodic song arrangements (like for example in the riffing department) and very catchy, melodic solos, and a strong dirty Rock & Roll approach to it all, and not to forget the very anthemic/hymnal character of the very most of the songs on "END OF DAYS". And all is delivered by skilled musicians with a lot of heart, soul, and passion, and with so much fresh energy and an authentic attitude so that DISCHARGE's "END OF DAYS" is a totally relevant and up-to-date record and in no way a lame, stale, "retroish" album that's trying to recatch some old glory done by old farts, hell no, this is a brutal sledgehammer straight smashing into your damn face leaving it a bloody mess, a wake up call, an alarm bell ringing, in short: This is CRUSTCORE, period. Surely not all songs shine in gold, but also surely the most of them. Militant and pissed off, critical and aggressive, left-winged and mostly very strong'n'good lyrics, a cool sinister artwork, and a hard and heavy yet very clear and transparent production sound then finally round it all up in an all positive way. So all in all this is clearly recommended by me to/for you, yes, and so if you really still don't have or know it you should definitely finally change this and get your damn hands on it and then play it damn fucking loud. Because you know, I don't always listen to Crustcore, but when I do so do my neighbours.
(8,5 of 10 Points) (-the link to the homepage of the band, check it out)


Freitag, 6. Oktober 2017


(Running time: 70:27 minutes; 12 songs)
("Nuclear Blast Records"; 2016; CD):
Okay, f**k it, now you got me, I'm not proud of this here and now, nah, really not, but... god damn it, what shall I say... you got me, now comes a little secret (okay, after I am finally doing this review I think we can cross out this 'secret' anyhow) guilty pleasure of me, myself, and I. This is TWILIGHT FORCE's (for all what I know) second album (their first one on "NUCLEAR BLAST RECORDS") titled "HEROES OF MIGHTY MAGIC" and it was released last year in 2016 at the 26. of August and it even entered the german media control charts. Normally you can take stuff like this and stick it into your bodywhole where the sun never shines on (normally) but here with this album... damn it... TWILIGHT FORCE somehow really managed to grab me. They remind me of mid-to-late-1990's/early-to-mid-2000's European (Power) Metal bands like for example RHAPSODY and maybe also some STRATOVARIUS like stuff and some (especially Kiske-era) HELLOWEEN and especially the first two mentioned bands were and still are in ongoing strong pure hate-hate-relations with me, hm, I think Symphonic Metal was and perhaps still is the right name for this kind of (Heavy) Metal music. Very playful and cheerfully done melodic and symphonic songs with a rampantly epic approach to it all and all is heavily and I mean HEAVILY marked by in all honesty incredible corny and saccharine bombast-fueled orchestra-, keyboards-, choir-, and soundtrack/sample-parts, and this parts are (sadly) very often so strong that the Metal in the music of TWILIGHT FORCE totally gets pushed back in a strong way, nah, I mean in a very strong way. That's really sad. I mean, okay, you may can say so "HEROES OF MIGHTY MAGIC" earns a lot of characteristica that would fit the epic bombast soundtracks to blockbuster fantasy epos' like for example the "THE LORD OF THE RINGS" or the "THE HOBBIT" movies perfectly, for sure, but this is still a Metal album anyhow anyway (or at least I think/thought so) and so that's just sort of sad, especially after the "real and normal" Metal "stuff" on TWILIGHT FORCE's "HEROES OF MIGHTY MAGIC" is in most parts really, really strong. Fantastic lead vocals, strong and powerful, expressive and pretty chracteristic, covering a wide distance of different moods and facets; very strong and diverse guitars, symphonic singing and "melodicly" bright shining, yet still heavy and powerful as well as swift as an arrow and sharp cutting all the time; a very versatile and diverse, yet incredible tight and precise rhythm section; and loud melodic band back up singings as well as (mostly) first class guest vocals; yes, here you find really a lot if you work yourself through all the saccharine-corny melodies and the soundtrack dingle-dangle, really a lot of pretty high quality and with an already special unique flavor to it all, if you just take the time and work yourself into this album and allow it to grow on you. So, from my point of view, I think it's really sad that the Metal often gets too strongly pushed back - but maybe that's just me, who knows. Anyhow, I allowed TWILIGHT FORCE's "HEROES OF MIGHTY MAGIC" to grow on me and, yes, it suddenly became a guilty pleasure for/to me. Live with it, take it like a man, so I do, hahahaha. ;-) Btw, that from my point of view I here and there think that the songs are just too epic or "epic", too forced, too wanted, hm, should maybe be mentioned here and now as well. Check. Lyricwise this is through and through Fantasy Metal or Adventure Metal or (for you Real Life Roleplaying folks outta there) Roleplaying Metal and it's full of mysterious, fantastic creatures, dragons, heroes, warriors, knights, magicians, castles, and "BATTLE(s) OF ARCANE MIGHT". And the absolutely outstanding artwork is a perfect match to this Fantasy Metal concept and just totally great. Btw, that the album title is sort of a nice little play with the old and mighty PC games series "HEROES OF MIGHT AND MAGIC" I really like a lot. :-) The production sound is (for my personal taste) much too soft and clean and only takes away more "room" from the (Heavy) Metal spirit here and there. Anyhow, this album really has a lot to offer and every fan of Fantasy and Metal and Bombast should and can calmly risk one or two ears - really calmly. Surely not an album for every or any day or moment, but (personally for me) a nice little guitly pleasure. Put some "DRAGON'S DOGMA" into your Playstation, put on TWILIGHT FORCE's "HEROES OF MIGHTY MAGIC" and just sink for 70 minutes into a brighter and more colourful world full of mighty magic, honorable heroes, and proud dragons. Some escapism from my time to time never hurts, so, yes, I really like this one from this swedish Symphonic Metal folks; and there are times where some little escapism is all you need and may it be just for a little bit more then one hour. My personal favorites are "BATTLE OF ARCANE MIGHT", "FLIGHT OF THE SAPPHIRE DRAGON", "THERE AND BACK AGAIN", "RIDERS OF THE DAWN", and "HEROES OF MIGHTY MAGIC", so, yes, maybe start your listening session(s) with this ones. Anyhow, a good album, so give it a fair try.
(7 of 10 points) (-the link to the facebook page of the band, check it out)


Mittwoch, 4. Oktober 2017


(Running time: 40:08 minutes; 10 songs)
("Nuclear Blast Records"; 2016; CD):
God damn it, July and August were very good months up here and then in September only one post saw the light of day up here. No, this blog wasn't already dead again and it's still very well and alive it was just a very busy month - very, very busy. But okay, enough of the whining and now back into the action and so back on track again with a new record-review up here and this time on the 2016 full-length-album "LADY IN GOLD" of/by the mighty BLUES PILLS. The 'highflyers' of the last years and pretty much sort of one of the 'kickstarters' of the whole current Classic Rock hype. After I am totally into this whole Rock/Hard Rock/Heavy Rock/Classic Rock thing then and now that's all more than fine with me. This is the follow up release to/of their (I think so) self-titled 2014 album (back then also released via "NUCLEAR BLAST RECORDS"), and so here we have "LADY IN GOLD" and it finally made its way up here on this very blog. Okay, enough of the small-talking-stuff and so now finally to some precise looks on and listens to the "LADY IN GOLD". The BLUES PILLS deliver us here ten (back then) new songs of their heavily by Blues fueled and strongly by 1970's (Hard) Rock influenced Classic Rock or maybe better Vintage Rock that (this time) also offers a lot of Soul, some Psychedelic (Rock) notes, and even some few Gospel marks and impressions in it and all done very, very fresh and alive-lively, denying every and any lame and stale retro crap bullshit any chance of taking any ground; and that's damn fucking good. The BLUES PILLS bring fantastic and heartfelt, soulful and playful, very sensitive (yet in the right moments ass kicking) and melodic/symphonic, multi-layered, and diverse guitars to the table, backed up by a breath-taking tight, precise, yet 'airy' and versatile rhythm section, and a bunch of 'other instruments' (xylophone, piano, organ, mellotron) to cultivate and enrich and round it all up in a very nice and delicious way. And above all there thrown the larger than life and stand alone lead vocals by/of the in every sense and way stunning Elin Larson, here and there supported by 'goosepimples-giving' (Gospel) choirs. Add to this a high skilled and very rich and diverse songwriting full of several emotions, moods, fresh and surprising moments, and just great twists and turns and an intense tension-building and you'll pretty much know what a great album is coming here for/at you. Okay, any favorite songs to list here makes no sense, because the whole album is just purest Gold if not platinum. A fantastic artwork, cool lyrics, and a first class earthy and dirty yet transparent and especially full and warm production sound we get on top of it all. Okay, this is, I think so, a pretty short review, especially for 'my usual standards', anyway, I've said all what there is or was to say, I can only highest recommend BLUES PILLS' "LADY IN GOLD" to any fan of fresh, sympathic, authentic. honest, real, and just damn-close-to-brilliant and just bright and golden shining (Classic/Vintage) Rock music. So, in case you really should have missed out so far on this masterpiece, why the bloody hell ever, you should really change this, finally, as damn fucking soon as fucking bloody possible, yes, because this is an outstanding masterpiece pretty close to perfect. So go out and get it, and now cheers and good night.
(9 of 10 points) (-the link to the homepage of the band, so check it out)


Dienstag, 5. September 2017


(Running time: 42:42 minutes; 12 songs)
("Promotone B.V." & "Polydor Records"; 2016; CD):
Hey guys, yes, after a week off I am finally back at it again, and so here now comes a new post and this means (again) a new record review for you and this time (again) on another 2016 release and it's no other than the mighty "BLUE & LONESOME" album by/of the legendary the ROLLING STONES; recorded back in 2015 in the "British Grove Studios" of and by the mastermind Mark Knopfler himself and when they hit the studio they decided in a spontaneous decision (at least so the story goes) to not record a brandnew studio album (like they've planned it primarly) but instead of this they did their very own tribute versions to grandmasters of old of the Chicago Blues and compiled this beautiful album completly with/out-of this versions. (And with this they also payed tribute to their very own beginnings as a Blues cover band.) What really marks this album in a very strong, an impressive, and also in a very unique and solely positive way is the fact that it is very raw done without modern studio technique dingle dangle and without overdubs and all this stuff, it's very down to earth and kneedeep in the dirt while it's dustdry and shaking your bones down to the core. And this is also showcased in the way the ROLLING STONES did their versions of the old Chicago Blues classics, because they also did/do it all very deep rooted/down to earth, dustdry, boneshaking, and very fresh, all in a very organic way. And also the ROLLING STONES play the Blues on this album sort of like it once was meant to be played, without never ending guitar solos and such stuff. You might could say that the ROLLING STONES here on "BLUE & LONESOME" play the Blues in a very non-white, in a more original way, yes, and they do it impressively strong. Powerful and organic grooves, very transparent and yet still very diverse and multi-layered, dirty and earthy and still very playful guitar playing, all with much heart, soul, and passion, absolutely fantastic lead vocals (it's been a long, long while since Mick Jagger sounded that strong and enthusiastic), a shining and singing harmonica, and a powerful and nicely beefy and bulky rhythm section to round it all up, that's what we get here, yes, and all delivered via top notch songs (yes, the grandmasters of old knew how to write and do first class songs), yes, that's simply a damn strong and a really good album that also comes with thoughtful linernotes and a fantastic production sound as well as a cool artwork, yes, and the great Blues lyrics also only sort of add up to the impressive quality of "BLUE & LONESOME". It's simple, yes, I can nothing but calmly and clearly recommend the ROLLING STONES' "BLUE & LONESOME" to you if you are only a slight little bit into good old Blues music and so don't make the mistake that this wouldn't be really good, nah, really great stuff just because it's a pretty short review, nah, because then you would make a big mistake. And so, yes, if you really still don't have or even know it you should better make sure to change this finally and best as soon as possible, so go out and get it and I now pour me, myself, and I another glass of Bourbon and start this album for another round, so yes, cheers and good night.
(9 of 10 points) (-the link to the homepage of the band)


Dienstag, 29. August 2017


(Running time: 64:10 minutes; 11 songs)
("Nuclear Blast Records"; 2017; CD):
Hey guys, here's the next one coming for you and like (yesterday) announced it is finally again a new record review on a new 2017 album and in this case we will now have a detailed look on OVERKILL's "THE GRINDING WHEEL" released this yery year via the german "NUCLEAR BLAST RECORDS" label. OVERKILL were one of the very first Metal bands that "went beyond Heavy Metal" that I far way back then came in contact with and I fell promptly in love with them, and if the world would be an anyhow/anyway just place, only a very little bit, OVERKILL would definitely occupy safely their place in the ranks of the so called "Big 4" of Thrash Metal but anyhow. Over the last decade I lost them a little bit out of sight and so "THE GRINDING WHEEL" is their first album to make its way into the ranks and onto the shelfs of my collection since their "KILLBOX 13" masterpiece from sort of one and a half decade ago or so. The albums since then I know, some more and some less, but somehow none of them made its way into my home, why ever, but this finally changed again with "THE GRINDING WHEEL". Reading first reviews on it back when it was released at the beginning of this year of 2017 made me damn curious on/about it and so I went and bought it finally one beautiful day and oh hell yeahr how it should conquer me, damn it!!! OVERKILL's "THE GRINDING WHEEL" is, in my perception, a mixture out of their very hymnal and anthemic early days and records when they played a very strongly Heavy Metallic sort of Thrash Metal and of their phenomenal stunning intense and heavy yet still very diverse atmospheric mid to late 1990's phase and especially their absolute masterpiece and my all time favorite of them "THE KILLING KIND" comes to my mind (and its also just fantastic successor album "FROM THE UNDERGROUND AND BELOW", too), and I would say that when you add sort of an epic approach to it all you may get a pretty good impression or imagination of what "THE GRINDING WHEEL" is all about, and just by the way "THE GRINDING WHEEL" is OVERKILL's 18th full length album and it's so incredible fresh, play- and joyful, delivered with so much heart, passion, soul, and energy like the most and biggest majority of today's oh so much celebrated newcomers and young ones in (Thrash) Metal not a single bit get it done, yes, and this says a lot (if not everything). The energy level is all the time shifted to/on "high octane full throttle" mode and it's just fantastic that OVERKILL so easily manage to work into the surely mostly by mid paced tempo dominated songs one hell of an incredible big dynamic and a lot of surprising elements and parts, atmospheric and emotionally intense tones, as well as just purely exciting twists and turns, massive slamming grooves, top notch changes of the tempo and the pace of the songs, massive sing along anthemic and hymnal parts and "hooky" refrains, just pure damn crushing heavyness, and one hell of a strong and great inner diversity of the songs, all marked by an amazing compositorial work and just absolutely shining arrangements. It's just, yes, damn fucking outstanding amazing, period. The harsh and heavy yet just highly diverse and rich-on-variations as well as just fucking intense and atmospheric guitars really shine with their brilliant rhythmic work and their "godlike" melody lines, leads, and solos. Blitz' vocals, that are backed up by top notch loud crew back up chantings, just totally shine in their still very own extremity and with their very own unique identity and character and also with a huge load of fantastic melodies worked into the lead singing performance. The absolutely top notch rhythm section then finally is sort of the "crowning point" of/to it all. The songs are nothing but epic or at very least "epicly done" with no song being shorter than five or six minutes and yet they are so exciting and grapping over all the time and just so diverse and varying and just "valuable'n'rich" that their flow is definitely nothing but highly-to-highest impressive. And with so much to offer and so many absolutely rousing, grapping, and exciting force in it all "THE GRINDING WHEEL" is just one hell of an intense and great ride. That these fine gentlemen are also high skilled musicians should be clear anyhow. If you ask for my personal favorites then I would name you "MEAN, GREEN KILLING MACHINE", "GODDAMN TROUBLE", "SHINE ON", "THE LONG ROAD", "LET'S ALL GO TO HADES", "RED, WHITE AND BLUE", and the larger than life bombastic and epic titletrack "THE GRINDING WHEEL" itself. The bonus song "EMERALD" is also a fantastic piece and a true gem and with its very strong melodic and hymnal, pure Heavy Metal character it is also one of my absolute favorites on this one here. But also the not mentioned ones are anyhow pure Gold as well. Absolutely first class lyrics, a beautiful artwork, and a top notch production sound we get on top of it all. So, yes, here we have a through and through pure and true force of an album that's nothing but incredible great and comes damn close to being a through and through perfect album. Okay, I think I've said enough, closing time up here right now again, yes, so my final words are: Amazing, get "THE GRINDING WHEEL" as soon as possible if you still don't have it in your collection. And now, of course, cheers and good night.
(9 of 10 points) (-the link to the homepage of the band)


Montag, 28. August 2017


(Running time: 64:21 minutes; 11 songs)
("Steamhammer" & "SPV"; 2016; CD):
So guys, back again, doing what I use to do up here, yes, and so next post, next record review, and next... okay, okay, okay... I'm about to trick you with this one because before a next new 2017 album will be reviewed by me for you up here I'll anyhow do a review on another 2016 album "just" because, yes, damn it, I have this one now already sort of one-and-a-half year and I finally want to get the review on it done and after this month is sort of an "unofficial-official" (Hard) Rock/(Heavy) Metal month (more or less...) up here this certain or particular album is also a perfect match to the current "monthly theme", and, yes, so here we go again (-but you can be sure about that the next review up here the coming days will be one on a 2017 album, definitely, trust me): Here now comes my review on the 2016 full length release "GAME OF SINS" by the german legend(s) AXEL RUDI PELL for you, okay, it was released @ the 15th of January of 2016 via "STEAMHAMMER" and "SPV", yes, and for all what I know it's still the current proper full length album of/by AXEL RUDI PELL because since "GAME OF SINS" so far 'only' a sort of a compilation (?) album titled "THE BALLADS" was released more or less recently this very year, yes, and so you see that there's still anyhow enough of justification to still do a review on it up here for you anyhow anyway. So, okay, with this 'general-information-talking' out of the way let us now have some more precise and intense looks and 'listens' on and in AXEL RUDI PELL's "GAME OF SINS", the 16th full length album in sort of over 25 years. AXEL RUDI PELL and 'his crew' deliver here on and with "GAME OF SINS" again a 'brilliantly' done heavy and stunning as well as also a 'larger than life' very hymnal and melodic/symphonic Hard Rock (or Heavy Rock) album close to the border of/to Heavy Metal and it's crossing this thin border more than just one time. A very unique and 'stunningly' hard and heavy yet 'fantasticaly' melodic and symphonic guitar work with a strong (very) own character to it all and pretty much sort of highest skilled done, yes, rich on variations, very diverse and working in a 'compositorial-damn-great-way' a lot of different and varying moods, emotions, and tones/tonings into the songs as well as also great 'twists-and-turn' and smart changes; and, yes, I'm pretty sure you guessed it already so far and if you did/do so you would (have) be(en) right with thinking, saying, and stating that the guitar work is the definite keyelement of the music and songs of/by AXEL RUDI PELL and so also on "GAME OF SINS" and this (one more time again) in a very impressive way the guitars are delivering a just outstanding strong and also nicely diverse and varying rhythm work full of grapping arrangements and rousing a massive load of tension all the way, yes, and then above all shine the truly larger than life guitar leads and guitar solos and they are also adding to the very own and pretty or very unique character of AXEL RUDI PELL's music and this in a massive way. Also adding up to this all and also doing this in a massive way are the phenomenal strong lead vocals that also shine in a very self-contained/independently (bright) light and have a very own tone/toning and so also a very own character and are also just done 'impressively' strong. The rhythm section is then the final precious gem that "GAME OF SINS" offers to us all, yes, and the harsh and definitely stunning, dustdry, and bonecracking heavy and very tight and consequent to the point played yet very dynamic and diverse performance of bass and drums really "just" conquer and this in an absolutely impressive and massive, yes, 'simply' totally conquering way and style. The atmospheric arranged and working keyboard also is 'just' absolutely pure gold. That the "musical delivery" is 'just' absolutely top notch and definitely highest skilled should need no further explanations and so I won't babble on and on about it. To or about the songwriting I more or less said some lines above (when I was praising the outstanding "trademark-guitar-work") quite a bit and so I will here and now just say that it is nothing but grapping and exciting, intense and emotional'n'atmospheric, very tight and also very dynamic, yes, and definitely also very diverse and varying, pretty multi-layered and offering a lot of (very) precious treasures to discover while the level of power and energy is always very high, no matter if we get soulful ballads, heavy rockin' stompers, epic masterpieces, catchy anthemic hymns, or hard slashers, yes, so for sure the quality as well as the intensity is always very high. A big load of great lyrics, a fantastic beautiful artwork, and a first class production sound finally round it all succesfully up. The whole album is a damn great piece of art and music and so I am really not so sure if listing my favorite songs here and now for you as sort of "informations-where-to-start-your-journey-to-discover" the "GAME OF SINS" by AXEL RUDI PELL but if you're really interested in it then I'll name you the (al)mighty "FIRE", "SONS IN THE NIGHT", "GAME OF SINS", "LOST IN LOVE", "THE KING OF FOOLS", "BREAKING THE RULES", and the breath-taking and amazing cover version of BOB DYLAN's almighty "ALL ALONG THE WATCHTOWER" (the bonus on the limited (?) digi pack version of the album, that I thankfully call my own), so maybe start your "discovering journey" of AXEL RUDI PELL's "GAME OF SINS" maybe first with the here mentioned songs, yes, all true and pure great ones. Any fans of AXEL RUDI PELL definitely (so I am very sure) have (and love) "GAME OF SINS" already for quite a while since it was released one or one and a half year ago and so I don't need to praise it anymore to you, yes, but to any Hard Rock (or Heavy Rock) and also Heavy Metal fans out there that maybe still don't have or even know AXEL RUDI PELL's "GAME OF SINS" I can only highly recommend this truly great album and so you best go out and get your hands finally on a copy of it as soon as possible, yes, because otherwise you would really miss out on one hell of a top notch release; so, yes, now just go and get it. And I'm already stoked and pretty excited for the new AXEL RUDI PELL album  to finally be released and maybe I'll also finally grab a copy of "THE BALLADS" album that I've mentioned above one (soon) day, yes, and maybe you should do so, too.
(9 of 10 points) (-the link to the homepage of the band)

AXEL RUDI PELL - "FIRE" /live\ (2016, "GAME OF SINS")

Sonntag, 27. August 2017


(Running time: 59:39 minutes; 13 songs)
("Nuclear Blast Records"; 2016; CD):
Hey guys, next one is coming up online already today (or at least I'll try to). After last time (which means two hours ago or so) we went back in time, "review-wise", and landed again in 2015 (after yesterday we finally reached 2017 again) we now start to move ahead in time, "review-wise", again and this time we will have a close look on a 2016 album, yes, before we will then hit 2017 again with the next post (but that probably won't happen still today). So, yes, 2016 is now in the centre of our interest up here respectively a 2016 album that I will review right here and now for you, okay, this 2016 album is no other than ANTHRAX' last year "FOR ALL KINGS" longplayer that was released via the german "NUCLEAR BLAST RECORDS" label. ANTHRAX returned with "FOR ALL KINGS" to carry on the legacy that they've created so far already with "WE'VE COME FOR YOU ALL" (an almighty masterpiece) and "WORSHIP MUSIC" (a damn strong one) so you can expect and prepare yourself for thrashing Modern Metal or modern Thrash Metal (I guess that depends on your own favorite perspective) and all with some good doses of some heavy hitting & sharp cutting Modern Rock in it, too; with a clear and damn strong focus on crushing grooves and a very forceful and charismatic rhythm work and with also a big focus on slashing mid tempo pace and just pretty cool and stunning as well as more or less often surprising and always strong rhythmic and "guitarwise" gadgetries. What I personally like very much is the fact that ANTHRAX play it all very fresh and independently, not copying anything or anyone and even not them-/theirselves. For sure, "FOR ALL KINGS" carries forth what they've started with the two above mentioned albums, no doubt about it, but "FOR ALL KINGS" really stands for it own and it definitely stands and holds its very own ground and this also in the ANTHRAX discography, well, and if you really desperately want to compare "FOR ALL KINGS" to any other ANTHRAX album then imagine a very unique and independently, self-contained mixture out of "WE'VE COME FOR YOU ALL" and "PERSISTENCE OF TIME" and you maybe get a pretty good imagination of what "FOR ALL KINGS" is all about. Make sure that you are well prepared for an impressive guitar work that shines damn bright in the rhythm department but that also carries huge loads of fantastic melodic lines, leads, and solos; for really fantastic lead vocals that absolutely excel on the whole album no matter what the conditions to master are (and that are nicely backed up here and there in a beefy way); and for a just forceful, stunning, tight, and to the point played rhythm section. It's all surely top notch stuff. ANTHRAX deliver that all on a very high skilled level and melt it all together via energetic and dynamic, intense and also pretty atmospehric and nicely varying songwriting, and all is on point. The whole album is also marked by a pretty cool and powerful "catchyness" and the songs are very melodic as well as "crushingly" in a rockin'n'groovin' way and showcase also a lot of hymnal/anthemic potential, as well as a lot of rousing and grapping moments and elements so that a lot of tension is caused. That the delivery is all the time on point should be clear and should need no further mentioning, and so it is here just mentioned for "reasons of completeness". Strong and good, also pretty diverse and socially aware/politically outspoken lyrics, a highly beautiful artwork, and a fat "bombing" powerful production sound then round it all up, yes, and this in a fine way. My personal favorites are "YOU GOTTA BELIEVE", "MONSTER AT THE END", the title track and über-anthem "FOR ALL KINGS", the absolutely brilliant "SUZERAIN", "ALL OF THEM THIEVES", and "THIS BATTLE CHOSE US". But the not mentioned songs don't fall off (much) anyway anyhow - beside the incredible boring and sort of "just" too "blocky" (in an annoying, negative way) "DEFEND/AVENGE" - even I would here and there wish for sort of a little bit more "fresh excitement" or how else you may call it other/better, hm, but maybe that's just me and so anyhow. At the end of the day I can calmly and clearly recommend ANTHRAX' "FOR ALL KINGS" to any fan of the "new" ANTHRAX and fans of modern Thrash Metal and hymnal thrashing Modern Metal as well as surely also fans of heavy hitting Modern Rock, yes, because it's simply a really strong and also a damn good album that you definitely should have in your collection, yes, and so in case you really don't have or even know it so far you just finally should get your ass off, go out, and get a copy of it, hell yeahr, because it's for sure a strong and a truly damn good album, point and fact. And now, yes, I guess that's it so far and so now I just wish you a nice evening tonight and we will read us sooner or later again the next days, cheers.
(8 of 10 points) (-the link to the homepage of the band)



(Running time: 54:33 minutes; 14 songs)
("Bludgeon Riffola Ltd." & "Edel Germany GmbH"; 2015; CD):
Hi folks, I'm finally (or so) one more time back @ it again, doing some new stuff up here, heading into the final week of the (if you want so) solely (or more or less solely) Rock and Metal month up here, and we will do this with this review on the 2015 self-titled full length album by the british grandmasters of Rock, yes, no one else than the (al)mighty DEF LEPPARD. When this album came out back then two years ago in 2015 I've read a lot of very enthusiastic reviews saying that this is sort of a comeback for this fine gentlemen with stating that DEF LEPPARD released with "DEF LEPPARD" their best album since/in 28 years, their best since their immortal and larger than life classic "HYSTERIA". Hm, I won't go into this simply because back then when "HYSTERIA" first came out I was like six years old or so and so anyhow I don't think I would be the or just a right one to judge this, no, but what I can judge and what I will say is simply that DEF LEPPARD's "DEF LEPPARD" was and damn sure still fucking is one damn amazing hell of an album; and I'm pretty sure it will continue to be and stay exactly this for many, many years to come, point and fact. DEF LEPPARD celebrate on this one highest skilled, playful and colourful, very passioante and heartfelt, honest and just really big AOR on one damn incredible high level of quality with totally unexpected youthful-fresh energy and all is highly dynamic and filled to the max with varying and diverse arranegments rich on varaitions and high on adrenaline, this is truly nothing but absolutely top notch first class Melodic Rock with a lot of Pop Appeal and some slight Hard Rock impressions in it all with a classic but yet very youthful and fresh approach to it all. All is filled with a very multi-layered and just rich guitar work that excels with just amazing melody lines and sensitive leads and just very symphonic solos as well as a totally overwhelming and just massively conquering soulful rhythmic work; and for sure the guitars are the most marking trademark on/of "DEF LEPPARD" and they just shine in an incredible bright light and are full of emotions and just a through and through heartfelt authenticity, creating many larger than life moments again and again. Then there is a just "stunningly" cool and nicely present absolutely high skilled bass work that manages to commute "brilliantly" between clever and laid back restraint on the one side and sheer force and cool "walking" grooves that mark the songs strongly on the other side. The very sensitive and yet still nicely with some power delivered keyboard playing enriches the songs in a very strong way, like the powerful "punching" drumming creates the right loadable foundament of the songs to be build further on with a lot of tension created through an impressive strong compositorial work. The melodic, clear, and yet with a lot of force delivered lead vocals, that are also joining forces with some nice backings here and there, then finally put the crown on it all. All is delivered by high skilled musicians on a very high level of musical quality and this all via one hell of an outstanding songwriting that rouses a lot of tension, that is filled with grapping and exciting moments and surprises all along the ride (like for example the smart tribute to Psychedelia in form of the masterpiece track titled "SEA OF LOVE"), and with just a lot of awesome arrangements. This is an exciting ride from start to to finish, and it is one outstanding piece of just really great and impressive masterpiece Rock music, and it is also fantastic how hymnal and anthemic this whole album is and this all combined with a very cool attitude and an intense and emotional (and this means "emotional-diverse", but all the time honest and real) atmosphere, and from (powerful) ballads to just cool and hard rockin' and harder groovin' Rockers we get here it all. Strong and intersting, pretty often also strongly "uplifting" lyrics, a transparent and clean, yet still warm and nicely powerful production sound, and a first class artwork we finally get on top of it all as well. My personal favorites are "LET'S GO", "DANGEROUS", "MAN ENOUGH" (sort of the coolest walking bass I've listened to in a long while), "WE BELONG" (incredible beautiful), "INVINCIBLE" (my absolute personal favorite), "SEA OF LOVE", "ENERGIZED" ('the-name-is-programm') "ALL TIME HIGH", "FOREVER YOUNG", and "LAST DANCE", so maybe start your journey to discover DEF LEPPARD's self-titled "DEF LEPPARD" masterpiece, but be sure that the not mentioned songs are definitely no weak stuff. Only "BLIND FAITH" and I don't really come together, hm, but however... What I also really like, no, not like but honestly love is the fact that this album is incredible powerful and lifts you up in a massive way while listening to it; and so, yes, it's no wonder that it's one of my current favorites respectively (to say it better and more precise) currently in my current Situation one more time again one of my favorites. So, okay, I think so far I've said it all what there was to say, so yes, DEF LEPPARD's "DEF LEPPARD" I can only highly recommend to you if you are into AOR, Rock and/or (still very melodic) Hard Rock and so if you really still don't know it then make sure to change this best right now. An amazing album, still today, point and fact.
(9 of 10 points) (-the link to the homepage of the band)